Shakespeare Gender Stereotypes

With social and cultural stereotypes in this era, men were viewed as more powerful while women were portrayed as weak. William Shakespeare tries to interpret the roles between genders by having characters of the opposite sex. In the play Macbeth, William Shakespeare uses rhetorical devices to demonstrate Macbeth’s and Lady Macbeth’s switch in traditional gender roles, which arise from the consequences for each character’s actions and speech.

In ‘Othello’ Shakespeare portrays the main three female characters as being quite inferior to the other male characters such as Othello himself, Iago and Casto. Because during that time of which Shakespeare was writing these plays in the Elizabethan era. Society was in which religion was as at the very most top and after was men being the second part of the social ladder and later come women and rule justified women's subordination as the natural order because women were thought to be physiologically and psychologically inferior to men women were expected to be silent, chaste, and obedient to their husbands, fathers, brothers. Even education during the Elizabethan era was only for smart men, and not for women, the women were only allowed to work as cleaners and being mothers. Which makes them inferior to the male sex, we see this in

William Shakespeare’s tragedy “Macbeth” completely challenges the idea of traditional gender roles and social norms during the renaissance period. The male characters have many feminine traits while the female characters have many more masculine and manlier traits. This was going entirely against the stereotypical outlook of the roles you’re supposed to play as your gender during that time of history. During the renaissance period women were only expected to clean, cook, and to have babies. Men on the other hand were typically expected to work hard and to provide for the home. Socially women didn’t have power or respect and men were the ones who were supposed to be brave and tough at the best of times and the worst of times. That idea is

All throughout Illyria, there is romance, passion, royalty, and an immense amount of gender stereotypes. William Shakespeare imagines the kingdom of Illyria to have very traditional norms for both women and men in his play Twelfth Night. In Scene 2 of Act 1, Viola, recently rescued from a shipwreck, hears about a duke named Orsino and instantly comes up with a plan to get closer to him. Her plan is to disguise herself as a boy who she will name Cesario and become one of Orsino's’ attendants. Right off the bat, we begin to see gender stereotypes. Why must Viola become a man in order to work for the duke? Elizabethan society “molded women into the form of the dutiful wife and mother” (Elizabethan Women). Viola could not have served duke Orsino as a woman because as a woman she was expected to work at home and be either a “dutiful wife [or a] mother”. Scene two prepares the audience for the idea of gender throughout the rest of the play. Shakespeare's Twelfth Night is very traditional play due to its ideas of gender stereotypes in Elizabethan society.

In the Elizabethan period, women were subordinate to men. They were considered to be ‘inferior' beings who were controlled by their husbands, fathers or any other men in the family. Women were not allowed to hold their own opinions, views or lifestyles. Men had control of everything, some of these included money, politics, work, children, women and home.

Although misperceptions about the other gender are dangerous causes of downfall, flawed views among one’s own gender are also great contributors to destruction. Othello and Desdemona best exemplify this notion. Desdemona presents herself as pure, compassionate, and understanding towards everyone, especially Othello. Shakespeare theorizes on how some women believe the stereotype about females is valid and must be followed, and men can exhibit the same

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

    Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)

In the age of Shakespeare women were considered completely and entirely inferior to men and were not to be trusted, they were known to have an evil and wicked nature and they could not help themselves. Within Elizabethan society women were only considered a little more than property and were used to make alliances, and such was their duty to shut up, obey, and keep their honor and nothing at all was more important than the sexual purity of an unmarried women, it was the symbol of the family’s honor and value. With the creation of the play Much Ado About Nothing, Shakespeare indirectly criticized the “inferiority” of women by using the play to show that men and women are not so different, he reveals the unfair treatment of women and an he becomes

In the plays of William Shakespeare, male characters often express their masculinity through their relationships with other characters. This masculinity often appears through the control they try to force upon the other characters. In each of Shakespeare’s plays, this control appears in various capacities. In William Shakespeare’s histories, conflicting masculinities are presented and the characters, especially the title heroes, are forced to assert their masculinity. This can be seen in such histories such as Henry V and Richard III as each of their masculine expressions are challenged by outside forces.

Throughout Shakespeare’s career, the unbelievably successful author had published a multitude of plays with unique variations in theme, tone, and overall story. Nevertheless, all of the works are sorted into one of two contrasting categories: a tragedy, or a comedy. Taming of the Shrew is commonly known as one of his greatest comedies, due to comedic effects that are put into play through the mocking of men and women, involving crossdressing and basic gender stereotypes. It begins with a lord performing a play consisting of the Taming of the Shrew, making it a frame story. The story is about men wanting to marry a perfect woman, Bianca, but none can marry her until her “shrewish” sister Katherina has been wed. A man named Petruchio hears about this and takes advantage of Katherina for the money and position of power, and eventually “tames” her. Through the entirety of this play, it is very clear that women are viewed as lesser through the parody that the Lord and his men are putting on. This can be seen through the portrayals of the female characters and how they are treated. Bianca is an ideal, perfect female to everyone that knows her, but Katherina is just a bit different, which automatically gives her the label of a “shrew”. The constant comparison to her sister has given her a sharp, twisted view of the world, overall leading to a bad effect on her personality. This is expanded upon when Katherina’s suitor Petruchio tries to woo her and she is not fond of him, but then her father allows him to marry her. He creates a very toxic relationship filled with abuse and mistreatment, all justified as taming.

It is true that the majority of women in the 17th century were housewives (Lambert). However, in Shakespeare’s eyes, this did not translate to inferiority of women. Instead, he believed that society’s flawed thinking was both unjust and dangerous. He saw women for what they were worth: humans capable of performing and becoming something everyone else could. Regardless of their genders, woman could be just as assiduous, shrewd, and vindictive as their male

Main Idea: Shakespeare was not a sexist: All though the main three females in the play were seen as important and contributed tremendously towards the plot of the play. The readers see Shakespeare pushing the ideology of men and women being equal with the slow occurrence of many plots towards the play, and how it all unravels itself. These were proven in the play by when;

Shakespeare and Webster represent the female characters in ‘Hamlet’ and ‘The duchess of Malfi’ by using general themes such as the patriarchy and the social control, the female identity and its independence, this institution of marriage, the expressions of sexuality and finally women shown to be either conformist or transgressive. Men were firmly in control in the Elizabethan and Jacobean era, and the expectations for women were to stay home, cook, clean and raise a family. Women’s status and roles were subject to the Tyranny of patriarchy, they were given strict disciplinary rules to follow whether by law or unspoken norms to prevent from rebellion. Women’s rights were restricted, legally, socially and economically, unlike today were women are more powerful and independent. Today women and men are seen to be equal and women can do pretty much everything a man can do (voting, working, becoming president) although there are many people still today who disagree with women having these rights.