In The House of Mirth by Edith Wharton, Wharton presents a critique of the upper-class New York society of her day. At the time, women of a higher class did not have their own identity. A woman’s status was defined by her father’s family until she was married, at which point she was defined by her husband. The main character of The House of Mirth, Lily Bart, does not have a father, and while she’s a part of the upper class, she has almost no money. This gives her a relatively ambiguous social standing—one that can only be rectified by marriage, preferably to a rich man. One privilege awarded to married women is the responsibility of decorating a home. This acts as a means of expression for women, and it is something that Lily desperately yearns to do. However, doing so without a husband would be improper in high society, and impractical considering her lack of wealth. Because of her desire to decorate, and her inability to do so, she has strong reactions to specific interiors. In this novel, Wharton uses interiors as a way of expressing Lily’s feelings of imprisonment as an unmarried woman, thereby critiquing a society by which women can only attain identity and social standing through marriage. Lily’s father died when she was very young and when her mother died she was left with nothing. Her aunt, Mrs. Peniston, begrudgingly took her in, because she had nowhere else to go. Lily is unhappy there; she finds the atmosphere to be oppressive and prisonlike. Mrs. Peniston’s
Lily starts to feel that she has developed a bond with the Boatwright sisters. Lily does not have a good relationship with her father. He makes her feel unwanted and abuses her verbally and physically. Lily’s father comes to the Boatwright’s residence and demands that Lily returns home with him but she refuses. The sisters inform the father that Lily can stay with them and they pledge to take good care of her, “ I still remember telling myself that when he drove away that day he wasn’t saying good riddance; he was saying, Oh, Lily, you’re better off in that house of coloured women. You never would have flowered with me like you will with them” (Kidd 299-300). Lily came to the realization that her father was not fit to provide her with the love and nurturing that she deserved. The sisters provided her with a loving environment where she feels protected. Also, the Boatwright sisters, especially August, are strong female role models. Lily will model her ideals, values and morals after the Boatwright
Lily starts off stuck living in an unloving, abusive household and decides to free herself from the negative atmosphere that she had been living in her whole life. Lily is perpetually abused by her father. He forces her to kneel on Martha White's, gets exasperated every time she speaks, and yells at her for no reason. Lily is not the only one noticing the terrible treatment, Rosaleen does too. Once after Lily had to kneel on the Martha White's Rosaleen said to her, “Look at you, child. Look what he’s done to you” (Kidd 25). Noticing the unloving treatment Lily gets, Rosaleen knew that their household was demoralizing place for Lily to be in, which is why she didn’t question when Lily when she later runs away. Lily one day realizes she needs to do something about her horrible life at home. While sitting in her room she hears a voice in her
Women in society sometimes are subject to objectification, meaning they are treated as a mere object; unequal to men. In the novel, The House of Mirth, by Edith Wharton, this holds true, except, women are said to be equal to men, but are not treated in this exact manner. Lily is apart of the upper class society of New York and attends parties, gambles all her money, and throughout the whole book tries to marry a rich man. Wharton’s feminism is apparent in the way she treats Lily; Lily gets through society, merely by keeping up her appearances. Beauty and appearance are everything in this society, if you are beautiful you will get far in society, however, the only thing Lily is lacking is wealth. In the novel, feminism is present with the idea of appearances and the symbol of money is used to convey that men are needed to control a women’s social stability.
T. Ray had not stopped at tearing her down physically, for he had the strong desire to hack away at what is left of her mental state. By painting such a scarring image of Deborah next to the one Lily made with optimism and fondness, T. Ray’s mirage overshadowed Lily’s impression. This causes her to leave him and start a new chapter in her life. T. Ray’s bestial actions were crucial reasons that influenced Lily’s decision to leave her father and begin her pathway through the perplexing road of her mother’s life.
For example, only a few weeks after staying in the pink house, August asks Lily what she loves, Lily responds, “‘And since coming here, I’ve learned to love bee’s and honey.’ I wanted to add, And I love you, I love you, but I felt too awkward,” (Kidd, 140). Lily tells August about the many things that she loves, she even wants to communicate her deep admiration for August but is unable to. August is like a mother figure to Lily also because she cares a lot about her and provides Lily with a kind of support and love that no one has ever expressed to her. For example, when Lily finally tells August about how she killed her mother and expresses how she feels unlovable, August consoles her and ensures her that she is admirable. “‘That’s a terrible, terrible thing for you to live with. But you’re not unlovable. Even if you did accidentally kill her, you are still the most dear, most lovable girl I know,” (Kidd, 242). Throughout her entire life, T. Ray never cared enough to emotionally support Lily, and Rosaleen’s personality was too snarky for her to understand Lily’s position. Lily finally has someone to talk to and releases all her pent-up guilt, regret, and pain to August. August and the sisters of Mary also provide Lily with a sense of motherly instinct and protection. For example, when T. Ray tries to come and take Lily back to the peach farm, they all stand up for her and protect her from her
The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is
While both the “Invisible Man” and “The House of Mirth” were written near the same time frame, they were written in differing perspectives, reflecting not only social classes but also gender roles of the time period. At the time these books were written, men and women had very different roles in society. Women were in the midst of a long arduous battle of the women suffrage movement and as they gained ground in this fight the gender roles started to change along with the country: “Westward expansion also demanded that many women step outside prescribed gender roles and perform “men’s” work on the frontier” (Jolliffe 1). Men, on the other hand, had a battle of their own trying to defend their masculinity during the movement of women into new social ranks, “masculinity in the United States is certain only in its uncertainty; its stability and sense of well-being depend on a frantic drive to control its environment.” (Stryffeler 4) The struggles of this dynamic time period are expressed through the eyes of these two authors giving readers an idea of how women were viewed differently from men surrounding the gender and social issues that dominated history.
