“O Hell!” Satan’s opening exclamation of frustration immediately alerts readers to Satan’s state of mind. As Satan gazes on Adam and Eve, he is struck by their blissful state, which sends him into a spiral of confusion as he slightly reconsiders his plan to destroy them. To himself, Satan addresses the pair; he begins regretful and with pity for Adam and Eve. He later shifts in tone to vengeful, envious, and angry. Further exemplifying Satan’s contrasting attitudes, Milton uses antonymous words of emotion throughout the passage. By the end of passage, Milton solidifies Satan’s hardening of heart and ends the struggle that has been festering inside Satan since his first act of rebellion against God. Milton successfully uses both the shift in tone and the emotional diction to reveal Satan’s stormy internal conflict.
Throughout the passage, Milton inserts beautifully emotional words that describe Satan’s contrasting feelings: grief and joy, woe and bliss, loathing and delight. The positive feelings that Satan expresses, though describing Adam and Eve’s state, reflect the good nature in Satan. That nature is visibly small, as Satan describes himself as joyful or blissful. He merely observes this happiness in Adam and Eve; he even speaks the words with hints of regret. The negative words have a much more powerful effect: Satan uses these words to describe his own feelings and his own domain, Hell. The feelings of grief, woe, and loathing are his, not Adam and Eve’s, and thus
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is
In addition, here, as throughout much the poem, Satan continues to hedge the other side of the argument, insisting that he isn't forced to do evil by opposing God, but that "to do ill our sole delight" (160). This belief that he has a choice in the matter is tied up in the misconception that he was, and continues to be, equal to God, as "reason hath equall'd" (248) them. Quite to the contrary, Milton makes it clear that "the will And high permission of all-ruling Heaven Left him at large to his own dark designs" (211-3). And it is only Satan's perverted sense of reason that convinces him that "The mind is its own place, and in itself Can make a Heav'n of Hell, a Hell of Heav'n" (254-5). He believes that his reason and contemplation will help him discover "How overcome this dire Calamity" (189), or failing that, change his will such that it fits his current circumstance. This is the classic method of the delusional and disenfranchised, holding out hope for change, but at the same time putting forth the belief that the current situation can actually be beneficial. The sophistry has shown through Satan's speech, as he declares that there is no way for God to beat him, in his mind, when we know he is already defeated.
Since the beginning of Paradise Lost, a reader can witness the dramatizing power possessed by Satan, and how he takes advantage of this very power in order to satisfy his own causes. One such property of Satan's fantastic powers is his ability to manipulate any individual into a false belief of who he really is, and therefore prevent a habitant of paradise from discovering his true purpose that is hidden behind his actions. One such example of this, and one of the most major in the epic, are the events that occur in Book IX involving Satan and Eve around the forbidden tree. Here, Satan uses, what is to Eve, excellent reasoning to convince her to eat the forbidden fruit, thereby exploiting
However, craving independence from God ferociously backfires on Satan when he finds out that even after leaving hell, he cannot escape it, “which way [he] [flies] is Hell, [he] [himself] is Hell,” (IV, 75). Satan finds his way to revolt against and separate from God to overrule Heaven and become king, instead however, he takes on the role of the representation of all evil which is evidently seen in his interactions with Eve.
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary
She believes that the purpose of the poem was to provoke readers (Webber 514). The confusion of Milton’s explanation and God’s intentions arise when Milton makes a claim that Adam and Eve’s plunge into the world of sin was indirectly the result of Lucifer, a serpent wondering around in the Garden of Eden. At this time, Satan becomes the central focus of this poem. Routinely in epic novels and poems the epic character narrates the tale. So for Satan to be the main narrator in books one and two begs to question whether Milton has lost focus in his story and inadvertently portrayed Satan as the epic hero.
Milton draws his inspiration from these verses in describing Satans pride and his attempt to wage war in heaven. However, in his attempt to make Paradise Lost both a conversation and a narration, Milton decides to describe Satans descend from heaven in closer detail, even with the risk of committing sacrilege.
