Similarities Between The Greed And The Iliad

The trojan war was a big part of the history of Aphrodite, some people said she was the one to cause war. This is what was said to happen……...A long time ago, Aphrodite gazed at her reflection in a stream. She asked the stream spirits, “Who is the fairest in the land?” They replied, “Paris heard Helen was the loveliest women in the land. But I think you are the fairest!” Aphrodite was furious. She knew she could not deal with what she had just heard. When Aphrodite turned to Hera, the queen of the gods, she pointed out that paris was her half sister, and it turned out to be true. Zeus could have been Aphrodite's father, though nobody really knew who her parents where. Sometime later the wedding was announced in the greek god world, but eris,

Godly colossal Greek epic, “The Iliad” constituted by the poet named, Homer, articulate the chronicle of the Brobdingnagian Trojan War. It is swarming with the interventions of the gods enchanting their coveted mortals (humans) and altering the heterogeneous scenes of the Trojan War. In this poem, gods have an assortment of relationships with humans which include love, fornication, and mother or father relationships. Gods interact with mortals in human shapes and stimulate them. Also, gods cognize that every human is eventually destined to die and they anticipate humans to pray to them for every obstacle humans encounter. However, for humans gods are omnipotent, authoritative, dominant, and immortals, who they supplicate to if they have

At the beginning of the story, the gods are debating what to do with the Greeks after they pillaged Troy, but more specifically, violated Athena’s shrine. Athena asks for help and says to Poseidon, “I want to help the Trojans who were my enemies, and make the Greek army’s homecoming a bitter one.” (Euripides 63). To which Poseidon replies, “You’re so fickle. Your mind leaps here and there: now you hate, and now you love, and both in excess.” (Euripides 65). Even Poseidon admits to the “fickleness” of the goddess since her allies during the war were the Greeks. This lends itself to show that Helen could be telling the truth about the goddesses having an argument about the beauty of each other and Aphrodite forcing Helen to run away with Paris. Helen also helps her argument by pointing out that the fight was preordained by the gods based on the prophecy about Paris, and then blames Paris’s mother and father for letting Paris live, rather than slaying Paris and trying to stop the prophecy from coming true. Through the many effective arguments, Helen shows that she did not ask to be carried away by Paris and that she liked Menelaus. Menelaus seems very weak compared to Helen, especially since he seems to not be able to make up his mind whether to kill her or not. In the end, Menelaus seems to decide on letting her live, though he still tells

One significant difference between the Iliad and Troy is the timespan. The Iliad is not a story of a Trojan war, but a story of a hero’s wrath. The time span it covers is only a few weeks in the tenth year of the siege of Troy. Homer chooses to focus on events that occurred during a quarrel of King Agamemnon, king of Mycenae and brother of Menelaus, and Achilles, the most powerful warrior of the Achaean army. Homer doesn’t go into detail about other events and battles, as the story of the Trojan War was well-known to the Greek society because it has been told and retold by bards for numerous times and the general plot was still fresh in the minds of the Greeks. For his poem to stand out, Homer had to be original, so he didn't tell his audience about the war as a whole, but rather spotlighted the wrath of an individual hero, Achilles. Troy,

“The Aeneid” and “The Iliad” are relatively two different epics that were written decades apart. However, they have their similarities. These are two epics with the fate of two heroes. In the epic “The Aeneid,” the readers follow the journey of a man named Aeneas who is a Trojan refugee who journeys from his homeland of Troy to find Rome for the generations of the future. “The Iliad” is a story of the Trojan War and the hero of the story Achilles. Achilles was one of the bravest soldiers of the Greek army, but he was just as vain as he was brave. Both heroes showed a great amount of heroic actions throughout their perspective epics. Aeneas kills the Latin warrior Turnus and ventures away from his burning Troy to find Rome and prepare it for the future generations to come. Achilles fights for the Greeks which eventually results in him dying a hero’s death.

