“Believe you can and you’re half way there” (Theodore Roosevelt). Alan Paton and Steven Spielberg use similar and different techniques in ‘Cry, The Beloved Country’ (CTBC) and ‘The Colour Purple’ to present the impact of beliefs. Alan Paton’s Cry, The Beloved Country follows the story of Stephen Kumalo, an African Reverent in Ndosheni who receives a letter about his son in Johannesburg, however the letter leads Kumalo to discover a harsh family past. The storyline takes the audience through the life of non-whites in Johannesburg who are faced with racial complications and how native Africans make a living in South Africa. Additionally, in Steven Spielberg’s The Color Purple the film explores the life of an African American woman, Celie, living in the southern states of America where racial tension was at a high. The impact of the belief is presented in both text through, belief of superiority of race, belief in religion and belief in yourself.
Superiority of race:
In both texts language and the stylistic feature of imagery is used to present the impact of the belief of superiority of race to enhance the idea of racism in both texts. In Cry, The Beloved Country, Alan Paton bases the novel around black African people living in South Africa, awakening others to realise the lives of non-whites living in South Africa. Cry, The Beloved Country is set during a period of time of historical racial tension in South Africa which lead to a strict political policy where white people
Despite the importance of the movement vocabulary, Ailey expresses that “Cry is about the dance and the dancer”. Therefore, the expression and emotion that Deborah Manning projects are equally important to facilitate the audience’s reception of the full significance of the work; The difficult time of emotional and and physical struggles for the African Americans.
Stick to the basic script, right? Or maybe, instead of sticking to it, veering off the main script is able to strengthen the piece of writing as a whole. It can breathe fresh air into a work and give it that extra boost that satisfies every writer’s goal of leaving an impact on their reader. Cry, the Beloved Country does this through its intercalary chapters by giving Paton a chance to try out different writing conventions not seen in the rest of the book, setting a space for Paton to really go full throttle in writing directly about an issue or idea, and building a deeper relationship between the reader and setting of the novel. From the outside, this book can look incredibly simple, and in some ways it is – a short novel with simple language and a simple message about the pitfalls of discrimination. But take a moment to look under the surface, and things like the intercalary chapters begin to jump out. There is something more there to this book, and there is meaning buried throughout. The intercalary sections only help to strengthen that meaning, a meaning that would be much more diluted without them. For while Paton preaches all these great things throughout the novel, what greatness would they really hold, if not for the meaning behind them? In the end, it is the meaning that breathes them life, and it is the whole book, intercalary and main plot combined, that make it
Nelson Mandela, an anti-apartheid revolutionary, politician, and philanthropist who focused on dismantling racism, once said, “It is in your hands to create a better world for all who live in it,” (“AZ Quotes”). In Tears of a Tiger, Sharon M. Draper uses the epistolary novel style of writing to present problems teenagers face. In the novel Andy, the protagonist, is unable to forgive himself after his drinking-and-driving accident kills his friend, Rob. Through this tale of teenage tragedy, the author conveys some themes about death, depression, guilt/blame, and racism. The characters have to learn to not only deal with these situations thrown at them, but also to live through them as well. Draper uses symbols to represent and show the life problems teenagers face on a daily base.
Cry, the Beloved Country is a novel written by Alan Paton; the novel is filled with biblical allusions referring to II Samuel. Cry, the Beloved Country was first published in 1948 and stands as the single most important novel in twentieth-century South African literature. Cry, the Beloved Country; a work of blazing artistry, is the intensely moving story of the Zulu pastor Stephen Kumalo and his son Absalom, and how they were set against the background of a land and a people divided by racial injustice. Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man. The author, Alan Paton parallels II Samuel and Cry, the Beloved Country which heightens the understanding of the novel.
People are often tricked into believing that they have control. Every decision and choice is an illusion of the control they think they have in their lives. Some succeed in experiencing a sense of accomplishment; some still crave more control. Some try to rule over other people by beating them into submission or forcing them against their own will. They believe they possess a dominance over certain people, like women and minorities. In the past, culture has encouraged domestic abuse, discrimination, and unfair treatment upon women and minorities. Throughout The Color Purple by Alice Walker, the African American characters endure the hardships created by Southern culture, and they discover how love for each other unites them against their circumstances.
According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.
The book Between the World and Me, by Ta-Nehisi Coates, is a letter from the author to his 15-year-old son Samori about what it means to be black in America. By mentioning the reality of institutionalized racism and violence in African American communities, Ta-Nehisi instructs his son to deal with the fact that he will experience acts of racism throughout his life because of his skin color. He tells him about his life growing up in a low-income black neighborhood and how he had to learn the code of the streets to survive. One of the main themes of the book is “The Dream,” which consists of the comfortable and accessible world in which whites live, and has been built through the centuries on the marginalization of the black race. The author
The Novel “Native Son” by Richard Wright was adapted into a film in 1986 and was directed by Jerrold Freeman. Focused on the main character, Bigger Thomas has lived life in poverty trying to make it in a world that has proven to him that they feel he is inferior because of the color of his skin. Plagued by fear, anger and shame, Bigger was in a fierce fight within himself to fit in without exploding. The purpose of this essay is to examine Richard Wright’s adaptation of Native Son and to discuss how Bigger is guilty through relation of the cause and effect to racism, fear and psychological stress from those forces.
