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Sentimentality, By Anthony Savile And Oscar Wilde

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What is sentimentality, and why is it worthy of our attention? Sentimentality is the evocation of a tender emotion (i.e., compassion, sympathy or affection) as a response to a pleasing, often exaggerated or misrepresented, idealization in the subject matter (Jefferson, 519-529). Thus, the audience projects their sentimental feelings upon idealized or fictional objects, which do not express the realistic qualities of the subject that the artwork depicts. In other words, the idealized quality of sentimentality within artwork suppresses some of the unfavorable or negative aspects of reality to ensure audience enjoyment and quality aesthetic. Thence, as sentimentality is believed to give rise to falsified beliefs of the world and of oneself, many critics of sentimentalists and sentimentality, such as Anthony Savile and Oscar Wilde, agree that sentimentality is a defective condition that deserves censure(Newman, 342). However, these analysts fail to realize the flaw in their argument is that they do not distinguish between the two differing senses of the meaning of sentimentality. Hence, this thesis argues that Newman rightfully opposes the many beliefs of sentimentality by arguing the two senses of sentimentality, distinguishing between ideality and reality, and describing that falsifications exist among even praiseworthy instances, not only the sentimental instances. Thus, in opposition, Newman describes that there are two different senses of the definition of

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