The Ramayana and The Iliad are both significant pieces of literature in India and Greece. The two main characters in the stories are Rama and Achilles. In the Ramayana, Rama is a prince who had been exiled the kingdom to the forest. In the Iliad, Achilles is an egotistical warrior who goes to war to claim glory and fame. The two heroes from the Ramayana and the Iliad are both epic heroes who share some similarities and differences regarding their heroism.

His brother Hector and he were on a peace mission in Sparta on behalf of Troy visiting the king, Menelaus, when Paris ran off with Menelaus’ wife, Helen. This action divides the Gods who constantly meddle with the mortal’s lives. Naturally, Aphrodite is on the Trojans’ side, as was her lover and God of War, Ares, and Apollo. Although Zeus, King of Gods, tried to be neutral, he was pro-Trojan. Hera, Queen of Gods, and Athena help the Greeks because they were mad that Paris chose Aphrodite. Poseidon, God of the Sea and Zeus’ brother, also sided with the Greeks whenever Zeus was not looking. An example of this constant intrusiveness of the Gods in the Iliad was when King “Menelaus hurls his spear, lightly wounding Paris. Paris’ helmet strap becomes caught at his chin and Menelaus has nearly dragged him away before Aphrodite intervenes, breaking the strap. She then wraps Paris in a mist, sets him in his own perfumed bedchamber, and hurries to catch Helen” (Bloom 13). Of course, in the movie version, when Paris becomes wounded he crawls to Hector’s ankles. King Menelaus becomes angered and says Paris is not worthy of royalty nor his wife Helen. Hector is then forced to defend his little brother and kills Menelaus. The elimination of the Gods from Troy, although unsatisfactory, does simplify the movie compared to the complicated plot of the Iliad. Wolfgang Petersen may have had motivation to remove the Gods because it

The suspected start of the war- over the abduction of Helen, Queen of Sparta- was caused entirely by a godly conflict over who was the most beautiful- Hera, Athena, and Aphrodite. Paris, son of King Priam of Troy, was selected to judge. He chose Aphrodite, who in turn gave him Helen, who was her equivalent in beauty amongst humans. In both versions, Paris is portrayed as a wife stealing, thief in the night. His brother Hector and he were on a peace mission in Sparta on behalf of Troy visiting the king, Menelaus, when Paris ran off with Menelaus' wife, Helen. This action divides the Gods who constantly meddle with the mortal's lives. Naturally, Aphrodite is on the Trojans' side, as was her lover and God of War, Ares, and Apollo. Although Zeus, King of Gods, tried to be neutral, he was pro-Trojan. Hera, Queen of Gods, and Athena help the Greeks because they were mad that Paris chose Aphrodite. Poseidon, God of the Sea and Zeus' brother, also sided with the Greeks whenever Zeus was not looking. An example of this constant intrusiveness of the Gods in the Iliad was when King "Menelaus hurls his spear, lightly wounding Paris. Paris' helmet strap becomes caught at his chin and Menelaus has nearly dragged him away before Aphrodite intervenes, breaking the strap. She then wraps Paris in a mist, sets him in his own perfumed bedchamber, and hurries to catch Helen" (Bloom 13). Of

The Greek gods are highly partisan beings in the Iliad. The Greek gods side with different armies there is no side that is more 'moral' or favored by the gods than the other. The Trojan War itself was largely begun because of a rivalry between Athena, Aphrodite, and Hera. The gods also favor certain mortals Athena prefers Odysseus, for example, while Aphrodite adores Paris. This favoring is not based upon the moral behavior of these particular humans but is instead based in the gods' own prejudices. The gods do not act as moral guides in a Judeo-Christian sense. They are anthropomorphically rendered, jealous, unpredictable, and at times vengeful. They have more power than humans and demand humans' respect, but that respect is commanded by their greater power, not their greater morality. The gods also deliberately insert themselves into human affairs, egging on the Trojan War when it seems to be flagging, or favoring one side over another. "Make all haste, and invent/Some mean by which the men of Troy, against the truce agreed, /May stir the glorious Greeks to arms, with some inglorious deed" (59). However, even the gods have limits Achilles mother Thetis, although a goddess, cannot prevent her son's death, which she knows is inevitable. Q2.In Book 1, with whom is Achilles angry? Why? What does Achilles vow to do in response?

