Shakespeare's Fool Research Paper

Shakespeare uses metaphors and figures throughout his plays to give the reader and audience a further understanding of the story he is telling. In Metaphors We Live By, it is stated that “…Metaphorical expressions in everyday language can give us insight into the metaphorical nature of concepts that structure our everyday activities…” (Lakoff & Johnson 7). Through these conceits Shakespeare expands a normal idea and transforms it into

Human nature is often considered in isolation from the rest of the world as if it would be an exception or a special case. In Shakespeare’s Much Ado about Nothing, the complexities of human nature are explored in depth. This essay will explore in particular how Shakespeare dramatises the concepts of human misunderstandings, deception and dichotomy through effective dramatic techniques.

(…) the earth, seems to me a sterile promontory; this most excellent canopy, the air—look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire (…). What a piece of work is a man! How noble in reason, how infinite in faculty! In form and moving how express and admirable! In action how like an angel, in apprehension how like

Hamlet’s sanity has made many people question him. “Hamlet certainly displays a high degree of mania and instability throughout much of the play, but his “madness” is perhaps too purposeful and pointed

Although Twelfth Night is renowned for its comical nature and cross-dressing, on closer examination it appears that Shakespeare has used this comedy to have a greater effect on the audience than pure humour, supporting Berry’s statement. However, before attesting that Berry is entirely correct, we must evaluate three things: the way in which Shakespeare makes the audience feel ashamed, whether this shame is felt by both contemporary audiences and Elizabethan/Jacobean audiences, and whether shame is, as Berry writes “the ultimate effect”.

An early interaction between the wealthy noble Olivia and her hired fool mocks the hierarchal stereotypes and provides an example of Shakespeare's ironic commentary on the social class distinction. In this scene, Olivia, mourning her brother's death, is angry with Feste, her fool, for his unexcused absence. Feste responds to this anger with wit and proceeds to disprove the stereotypes surrounding his title. As a fool, Feste is expected to embody his title and possess little wit. However, as he and Olivia continue to argue, he uses his wit to flip this cliche, proving her to be the true fool. Olivia exits this scene in higher spirits, due to Feste’s comedy, rather than Feste exiting in a body bag, as most would have expected. Shakespeare uses Feste’s humor and diction in this scene to develop not only the characters but provides more insight on the social class distinctions present in the play.

   In Shakespeare's play King Lear, the main character, King Lear, is presented as a respected and powerful king. As the story progresses the king loses his power because of his own stupidity and blindness. The tragedy of this play is shown chiefly through the actions of Lear’s daughters, which lead to Lear’s bout with insanity, and through the words of the Fool.

In conclusion, the disappearance of the Fool from many productions diminishes both King Lear and Lear greatly. One sees the importance of the Fool to Lear early in the play. He plays the role of teacher, advisor and commentator. Also the Fool sheds light on Lear. One can see the mercy of Lear

It is thought that William Shakespeare was born on April 23, 1564 in Stratford-upon-Avon, United Kingdom, although no birthdates exist. Church records indicate that Shakespeare was baptized at Holy Trinity Church on April 26, 1564. From this information, scholars can conclude that he was born on or around April 23, 1564. On November 28, 1582, in Worcester, in Canterbury Province, when William was 18, he married Anne Hathaway, who was 26. As it turns out, Anne was pregnant with their first child, Susanna when they wed. She was born on May 26, 1583. Two years later twins Hamnet and judith were born. After the birth of the twins, there are seven years of William Shakespeare's life that are unaccounted for, no records exist. Scholars have named these the "lost years"

  We remember Shakespeare's characters largely because of their enormously complex personalities.  Hamlet, with his inner conflicts, indecision, wit, and passive-aggressive behavior, is one of Shakespeare's most memorable characters.  Yet so much attention has been given to Hamlet's inner conflict-whether or not he should kill his uncle-that a large piece of his personality is easy to overlook.  Hamlet's wit strikes out at the audience in several different scenes throughout the play and not only gives the reader greater insight into Hamlet's deepest feelings, but greater insight into the play itself.

In the play King Lear by William Shakespeare, the Fool is introduced as an lower-class character as he acts carefree and speaks in riddles. However, the Fool’s role in the play is not as plain and simple as it seems. Considering the Fool’s excellent relationship to Lear, he plays a significant role in supporting Lear’s sanity, thus he has the time to figure out the truths. The Fool takes on the important role of sustaining Lear’s sanity by staying loyal to Lear, providing comic relief to Lear, and teaching Lear of his faults.

In Elizabethan times, fools were used as entertainment in royal courts, with a specific role to entertain the king. However, in “King Lear”, the fool plays a much more significant role than comedic relief, as he, ironically, is able to provide insight into human nature and draw correlations between the play and everyday life. This is most evident when he talks to King Lear about what he has done wrong or what he has overlooked.

In William Shakespeare's comedy Twelfth Night, it is ironic how many times the fool is said to be dishonest, when, in fact, his role proves entirely opposite. Though sometimes the characters do not realize his hidden messages, the reader can instantly comprehend Feste's figurative language, which is evident in every scene in which the fool appears. Whether he is singing to Orsino, arguing with Malvolio, or playing around with Viola, Feste always manages to sneak in a few symbolic foretokens before his exit. His keen eye and fast wit help him to actively partake in the portrayal of the story, however, the fool is merely present to express that which cannot be fully expressed through the

“Hamlet’s madness is less than madness and more than feigned”. What is madness? Mad is a word with such uncertainty that it can be stretched to mean an abundance of things more than just pure psychological instability: a weariness of life; a suicidal impulse; a plotting charisma. In the play Hamlet by William Shakespeare, a wild disagreement has been consequent for a series of years in the case of the madness of Hamlet, the play 's central narrative, was justifiable or feigned. As in any decision, one must be given both sides of the controversy before making an impartial conclusion. The case of Hamlet 's madness is no exclusion. It is appropriate to say that Hamlet may have remained sensible throughout the performance, especially in consideration of his rag flashes of what seems to be psychological discipline and stability. However, Hamlet is perceived as disoriented by overwhelming burst of hysteria after acquiring knowledge of his father’s death, news of Gertrude’s quick remarriage, and Claudius becoming the new King. In the butt end it is up to the scholar to determine for him or herself the psychological nature of Hamlet’s madness, as it may have been the motive of William Shakespeare, taking into review how open-ended this subject continued throughout the play.

Hamlet and Falstaff, larger than life, have altered life. Arguing that Shakespeare has "rejected the transcendentalist conception of reality," Bloom asserts that these two characters overreach the boundaries of their dramatic assignments and affect the consciousness of the larger culture (Bloom 5-6). This argument goes beyond the traditional notion of Shakespeare’s influence on language, literature, and life. Extending his life through his characters, Shakespeare continues to affect the way we perceive ourselves and others. Hamlet’s and Falstaff’s perceptions of reality are ours, though we may see through the glass more darkly.