DocViewer Page of 3 Zoom Pages In the beginning of the book Lily’s relationship with her parents was not really good , she really did not know her mother all she knew was the horrifying confusing accident that happened when she was only four years old. All Lily remembered about her mother was when her mother was fighting with T. Ray and she was packing all of her clothes , going in and out of the closest and seeing T.Ray yelling at her mom. Lily also remembered that she saw a gun on the floor and Lily grabbed it and shot her mother on accident.
Luckily for Lily, she comes upon the Boatwright sisters once she reaches Tiburon. Because of the fact Lily does not have anyone to share her love with, she is compelled to stay and live with the Boatwrights. At one point in the novel, Lily and August are having a conversation when August asks Lily “What else do you love Lily?”(Kidd 39). Lily then thinks to herself, “No one had ever asked me that before. What did I love? Right off the bat I wanted to say that I loved the picture of my mother…but I had to swallow that back”(39). Lily does not feel comfortable enough yet that she says, “ I love writing poems, just give me something to write, and I’ll love it” despite the fact that Lily really loves August (39). She loves August so much that she would rather stay in Tiburon with the Boatwrights than be with her own father T. Ray. The loss of Deborah results in Lily going to obtain love somewhere other than her own home. This is also why Lily takes Rosaleen with her. Rosaleen is a black nanny who used to work on T. Ray’s farm. She has been there for Lily in the past but she cannot always be there one hundred percent because of her race. Due to Deborah’s death, Lily does not have a mother figure, however, he journey to Tiburon with Rosaleen proves to be a success as she finds the Boatwrights and strengthens her relationship with her nanny, Rosaleen.
What the readers can determine the rules of black and white people during this time is that segregation was most certainly happening. It was clearly shown in the first chapter when it described how Rosaleen was chosen to become Lily's stand-in mom. T.Ray picked her out of the many slaves that were working at his peach farm. This shows that T.Ray owned slaves and made them work for free. Lily's home shows signs of queenlessness in many ways.
Novelist Edith Wharton wrote her defining work, 1905's the House of Mirth, on a subject she knew all too well: the style-over-substance realm of New York's upper-crust society during the Gilded Age. Having been raised in this "fashionable" society, Wharton knew both its intricacies and cruelties firsthand. The triumphant rise and tragic fall of protagonist Lily Bart demonstrate both the "sunshine and shadow" of the Gilded Age. The House of Mirth not only exposes the reality of how "the other half live," but also satirizes and condemns their elitist existence.
For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.
Edith Wharton's The House of Mirth is an affront to the false social values of fashionable New York society. The heroine is Lily Bart, a woman who is destroyed by the very society that produces her. Lily is well-born but poor. The story traces the decline of Lily as she moves through a series of living residences, from houses to hotel lodgings. Lily lives in a New York society where appearances are all. Women have a decorative function in such an environment, and even her name, Lily, suggests she is a flower of femininity, i.e. an object of decoration as well as of desirability to the male element. We see this is very true once Lily's bloom fades, as it were, a time when she
The House of Mirth explores the place of women (particularly Lily Bart) in society and the social effect that marriage had on them. The book showcases the problems that came with being a single woman during the late 1800s and the need and struggle to conform to society's expectations, and, therefore, falls under the title of a novel of manners. Women had little chance to play any role other that a wife or a mother, and could acquire respect and power only through marriage. Edith Wharton explores the themes of the female body, gender roles and manners in order to achieve this.
It is evident that "The Young Housewife" is a very sexually charged poem. Through its subject matter, its language, its imagery, and even its use of phrasing, Williams accentuates the young housewife's seductive and almost unrestrained nature. For instance, He describes her moving about behind closed doors, dressed in negligee, or going to the curb un-corseted to call ice-man, or allowing her hair to hang freely, only periodically tucking it in. All of these images suggest strongly that the young housewife is a natural and unrestrained character. She is free any imposed social constraints that has the power to squelch her pristine and almost wild nature.