Sophocles Use Of Dramatic Irony In Oedipus The King

In Sophocles play Oedipus the King, Sophocles depicts the horrible fate of Oedipus, a pompous, arrogant young ruler. The story begins in the Greek town of Thebes. A plague has descended upon the Thebians causing death and famine throughout the land. Oedipus, being the heroic king, takes full responsibility to find out the cause of their aliments. While working to discover the source of the plague, Oedipus stumbles upon the tragic truth of his heritage and the horrifying implications of his appointment to the throne. Unfortunately for Oedipus, everything ends in tragedy. With the suicide of his mother/wife and the self-inflicted blindness followed by exile from Thebes, Oedipus paved the path to his own

Oedipus did not know that his mother was going to be his wife. He was told from when he was only the prince of Corinth that he will end up sleeping with his mother. During the investigation of King Laius, the blind prophet is providing a detailed crime scene and interviewing the only eyewitness to his murder. In curiosity, Oedipus asks about who his biological parents are so he can finally know the truth and settle the rumors. The Theban Shepherd confirms that his parents are in fact Laius and Jocasta. Oedipus and Jocasta have not seen each other since the day he was born. Many years ago, she gave her three-day-old infant to her servant to be killed because she knew about the prophecy. Behind her back, the servant gives Oedipus to a childless royal couple living their separate lives without knowing each other. Jocasta tried to change their destiny, but their fate was already chosen for them. Regardless of Oedipus knowing that his wife was his mother, he still committed incest. “But now all god-deserted, born in sins, in incest joined with her who gave

The plot of Oedipus the King, a Greek Tragedy written by Sophocles, revolves around several prophecies. A plague has stricken Thebes, and Oedipus discovers that the plague will only end when the murder of King Laius has been caught. Additionally, another prophecy states that the son of King Laius and Queen Jocasta would kill his father and sleep with his mother. Oedipus vows to the citizens of Thebes that he will find the murderer, but as the plot develops, Oedipus comes to the realization that he himself was the murderer that he had been seeking. There are several scenes in Oedipus the King that incorporate violence, and these violent scenes are a critical aspect of the play because they contribute to the development of the plot; the use of violence, whether verbal or physical, also enhances our understanding of the characters’ personalities and/or emotions.

The story of Oedipus is full of irony such as verbal, tragic, and situational irony. For example, verbal irony appears in Oedipus’ speeches. When Oedipus orders for the man who killed Laius to be punished, he is unaware that he is in fact the murder. Verbal irony appears again when Oedipus ridicules Teiresias for his blindness when Oedipus is also blind, witless and senseless to his own actions. An example of situational irony is: Oedipus is an adopted son; he hears the prophecy; he escapes the city to avoid fulfilling the prophecy only to escape to his real parents.

Dramatic irony depends on the audience’s knowing something that the character does not, and in this play the audience knows Oedipus faith before he knows it himself. In this play there are several parts where Sophocles conveys his plot through dramatic irony. Dramatic irony underlines how partial human perceptive can be even when it is most reasonable and how agonizing it can be to be the costs of the misinterpretation, in some sense foreseeable. Dramatic irony is also use by Sophocles to make the audience feel their taken part of the play knowing the fate of the main character, making the audience wait in suspense wanting to know how Oedipus would react to his fate. The other use of the dramatic irony was to foreshadow which is a key

In the prologue of the play, Antigone, by Sophocles, Antigone and Ismene (sisters) are debating between burying their late brother, Polyneices, and the consequences they may end up facing. In Antigone’s eyes, family comes before the law of burying a traitor. When disputing between the burial, Antigone says, “...but Polyneices, who fought bravely and died as miserably, - they say that Creon has sworn no one shall bury him…” (Prologue.17-20) Antigone just wants to put her brother to peace, but Creon refuses to allow anyone who tries to ruin the well-being of his new society to be buried. She believes that Polyneices fought just as bravely as their brother, Eteocles, and his spirit deserves to be put to rest instead of lying in the public square.

