1.) BASIC INFORMATION: What is the name of the artist who created this artwork? _Sandy Skoglund_ What is the title of this artwork? Radioactive Cats What is the medium of this artwork? __Cibachrome photograph__ In what year(s) was this artwork created? ______1980________ 2.) SUBJECT: What is the subject of this artwork? Describe the subject matter of the artwork, as well as including a brief description of the artwork itself and the specific scene depicted. Describe the subject matter: I had a hard time figuring out what I thought the subject matter is. There is not a clear representation of the focal point, as there is a lot of things happening in this picture. It seems that it could possibly be the people, the broken chair, or maybe a particular cat. Although, the cats and the male are looking toward the broken chair, and the woman, separately. …show more content…
Your term choices must come from the list at the top of this worksheet document. Type the term into the blank for each section, and then describe where in the artwork you see the term being used, as well as how or why the term is used in the artwork to visually communicate. Make sure you are being as specific as possible, and include specific examples. Term #1: Symbolic Color Describe where this visual element is used in the artwork: I think symbolic color is used in the yellow-green color of the cats coats. Describe and explain how the artist used this element to visually communicate: I believe the artist used the yellow-green color for the cats coats to communicate that something bad could possibly happen if a nuclear war
The artist that I decided to research was Lee S. Ivey. She was great at making sculptures. She did oil painting and drawings as well. Her paintings were amazing. However, I’m more fascinated with her sculptures because they’re so different and they tell a story. She even have a piece called “Deaf President Now”, which is currently on display at Gallaudet University. Pieces like this really shows how she was part of the Deaf community, and how she saw the talent and aspirations of the community. I like the mysteriousness of her art and how it causes you to wonder what emotions she was feeling when she created the piece, and what the message was that she was trying to convey. All of her pieces seem to have some kind of message. For example,
You are required to discuss a work by a 20th or 21st century artist, photographer, designer, architect, film-maker, philosopher or writer and show how this work reflects, contradicts or extends theories of and attitudes to visual culture current at the time of its making.
The colors in this piece are instrumental in moving the eye across the piece and drawing attention to specific parts of the piece. For instance, for the most part, the colors that are used are dark. However, to emphasize General Wolfe, the focal point in the middle, his outfit is painted in a brighter red and yellow and the ground beneath him is light as well. Also, in order to allow the eye to glide across the painting almost all of the soldier’s uniforms are red, creating rhythm. One solider, who is apparently rushing into see Wolfe, is painted in green, which is the complimentary color to red. The use of complimentary colors brings the eyes attention to the panicked solider, emphasizing the overall sense of urgency in the piece. The piece is also well balanced and uses appropriate scales and proportions.
E. Choose five of the following terms and give a brief definition of each. (2 points each, 10 total)
In the space provided, write each term’s definition as used in health care. You must define the term in your words; do not simply copy the definition from a textbook.
In order to get better insight about what we try to do here we need to know some terms that used in this document.
The artwork is a complex mixture if colors, shapes, and tints. In the painting, there are eight figures. Seven that is to the center and left of the painting and one on the right. The seven persons on the left are all either touching each other or interlocked with someone. Of that seven, six are men and one is a female. There is a man in
As a formal analysis, this artwork has a figure in the center of the page, which can be assumed to be the focal point due to its positioning in the center of the picture plane. Also, this artwork is monochromatic, and the only color used is the hue green. Towards the top left-hand corner, there are darker shades of green, which make this part seem to be in front of the rest of the picture by using overlapping to convey depth. Also, towards the right side of the picture, the people seem lighter and appear farther away than the dark shaded buildings Additionally, since the figure in the center of the work is larger and more detailed than the other figures, it appears that the center figure is closer to the viewer.
Julie Becker was born in 1972, and passed away in 2016 at the age of 43[i]. Los Angeles was an integral part of her life as she grew up, created, and died in L.A; however she studied briefly at Hochschule der Kunste, Berlin in 1991 and completed a residency in Basel, Switzerland at Stiftlung Laurenz-Haus Foundation. Becker was the daughter of artists[ii], and subsequently grew up in constant travel from one apartment to the next while her parents worked odd jobs to survive. In lieu of finishing her senior year at Santa Monica High School, she became the youngest student ever to attend California Institute of the Arts in 1989 at the age of 16. From CalArts in Valencia, Becker received her BFA in 1993, and her MFA in 1995. Paul Schimmel, curator at the L.A Museum of Contemporary Art, selected Becker’s MFA thesis project, Researchers, Residents, A Place to Rest 1993-96, for the 23rd São Paulo Biennial, where she was the youngest participant.
I. How do artists address current topics in their artworks? In what ways do artists today include culture in art? Vietnam War in his art. Representation of Vietnamese people. Describe how the artist uses color, images, material, composition, etc. to express themes in the art. Often an artist’s work draws on imagery from other sources or traditions. What are some of the sources for the work you are
The kitten appears to suffer from heterochromia. It has two different coloured eyes, one a golden yellow colour and the other, a deep blue. Milk appears to be seeping from the woman’s breasts, dripping from her nipple and flowing down her chest. Breast feeding is a symbol of a bond between mother and child, the fundamental and basic apparatus to sustain
The following terms are provided with definition to increase the reader’s understanding of this study.
A) I see people, artists and scholars, standing, sitting, and lying in the hallways either drawing or talking to each other. This piece of art have the colors: red, orange, yellow, blue, green, bronze, white, black, and gray. It uses natural colors, which makes the picture look mild. The lines in the foreground are very sharp, however, the other parts are soft.
• Content – what is being depicted • Form – usually refers to 3D works, style, technique, media Media / Medium • Materials – materials used to create a piece. • Tools – utensils in which an artist uses to create • Technique – an artists specialized method, procedures, skills Elements of Art • Shape – a closed space the boundaries of which defines other elements of art • Color – light striking an object reflects back to the eye. Hue, Intensity, Value • Value – The degree of lightness and darkness in a color • Line – lines and curves are mark that spans a distance between two points • Texture – describes how
Viktor Borisovich Shklovsky (1893-1984) was one of the founders of the intellectual movement OPOJAZ (Obščestvo izučenija Poètičeskogo Jazyka), translated as “Society for the Study of Poetic Language”. Furthermore, Shklovsky was a formalist and closely tied to Russian Formalism; “Shklovsky, Boris Eichenbaum, [Vladimir Propp], Yary Tynyanov, and other Formalists sought to put literary theory on a par with the natural sciences” (Davis 51). For one thing, these gentlemen sought to understand art by breaking it down into parts and identifying the different devices in play, “collections of devices that interact in a textual field” (Davis 51). It was in 1917 that Shklovsky, at an astonishing