King gets contact with the reader's emotional side with Pathos. He uses Pathos to draw the reader in and them feel the same emotions that people of color deal with. “When you are harried by day and haunted by night by the fact you are a Negro, living constantly at tiptoe stance, never knowing what to expect newt, plagues with inner fears and outer resentments, when you are
Cry, The Beloved Country is the first movie about racial relations in South Africa I personally have seen which trusts the viewer’s intelligence enough not to set up one or more characters as a straw man to represent everything evil about apartheid. Technically, the time period of the movie predates the formal institutionalization of apartheid, but I still think the point’s valid. Based on Alan Paton’s 1946 novel, this film gives us a loving but painful look at a society headed toward increasing division and violence. James Earl Jones and Richard Harris give great performances as fathers who are tested by the unhappy fates of their respective sons. When these two have their first major scene together, we can’t help but feel compassion over the emotion involved. And later, when they eye each other while taking refuge from a storm in a leaky church, they become an picture for two different and wary tribes sharing a common home. The meat of Cry, the Beloved Country concerns how events in the wake of the shooting transform the lives of Stephen Kumalo and James Jarvis. Each is forced to abandon their
In the Novel “Cry the Beloved Country” by Alan Paton, two fathers are trying to put the pieces of there families back together while also keeping themselves together. They each go through a variety of struggles, with one learning his sister is a prostitute and his son is a murder while the other deals with his sons death and tries to move passed it. Throughout the novel, racial tension is a theme frequently seen from the beginning of the book til the very end. Paton uses the setting of South Africa to underscore racial tension associated with the apartheid movement to illustrate these themes. The concept of racism is prevalent during the story as it is used by the government to caused both blacks and whites to fear each other which eventually tears apart Kumalo’s family.
The books “Kaffir Boy” and “Cry, the Beloved Country” present two different stories that stem from the same situation. “Cry, the Beloved Country”, by Alan Patton, shows the journey of a man realizing how the oppressive life he and his family lived lead to the ultimate demise of his son. In “Kaffir Boy”, by Mark Mathabane, the journey of a young boy from crippling poverty to substantial success in his adulthood is documented step by step. Both stories show two ways that the youth who grew up in segregated South Africa could develop. There are those who may stay committed to their ancestral tribal laws and others who may want to reach further than the life they had lived their entire lives.
Cross-cultural psychology teaches us about cultural variation and how it affects our beliefs and our behavior. The language we speak, our nationality, and ethnicity dissociates people from each other. These differences created racial inequality and injustice and it has been an ongoing issue to this day. Steven Spielberg, who directed the movie Amistad and The Color Purple was able to show his audience the racial injustice of Africans and their desperation to be free. The Color Purple tells a story of the woman that were imprisoned with themselves. The movie shows the physical, emotional, and sexual abuse that African American woman went through in the 1900's. Amistad was based on a true story about the illegal trade of African slaves put up for trial to prove their innocence even if the language was a barrier. Heins (2016) quoted The American poet, Mark Van Doren," There are two statements about human beings that are true: that all human beings are alike, and that all are different" (pg.19). The movie Amistad and The Color Purple have a negative portrayal of Africans and African American woman as inferior and weak due to racial differences.
Hope. It is the one thing that people have survived on for centuries. Without hope, the African Americans of the early 1800’s would have just succumbed to the will of the slave owners. This is why Mandela is considered such a great leader. Nelson Mandela’s message through his speeches was one of hope, which is the only thing the people of Ndotshemi have to thrive on (Chokshi). Alan Paton, the author of Cry the Beloved Country, also believed in hope bringing together the land of South Africa. There are many similarities between the novel and the real life occurrences of the South African Apartheid. In the book or in the real life Apartheid, someone came into the scene that was willing to help by assuming a leadership role, whether it is
It was once stated, “Success will require an acceptance that, in many respects, we are a sick society” (Mandela 2). Nelson Mandela’s State of the Nation Address was an awakening moment for the people of South Africa. Although this is one of the most influential speeches of time, is it more powerful than a fictional novel? Nelson Mandela’s State of the Nation Address along with Lincoln’s Second Inaugural Address were defining moments in history. Cry, the Beloved Country is not a nonfiction book, but it is based on events from the past. The connection between all three sources are known and make people think, yet the content and actions of Lincoln’s and Mandela’s speeches leave a profound impact on people’s lives.