John Milton’s epic poem, Paradise Lost, has been the subject of criticism and interpretation through many years; these interpretations concur in that Adam and Eve are the sufferers of the poem, and it is their blight to lose Paradise because of their disobedience; however, their exile is merely a plight brought by Satan, and it is he who suffers exile before any others. Satan changes from Book I of the poem to Book XII; his introduction is heroic and grand, appearing as a hero rebelling against an unjust God. But by the finalization of Milton’s poem, Satan is a burnt shell of himself and, though ruler of Pandemonium, he sits in a throne in the lowest pit from God’s light. Satan’s exile brings forth the salvation of mankind and his own regressive transformation; tying in with the theme of disobedience, Satan’s exile gives
Satan encourages his followers and reminds them of their original cause. He shows great leadership skills by re-emphasizing their ideas that at least when they are reigning in Hell, G-d doesn't interfere, and although it is Hell it is still worth ruling rather than serving in Heaven. Satan is dwelling on his power which could be seen as his tragic flaw. He is allowing his pride and ego to surface by glorifying Hell (calling it "profoundest") and declaring himself in possession of Hell. He starts to think of the idea of Heaven and Hell as a mindset. He starts to believe that the mind is what creates a place as Heaven and a place as Hell. Satan feels as though Heaven is Hell because he must serve G-d there, but in Hell, he has a true Heaven because he is served and worshipped. This could be determined as his tragic flaw.
The most disturbing thing about Satan, in the beginning, was how Milton wrote Satan's ability to charm people in a convincing manner and his description of how Satan carried himself. I think the scary part is there is really Psychopaths in this world, Psychopaths can be extremely charming and come across like prince charming at first. One can probably get sucked into the life of a psychopath and not know who he or she really was until you are completely sucker punched, just like Adam and Eve. I think that was Milton’s intention with Satan's character, to show people how manipulating and charming evil intentions can come across. He first showed satin as sympathetic, which appeals to your pathos emotion and then brings you back to reality. In writing in this way, it gives you a better understanding of what Adam and Eve experienced.
When a person hears Satan, a streak of fear, and the thought of evil arises. People fear Satan, and think of him as evil, but in John Milton’s Paradise Lost, he displays a thought of the Father being the evil being, and Satan a tragic hero. In Paradise Lost, Book 1 and 2, the minor areas where God is shown, He is displayed as hypocritical. He contradicts himself by creating the humans to be of free will, but when Satan displays free will, he is shunned. Satan could be described in many terms, and by many people, but all can be disputed. According to my sources, Satan is displayed as the hero, while God is the evil deity, and Milton was wrong for writing Him as so. In this essay, I will show my thoughts on the subject of Satan as an evil
He makes up for that by continuing to fool himself by his new life. “The mind is its own place, and in itself / Can make a Heav’n of Hell, a Hell of Heav’n / What matter where, if I be still the same / And what I should be, all but less than he / Whom thunder hath made greater” (Milton 9)? Satan wants to make Hell even better than Heaven. It is his new home now, and he’s trying to make the best of a bad situation. “Better to reign in Hell, than serve in Heav’n” (Milton 9). He can’t be saved like humans. “The first sort by their own suggestion fell, / Self-tempted, self-depraved: Man falls deceived / By the other first: Man therefore shall fall grace, / The other none” (Milton, III, 129-132). The reason why Satan is so intent on deluding himself is because he knows there is no hope of going back to his old
Satan’s definitions include the advocate of God, a personification of evil, the fallen angel, a spirit created by God, and also the accuser. People see Satan differently, some know of his existence, others think of him as just a myth, and there are those that just ignore him. John Milton's Paradise Lost tells of Satan's banishment from Heaven and his gain of earth. He and his brigade have plotted war against God and are now doomed to billow in the fiery pits of hell. Satan is a complex character with many different qualities. God is a character who we, as Christians, know about but do not completely understand. We also do not completely understand Satan. Some may think they know Satan but when asked “Is Satan divine?”
John Milton’s Paradise Lost is an epic poem that describes the fall of Satan and the expulsion of Adam and Eve from Paradise. Satan is the protagonist of Paradise Lost and has several characteristics in which readers may identify with him. Throughout the poem, Satan is not only a tragic hero but also the key character that drives the plot and portrays many flawed human qualities. As an angel fallen from the high esteem of God and a possessor of hubris that leads to his downfall, he represents a tragic hero but also a character in which readers may identify with.
John Milton's epic “Paradise Lost” is one that has brought about much debate since its writing. This epic tells the Biblical story of Adam and Eve, although from a different perspective than what most people usually see. Milton tells the story more through the eyes of Satan, whom most people usually consider the ultimate villain. The way in which Satan is portrayed in this story has caused speculation as to whether Satan is actually a hero in this situation. He certainly has heroic qualities throughout the story, yet still is ultimately responsible for Adam and Eve's sin. Satan can easily be classified as a hero in this story, as well as the main antagonist, depending on the viewpoint of the