Contrastingly, the gods are purely mentioned in the film with the exception of the appearance of Thetis to Achilles. Gods are only prayed and sacrificed to, but they do not make an appearance in Troy. The gods have a major role in the Iliad however; they are depicted as having a grand amount of control over what happens. For instance, the gods had control over the battle between Paris and Menelaos. Paris escapes with the help of the goddess Aphrodite, who wraps him in a thick mist and carries him back home: “But Aphrodite caught up Paris / easily, since she was divine, and wrapped him in a thick mist / and set him down again in his own perfumed bedchamber.” (3. 380-2). However in the film, Hektor ends up killing Menelaos. As readers of the Iliad, it is known that Menelaos is supposed to survive. As the gods do not appear in the film, viewers do not have the opportunity to know what the gods are thinking or planning. Only readers of the Iliad are able to witness a conversation held between the gods. The film therefore provides no foretelling of what will happen in the future, while the epic does. There is also no sign of communication between the gods and humans in the film. While in the Iliad, gods tend to appears in dreams or even disguised as another person. Nevertheless, gods and anything close to mystical are not displayed

Morality is something a true hero must have, but behind that true hero, there is also a higher power. The gods and goddesses are essential part of the Iliad. Throughout the text, they interfere and control the war. Both Hector and Achilles are favored by the gods; however, Hector has more respect than Achilles. For example, when Thetis tells Zeus to “lend the Trojans power until the Akhaians...heap new honor upon [Achilles]”, Zeus reveals that she “drive [him] into open war with Hera” (1.583-585 & 596). Zeus was right; the gods and goddesses became involved with the mortal war and creates another war by themselves. For instance, in book 13, Poseidon and Hera meddle in Zeus’ plan to let the Trojans win. Hera seduces Zeus and then make him fall asleep they could continue to help the Greeks (13.4-5). Achilles’ becomes the source of destruction of the unity of the gods and goddesses for telling Zeus to take the Trojan side. Achilles does not care about anybody else but him; surely, he had no respect to the gods. An example would be when Achilles chase Apollo claiming that he would “take it out of [Apollo], if [he] had the power” (22.25). On the other hand, Hector had respect to the gods and goddesses. For instance, Hector refuses to offer Zeus wine “with hands unwashed” for he “ fear to a bespattered man, and bloody may not addressed the lord for gloomy cloud” (6.311-313). In addition, Hector also hopes that the gods would let Troy win despite that

It is not only the mortals who pose anger in the Iliad, but the gods too are not inseparable from it. Once Achilles petitioned Zeus for revenge, Zeus started his involvement in the war, which in turn angered Hera against Zeus, as well as the anger of various other gods, each with his/her own agenda. This way the anger of human beings involved the anger of gods and the situation turned out to be fearful and irreversible. Gods like Athena, Hera, and Aphrodite directly or indirectly took part in the war. Ares and Aphrodite were even wounded in the course of the war. However, the passion of gods was stimulated by human beings that intensified the course of the war. Many mortals were killed in the course of war, and no mortal could survive the attack of gods.

housands of years that the epic story the Iliad has survived, which is credited to the famous Greek poet, Homer. In the 2004 film Troy, directed by Wolfgang Peterson, the plot resembles and is based from the epic poem, the Iliad. When the movie Troy was released, there was criticism on how even though the movie was based off of the Iliad, there were numerous differences from the Iliad itself. Even with its differences, the movie, Troy, does have many similarities to the Iliad. Even though there are numerous similarities and differences between the epic poem and the movie, this essay will focus on the major differences and similarities to compare the two.

Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the

“…Apollo knocked the helmet off his head and under his horse’s hooves it tumbled… / Disaster seized him—his fine legs buckling—he stood there, senseless… / Hector… came rushing into him right across the lines and rammed his spearshaft home, stabbing deep in the bowels…” (Homer, 438-439) Patroclus’ death is devastating to the Achaean armies’ morale and, more central to the story, it further disrupts Achilles’ already unbalanced sophrosyne. The torment that Achilles endures here epitomizes the human condition.