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Sociological Analysis Of Emily Browning 's ' Baby Doll '

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Sociological Analysis of SuckerPunch Stephanie Tejera Florida International University Abstract In every culture there are hidden aspects that would seem obscene to others but to that particular group of people are considered norms (expectation of “right” behavior) (Henslin, 2015). There are those who have to fight for their lives to survive each day, while others live freely with no obligations or mandates from another human being, much less a powerful, controlling system. Not only do we as people all have different hidden drives behind our actions, but we also have varied opinions of what should and should not be considered acceptable. After losing her mother, Baby Doll (Emily Browning) is left alone in the world with her stepfather and her younger sister during the 1960s. However her stepfather sought after her mother’s finances and when he realized she left her inheritance to her two daughters, he went after them to sexually abuse them. The way he is depicted, it seems as though he had done so previously or wanted to for a long time and possibly that he deliberately murdered Baby’s mother. In the aftermath of what seemed like hours although it flashed by, Baby was framed by the police and her stepfather for the second loss she had to endure of her sister and sent to Lennox House for the Mentally Insane, a mental ward for women turned brothel. There she meets four other young women Amber (Jamie Chung), Blondie (Vanessa Hudgens), Rocket (Jena Malone),

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