Secondary Characters In Edith Wharton's 'A Journey'

In the novel Ethan Frome by Edith Wharton, the minor character Mattie Silver serves as a foil towards the main character Ethan Frome. Throughout the novel, Ethan is a man who faces many challenges in his path causing what little happiness he has to vanish therefore illuminating the work as a whole. One may realize the faults of Ethan’s ways through theme, symbolism and irony.

Edith Wharton’s brief, yet tragic novella, Ethan Frome, presents a crippled and lonely man – Ethan Frome – who is trapped in a loveless marriage with a hypochondriacal wife, Zenobia “Zeena” Frome. Set during a harsh, “sluggish” winter in Starkfield, Massachusetts, Ethan and his sickly wife live in a dilapidated and “unusually forlorn and stunted” New-England farmhouse (Wharton 18). Due to Zeena’s numerous complications, they employ her cousin to help around the house, a vivacious young girl – Mattie Silver. With Mattie’s presence, Starkfield seems to emerge from its desolateness, and Ethan’s vacant world seems to be awoken from his discontented life and empty marriage. And so begins Ethan’s love adventure – a desperate desire to have

In Edith Wharton’s novel, Ethan Frome, one major critical theory revolves around the psychological criticism. The novel revolves around this critical theory because Wharton wanted the reader to observe how the setting becomes dependent on the emotional state of the character and vice versa. Throughout the novel, Wharton makes changes to the environment to represent Ethan’s fondness for certain characters. On the contrary, Wharton displays how the setting directly influences Ethan’s mental state. As the reader perceives this influence that each character has on Ethan Frome, they can develop an understanding of the relationships established in the novel. This critical theory will be expressed throughout the literary analysis paper, specifically in the Novel Summary section and Literary Criticism sections. The following text will analyze the drastic changes in the environment and compare it to Ethan’s mental state.

In Henry James’s “Daisy Miller” and Edith Wharton’s “The Other Two,” the narrators each disclose the complications of their party’s social formalities during circumstances within their own society. In both short stories, Winterbourne and Waythorn try to figure out their adored ones character and motives but for different reasons. In “Daisy Miller,” it’s noticeable that Mr. Winterbourne ends up longing for Daisy Miller as he tries to fully categorize the character she’s carelessly ruining. While in “The Other Two,” the narrator examines a society of how a married couple, Waythorn and Alice, adjust to an awkward

Chopin’s “Story of an Hour” and Hemingway’s “Short Happy Life of Francis Macomber,” although having two different plots and being written by two different authors, share a generous number of resemblances, for example, the fates of the different characters of both stories and also the struggles that each characters face. The resemblances in these short stories include that, (1), both Louise (“Story of an Hour”) and Francis (“Short Happy Life of Francis Macomber”) face similar conflicts with their spouses, (2) the two protagonists have an epiphany of their self-worth, and lastly, (3) Louise and Francis’ deaths are both sudden and ironic, and are consequently caused by each of their spouses, whether directly or indirectly. In the short

Historically, women have been treated as second class citizens. The Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

Kate Chopin’s “The Story of an Hour” and Nathaniel Hawthorne’s “The Birthmark” examine the complex relationship between a husband and wife. The two works take two different approaches to convey the same message: Marriage is not a fairytale, it requires sacrifice and unselfish behavior in order to work. Relationships are difficult to begin and harder to maintain. Mr. and Mrs. Mallard and Aylmer and Georgiana are two relationships that shatter the surreal perception of marriage and expose readers to the raw truth, marriage is not a fairytale.

The short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell compare two married women who live under the shadow of their husbands. Both of these stories were written in the late eighteenth and early nineteenth centuries during the time when women were treated unequally. Women had limited rights. For example, they could not vote, voice their opinion or work outside the home. Glaspell and Chopin were considered feminist writers who focus their writing on the struggle of women during the time when the Women’s Suffrage Movement was beginning; these short stories reflect women’s struggles under the control of men. Married women were responsible for taking care of the household, children and wifely duties while the husbands were responsible for consistently managing the title of “the breadwinner.” Married women were expected to be discreet and obedient to their husbands, which meant that the wives could not express their opinions because of society’s expectations of women. In the short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell, Mrs. Mallard and Mrs. Wright share a prominent similarity concerning the loss of their individual identity during marriage and realize that the death of their husbands allow them to regain their self-identity.-

Women in history stood best known for a less ascendant sex in the mid-nineteen centuries. Since times have gone by women had fought for their equal rights and freedom. There had been many stereotypes, where the women were considered as a slave to the men’s because the women’s position was to be the homemakers and a mother to their children, while the men’s are out socializing with others. If they were not happy with the marriage, they cannot just walk out or complain because a women role is to endure all these pains without a word coming out of their mouths. Two out of the ordinary short stories, “The Yellow Wallpaper” and “The Story of An Hour,” mostly focused on a women’s dilemma that they faced near the 19th century. The two main characters in the short stories show some resemblances in some ways, but both characters portrayed them in different ways of how they dealt their sorrows in their marriages.

Life is filled with tragedies, whether they be subtle or monumental. In society we are constantly surrounded by hardships and situations that test our own individual character, forcing us to react in order to move forward. The main characters in “The Story of an Hour” by Kate Chopin, “A Good Man is Hard to Find” by Flannery O’Connor, and “Where Are You Going, Where Have You Been?” by Joyce Carol Oates each react differently to the various tragedies they encounter, revealing their true identities that lie behind the (facade?)/version of themselves they present to the world. These tragedies that factor into all three works are both presented and interpreted differently in each story: In “The Story of an Hour” by Kate Chopin, Mrs. Mallard rejoices

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

In “The Story of an Hour,” Kate Chopin describes the series of emotions a married woman with a heart condition, Mrs. Mallard, endures after hearing about the death of her husband, Mr. Mallard. She assumes that she will be a mournful widow, but she ends up silently rejoicing. It turns out that she was not happily married and the thought of freedom from her attachments of marriage gave her

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

Kate Chopin's “The Story of an Hour” and Gail Godwin’s “A Sorrowful Woman” are similar pieces of literary work. Both stories offer a revealing glimpse of extremely unhappy marriages due to being forced into stereotypical roles. Both stories portray women, who are trapped in their marriages and trapped in their socially expected matriarchal characters. They are identified by their role as a wife and mother.

In “The Story of an Hour,” Kate Chopin describes to her readers a young woman’s response to her husband’s death, or at least his presumed death. The opinions readers will draw from this story will vary from person to person due to personal experiences. The experience and wisdom that I have gained through the trails and tribulations of my life help me to understand, relate, and even despise Mrs. Mallard’s character. On one hand, I feel pity for Mrs. Mallard. I think she felt trapped in a situation that she found to be inescapable. She felt lonely, restless, and did not know how to help herself. Yet, on the other hand, I do not feel sorry for