In the well-written play of Othello, the author and playwright William Shakespeare, uses indirect characterization, euphemisms and specific monologues to reinforce the idea that even though Othello is a high ranking officer and skilled warrior he is still subject to racial prejudice from his colleagues, and this proves that skin color can be an influence on life no matter the attributes of an individual during this particular period in history. Shakespeare’s Othello is a romantic tragedy about a two individuals who form an interracial marriage in a society and period in time where such a thing is considered strange, unaccounted for, and also wrong. Throughout the course of this story the couple goes through trials that test their faith in one another and, in the end, they are not able to stand up to the challenge and both fall or are pushed into the embrace of death. Long before the grim reaper takes either of them it is demonstrated how Othello, the husband, is affected by his African heritage in Desdemona’s, the wife’s, caucasian society.
In the first acts, scenes and lines of the play it is made apparent that Brabantio, Desdemona’s father a rich and important Venetian politician, does actually enjoy Othello’s company and likes him well enough. “Her father lov’d me, oft invited me; Still question’d me the story of my life…” (Shakespeare 1.3.128-129) Othello himself even admits to the fact that Brabantio him and loved to hear all his stories up until this very moment.
The issue of race is one filled with controversy and passion, even today in the twenty-first centaury. In today’s day and age it is more shuttle and underground then it was in its most recent ‘hay-day’. In our time today we see it as more of a shameful, offensive and intolerant thing, but it was the norm in the early 15th and 16th century. Today those people that are outwardly racist are seen as outcasts. In this essay I will tempt to show how even though it was the norm in Victorian England, Shakespeare already had another mind set, and was trying in this creative way that the mind set of the people was not correct even for that time. How and why did Shakespeare purposely portray Othello the Moor as a tragic hero, like Hamlet or King
• A fear of foreigners during Elizabethan times fostered misogynistic and racist values, which is evident in the way Othello’s blackness becomes a symbol of alienation to which all characters in the play must respond.
Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce
Although Othello is set in Venice and Cyprus, the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare's own society. It is difficult to assess the attitudes and values of people in sixteenth-century Britain to the relatively few blacks living amongst them. We are given an insight into those attitudes and values through the representation of race and
The fear of interracial marriage in Venetian society is used by Iago in an attempt to alienate Othello. Othello himself acknowledges the fact that interracial marriage is frowned upon and that racism still applies to him despite his position. A common attitude in Venetian society is that black men and women are inhuman and animalistic in nature; Iago capitalizes on this idea in order to aid his plan of antagonizing Othello. Brabantio, Desdemona’s father, is a prime example of the attitude of Venetian society as a whole, in the sense that he “loved” Othello as long as he remained a servant of Venice and would rather Othello not intermingle amongst the Venetian society. Initially Brabantio “oft invited [Othello]” to his home and “queston’d [him] the story of [his] life”, showing an admiration and sincere interest for Othello’s
Haply, for I am black/ And have not those soft parts of conversation/ That chamberers have, or for I am declin’d/ Into the vale of years (yet that’s not much) She’s gone. I am abus’d: and my relief/ Must be to loathe her” (III.III. 304-309). As the emanation of social interaction among various races appear within English literature, the vault of new beginnings and change takes hold. William Shakespeare’s Othello, is most notably recognized for the character, Othello. Through various texts of literature, the idea of racial construct and discrimination was never an easy topic to come by. Since the play was written in Europe during the 1600s, the emergence of slave trades in this area further divided races. The play itself follows the tragedy for Othello, and the transition from a military general to a tragic hero. The limitation of power plays a huge role in Othello’s ability to withstand the manipulation of multiple characters. Although he is Moorish general in the Venetian army, he is still indeed a Moor, a socially lower class, muslim man. From this, cultural collision of ethnicity influences how Othello is treated and the disadvantages he faces because of his color. Through the mere jealousy in which Iago, Othello’s standard-bearer, has for Othello’s life, he proposes the idea to manipulate his life by using the one difference between all men, race. When Iago awakes Brabantio, the father of Desdemona, he hopes to initiate his plan to take down Othello. His description
“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.
Racism is a theme that is prominently evident throughout Shakespeare's Othello. Through this theme, there are several perceptions of an individual's race which are exhibited to establish the
Throughout time, writing has evolved such that gender, race and creed have taken on a more pivotal role in fiction. Some people argue that race in William Shakespeare’s tragedy, “Othello,” is hardly an issue. However, to many people, race is everything in “Othello. The challenges that Othello, the lead character, faces are directly attributed to his “Moor” complexion and if he were of a different nationality, the outcome of his situation would have been drastically different. These claims are supported by the articles of “Othello’s Alienation” by Edward Berry and “Race Mattered: Othello in Late Eighteenth-Century England” by Virginia Mason Vaughan that argue that race is a major element in “Othello.”
Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black
Prejudice is an act of dehumanization. Throughout the Shakespearean play The Tragedy of Othello the theme of prejudice dominates the society in which the characters are restrained to. For the duration of the play the character Othello encounters various verbal slanders of racism and slurs leading to his spiral and demise. To the extent in which it contributes to him murdering his wife out of jealousy and, later, executing himself. The discrimination present in the play casts an influence on his character, consequently leading to pivotal downfalls. The act of prejudice is evident through Iago’s promotion of racial bias, the prevalence of racial attitudes, and the exemplification of Othello as an outcast in their society. Thus, the story becoming a tragedy for the existence of racial bias. Allocating that the influence of prejudice can obstruct one’s mindset, ultimately leading to the disintegration of one’s character.
Othello is one of the Shakespeare’s greatest tragedy which illustrates a tragic downfall of a black protagonist, Othello. Although in the play, Othello is a socially secured man working as a military general, his social status seems to be cancelled out by his colour. In the society of Venice, Othello is referred to as an outsider not only because of his cultural difference but also his colour, Therefore, in the play, Othello is depicted as a victim of racism even though he himself does not seem to acknowledge that he is victimised because of racism.
Othello’s race does not prominently impact his demise, although Shakespeare touches upon the issue of race, the reason for Othello’s demise lies somewhere else. However, the allegations of race directly lead to its tragic ending. Feelings of inadequacy and distrust without question aid in the tragedy. The fact that Othello’s skin color is important alters the interpretation of the tragedy within the play. The racism represented in Othello is not just about an instance of prejudices and prejudgments made by a crowd of people against another, but in fact has much more subtle and devastating consequences, specifically, that it is proliferated not only by the discriminatory section of society, but also by the target of this discrimination.
Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.
In the play Othello written by Shakespeare, the issue of racism is addressed. Othello, the protagonist of the play, is African American or black. “According to Lois Whitney, many of Othello’s specific attributes probably derive from Shakespeare’s reading of Leo Africanus, whose Geographical Historie of Africa which was translated and published in London in 1600”(Berry, 1990). Many critics have different views on this. “If Shakespeare depended upon Leo Africanus for such details, he must have been much more interested in racial psychology than critics such as Bradley or Heilman suggest”(Berry, 1990). One of the most prominent features of this Shakespeare play is the