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Social Standings in The House of Mirth by Edith Wharton

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In The House of Mirth by Edith Wharton, Wharton presents a critique of the upper-class New York society of her day. At the time, women of a higher class did not have their own identity. A woman’s status was defined by her father’s family until she was married, at which point she was defined by her husband. The main character of The House of Mirth, Lily Bart, does not have a father, and while she’s a part of the upper class, she has almost no money. This gives her a relatively ambiguous social standing—one that can only be rectified by marriage, preferably to a rich man. One privilege awarded to married women is the responsibility of decorating a home. This acts as a means of expression for women, and it is something that Lily desperately yearns to do. However, doing so without a husband would be improper in high society, and impractical considering her lack of wealth. Because of her desire to decorate, and her inability to do so, she has strong reactions to specific interiors. In this novel, Wharton uses interiors as a way of expressing Lily’s feelings of imprisonment as an unmarried woman, thereby critiquing a society by which women can only attain identity and social standing through marriage. Lily’s father died when she was very young and when her mother died she was left with nothing. Her aunt, Mrs. Peniston, begrudgingly took her in, because she had nowhere else to go. Lily is unhappy there; she finds the atmosphere to be oppressive and prisonlike. Mrs. Peniston’s

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