Significance of the Women in Sophocles' Antigone Essay

Throughout history, scholars, poets, and socialites cite and argue multiple aspects within Sophocles’ plays, which all contain a deluge of sentiments that permeate global society and culture. Riddled with disparate interpretations and theories, Antigone sparks acrimonious debate regarding a plethora of its details, such as characterization, theme, and undertone. Antigone, written by the Ancient Greek playwright Sophocles, recounts the events of Oedipus’ daughter, Antigone, following her brothers’ deaths. Sophocles manipulates Antigone’s character to model the loyal, dutiful individual the Greeks idolized in their religion and culture rather than formulating a realistic character who serves herself.

Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

Throughout Sophocles’ Antigone and Shakespeare's Julius Caesar the use of women within the tragedies displays and enforces the omniscient patriarchal society characterized in the plays. In Antigone the main character is a headstrong and courageous teenager who is always at the forefront of the conflict, whereas In Julius Caesar, women play no significant role throughout the tragedy, though ultimately all women in both works are subjected to and ignored by the more “dominant” sex.

Within the first few hundred lines of Antigone, Sophocles shapes the reader’s perception of Antigone and her philosophical beliefs. When speaking to her sister, Ismene, about her plan to bury their brother, Antigone states “I’ll do what’s honorable, and then I’ll die” (Sophocles, 750). Antigone’s willingness to die for a cause that she feels is honorable and right demonstrates a particular value in regards to her philosophies on right and wrong. Antigone demonstrates that the conflicting nature of her beliefs and the king’s beliefs on the right way to deal with Polyneikes’ death will not hold her back from doing what she believes is right.

Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger.

Although ancient Greece was a male-dominant society, Sophocles’ Antigone portrays women as being strong and capable of making wise decisions. Antigone, the tragic heroine, rejects the traditional role of women. As such, Sophocles punishes Ismene for embodying traditional attitude. Moreover, Creon is punished for misogyny. Sophocles, accordingly, uses characterization to promote feminist ideas.

For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.

As the play begins Antigone is just meeting up with her sister and is telling her about the decree of King Creon. Antigone and her sister, Ismene, had two brothers who had killed each other on the battlefield. One of their brothers, Eteocles, was buried with the military honors of a soldier’s funeral, and yet the other, Polyneices, was to be left out to be food for the carrion birds since he died fighting against the city of Thebes. King Creon forbade publicly for anyone to bury the body of Polyneices under the penalty of death. Antigone is now determined to bury her brother and wants Ismene to help her. Ismene does not want to go against what the king has ordered and is fearful of what may become of her if she

“No woman shall seduce us. If we must lose, Let's lose to a man, at least. Is a woman stronger than we?” (Sophocles.II.3.539-540) says Creon, King of Thebes and uncle to the disobeying but brave Antigone in Antigone by Sophocles. A patriarchal society is a community in which male domination over women, Sophocles explains the journey of Antigone in getting her brother buried and yielding against the laws of Thebes in a man dominated city. Antigone portrayed in the play is loyal and stubborn, she would do anything that feels ethical and honest to her even if that disregarding the laws created by men. She responds to the standards of King Creon by going against her own blood, not believing that women should subjected to the rule that they

Not only is Antigone courageous and highly motivated by her morals by standing up for her political and religious beliefs, she also protects her personal ones when she buries her brother. Antigone places family above her own life, and she refuses to let a man stand in her way of maintaining her ideals. She buries Polynices out of her own loyalty to her brother even after her sister, Ismene, refuses. Antigone is cruel to her for not taking part in illegally burying their brother. Instead of being caring and considerate, she becomes irate and at the end of their conversation says, "Go away Ismene: I shall be hating you soon, and the dead will too, for your hateful words," Antigone's flaw was her headstrong behavior and her stubbornness, which ultimately brought about her downfall and the downfall of those around her. Her persistence of course, is what forces Antigone to rashly take matters in to her own hands. Creon then decides to take Antigone's life "Away with her at once, and close her up in her rock-vaulted tomb. Leave her and let her die". To everyone's surprise Antigone does not run from her death sentence suggesting a great trait of braveness, which the chorus recognizes before her exodus from life. The notion that a person has no say in the affairs of their loved ones and the fact that those laws were defied deserves

Even though Antigone has familial love toward her brother, she expresses sympathy toward him. Antigone does this by telling her sister that Creon “Promotes one of them and shames the other” by denying his burial rights (22). In this part of her speech, Antigone chooses her words carefully to describe the situation to her sister and express the sympathy she has for Polyneices, especially when she uses the phrase “shames the other” and “miserable corpse” (22-26). Antigone is sympathetic of her brother Polyneices because he is not given a proper burial and is left to the “vultures, unwept, unburied” like he is forgotten (29). It is also intriguing to see how Antigone’s sympathetic response to the lack of her brother’s burial is actually the familial love she has for him. Because she loves and considers him a part of her family, she is emotionally sorrowful for the way he has been treated.

  Michael J. O’Brien in the Introduction to Twentieth Century Interpretations of Oedipus Rex, maintains that there is “a good deal of evidence to support this view” that the fifth century playwright was the “educator of his people” and a “teacher”. Sophocles in his tragedy, Oedipus Rex, teaches about “morally desirable attitudes and behavior,” (4) and uses three women to help convey these principles of living. This essay will explore the role of women in the drama, the attitude toward women therein, the involvement of women in plot development, and other aspects of women in Oedipus Rex.

Sophocles’ Antigone is the third of the three Theban plays written, but has been considered the first; the play was written in or before 441 B.C. In Antigone, Sophocles uses women as a strong and independent figure of the society. This play is the first to display women differently in a male dominated society. He also uses this play to describe women as able to make their own decisions and capable of living without the attention of males. The play Antigone shows the personalities of three women in society: Antigone, the strong, independent one, Ismene, the weak, traditional one, and Eurydice, Creon’s wife and an older traditional woman. Each character represents a woman’s way of living and what is expected and expected of women. Each of these women display many differences, some being the fine line between good and evil and life and death. Going into depth with each female character, the reader could tell that the differences in each character is not displayed in the others. For example, Ismene’s weakness and Antigone’s strong will. Although strength can be important in the play, there is the bravery and the passion