Shakespeare 's Othello - Representation Of Characters And Archetypes

Othello is a play that asks the reader to take a look at how women are viewed within society. Part of the fear of cuckoldry derives strongly from the play’s cultural influence. In the times of the play it was important for a woman to stay chaste which explains why one of the central issues in the play; adultery gives rise to anxiety on the part of Othello and also the female characters of the play. The Venetian and Cyprus societies has established through social conditioning of the sexual dominance of men. As it is often so in modern day society, men are positioned to be the initiator for an intimate relationship. Women who try to do so are often looked down upon and are reprimanded if they do not meet the ideal that befits a female of those times. An illustration of this particular type of act can be seen in the second setting of the play; the island of Cyprus. The reader will find in the first scene in Cyprus, Iago who most likely has the most hateful attitude towards women says to Desdemona and Emilia ‘You rise to play, and go to bed to work.’(Act 2.2.114). In this scene the reader sees that even royal daughters and wives are looked down upon as material objects and whores. The illustration of victimization of women is strongly depicted through the lack of representation of women. The play carries only three main female characters; Desdemona, Emilia, and Blanca when comparing to the number of male characters.The removal of minor female characters in the play show

The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is.\...Oh, she deceives me\ Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the

Desdemona is of the higher class and is depicted as a fair, pure and respected woman who makes her own decisions. This is evident from the references made about her in the opening Act, scene 1, spoken by Iago “...an old black ram is tupping your white ewe” as well as in later scenes when she is constantly referred to as “fair Desdemona”. Her ability to make her own decisions was particularly evident within the opening Act where we learn of Desdemona’s deception to her father when she wed the man of her desire by denying her father any right to choose for her. This was Desdemona’s act of independence in her attempt to break away from male authority. Desdemona’s honesty and strong belief in morality plays on the good vs. evil concept with Iago’s character.

Othello insults and strikes Desdemona in public and Desdemona being horrified by these actions says that “I have not deserved this” (4.1.241). Desdemona finds Othello to be incorrect in his actions and she expresses her feelings to Othello. This proves Desdemona to be ahead of the time the play was written since unlike other women Desdemona defends herself and her beliefs strongly. Therefore, Desdemona is shown as an all-around powerful woman.

Desdemona is portrayed as a very inquisitive women, whom loves to explore the things and people outside of her class. She fell in love with Othello because of her curious nature and being attracted to his acts of bravado. Her intentions are sincere; however her curiosity in this act is seen as folly. She asks her cousin Lodovico about his arrival and informs him of Cassio’s dismissal. This angers Othello as she is praising another man, taking a persona of being proactive about him. For Othello this concludes that she is disobedient and has dishonored him - to put her in place, he resorts to violence:

Desdemona’s entrance in the beginning of the story shows herself as a strong willed and outspoken women. According to Lewis “Desdemona display some traces of a more Cleopatra-like self-assertion. In her choosing of Othello as her husband, she exercises her own desire, subverting the female role of passivity within the patriarch, and marries him without parent consent” (L.Lewis). Lewis has a good point here which I agree with as Desdemona decides to stand up for herself by choosing Othello as her husband. She defends her marriage and is not afraid to assert in her beliefs. She is surrounded by powerful men where she is not ashamed to stand up for herself and her decisions. Desdemona shows this when she speaks to her father in Act 1, Scene 3:

We see Desdemona as a young beautiful white female, madly in love with a powerful black man. She is strong inside but doesn't tend to show that side of her as much as she would want to. She tends to play the peace-maker in her marriage and is always trying to understand Othello. Throughout the play she struggles to prove her loyalty and respect to her husband, no matter what it takes she tries to be a

In Shakespeare’s Othello, Othello and Desdemona’s marriage was doomed from the start. They did not start well; their marriage was controversial because of their race and Othello’s failure to follow proper etiquette while he was courting her. However these issues could have been overcome with time. The biggest problem is Othello’s attitude to Desdemona. Othello’s model of Desdemona prevents him from considering her a person. He thinks of her instead as superior to himself in every way, to the point that she is a god. Her race, beauty, and status make her godly in his mind. She becomes untouchable in Othello’s mind, and he begins to distance himself from her. Because Othello thinks of Desdemona as “Alabaster”(5.2.5) he will never consider

Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found

She begins the play as a independent and thoughtful person, but she must struggle against all odds to make Othello believe that she is not too independent. Desdemona is a symbol of innocence and helplessness. However in the beginning of the play, she seems to be mature and quite insightful of events around her. Iago often tells Othello that she is unfaithful. It seems that she refuses to accept what Iago is doing. She has a tendency to be sympathetic towards other people's situations, like Cassio. This also further inspired Othello's jealousy when Iago pointed out that Cassio and Desdemona were speaking in private. She often pays attention to other people’s thoughts, yet remains distrustful if they differ from her own. She has a loyalty to her husband in all aspects of life,

    Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)

   A variety of roles have women in them in William Shakespeare’s tragic drama Othello. Let us in this essay examine the female characters and their roles.

Later on in the play she displays grit and a growth mindset. A growth mindset according to Carol Dweck is the “ belief that your basic qualities are things you can cultivate through your efforts” Desdemona efforts cultivate her innocent and trusting qualities even after Othello became jealous and doubted of her honesty. She also tries with much effort, to get Cassio back into the military. She explains “Be thou assured, good cassio, I will do all my abilities in thy behalf.” (3.3,1) Desdemona promises to peak to Othello until the issue is solved. Even while her husband's behavior began to change she still remained optimistic about her husband's actions. Additionally, Desdemona indicates that “Nobody. I myself. Farewell. Commend me to my kind lord. Oh, farewell!.”(5.2,123) Even before her death Desdemona still stood by Othello, she never gave up on him and she kept trying to believe there is still good in him. At her last breath, Desdemona loved Othello endlessly, and wanted still remained optimistic toward

Desdemona's reported sympathy and interest for Othello's tales of bravery paint a picture of an ordinary, kind young woman. When she is summoned to support Othello's story, she realises that her loyalties are divided. Her consideration for her father's anger is shown by the way she asks not to live with him. Her reasoning is that he would then not be angered by her presence.

Desdemona has, therefore, some quite serious faults as a wife, including a will of her own, which was evident even before she was married. This does not mean that she merits the terrible accusations flung at her by Othello, nor does she in any way deserve