Irony is defined as “a literary technique, originally used in Greek tragedy, by which the full significance of a character's words or actions are clear to the audience or reader although unknown to the character:”(“Irony” Entry 3. Oxford Dictionary. November 5th, 2015, Web.) In literature, irony can be used to foreshadow situations about to occur. Irony is a literary technique that can be expressed in 3 different ways. There is Dramatic irony, Situational Irony, and Verbal Irony. Situational irony is defined as, “irony involving a situation in which actions have an effect that is opposite from what was intended so that the outcome is contrary to what was expected.” ("situational-irony."(Dictionary.com Unabridged. Random House, Inc. 05 Nov.

In this case, Oedipus has a certain prophecy that he needs to kill his father and sleep with his mother. Doing so, he can break the curse on Thebes and he will not be shamed upon for being a king and letting his city fall. Oedipus was trying to avoid the absurd prophecy by leaving his adopted parents and living a life on his own. But, on his journey, Oedipus killed his father and married his mother. Oedipus believed they were strangers until Creon explained everything. The love of his life Jocasta, was revealed to be his birth mother. He had fulfilled his prophecy without intention. Jocasta could not take the stressful humiliation and life she had just taken on, so she committed suicide. When Jocasta's death occurred, Oedipus was filled with sorrow and decided he couldn't dare show go out in the world knowing what he just did. So Oedipus unpinned the golden brooches from the robe Jocasta was hanging in, and stabbed his eyes repeatedly while pleading “they will never see the crime I have committed or had done upon me! Dark eyes, now in the days to come look on forbidden faces, do not recognize those who those you long for.” On page 516 lines 192-196, this shows his unhappy fate from the hardships in life.

Finding out who his true father is seems important for someone who has just been told he will kill his father. Nor is Oedipus particularly intelligent about the way he conducts himself. Even though he did not know that Laius and Jocasta were his parents, he still does kill a man old enough to be his father and marry a woman old enough to be his mother. One would think that a man with as disturbing a prophesy over his head as Oedipus would be very careful about who he married or killed. Blindly he pursues the truth when others warn him not to; although he has already fulfilled the prophesy, he does not know it, and if he left well enough alone, he could continue to live in blissful ignorance. But instead he stubbornly and foolishly rummages through his past until he discovers the awful truth. In this way, Jocasta 's death and his blindness are his own fault.

Over two thousand years ago in 400 B.C. Sophocles, a Greek dreamer, wrote the story, “Oedipus the King”. One might think that a story that old may be boring or poorly written, but in fact it is very descriptive and entertaining. Sophocles even employs different literary devices to enhance the themes throughout the story. Some of these techniques includes: metaphor, personification, imagery, symbolism, tone, meter, setting, and diction.

Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect

Throughout the play Oedipus is given clues to his past and the fate that is to come, the moment that he gouges his eyes out shows these clues that he has missed. Jocasta says wildly, “In the name of heaven, don’t proceed! For your own life’s sake, stop! And I’ve been tortured long enough.” (59) This shows a moment of caution for Oedipus to not continue to seek the truth. The dramatic irony of this situation illuminates the horrors that are to come because of fate as well as Oedipus’ free will. Oedipus: “Laius was killed—I thought I caught the words—where three highways meet?” Jocasta: “So they said. That is how the story goes.” (41) Oedipus is first hearing the true story of the late king’s murder and seems to be beginning to realize that it was he who did the killing. Even though this could be his illuminating moment, Oedipus is unwilling to accept this fact and must hear

In the Oedipus the King, Sophocles hides the true cause of tragedy, victim and murder behind the word, indicating a larger crime under the surface. Firstly, he conceals the degenerated entity of Thebes under the prophet. Fate, as the inseparable element, forms a smooth circle of Oedipus’ life. The tragic ending had been

Sophocles’s reliance on dramatic irony is apparent throughout the entire story. From the start of the play—where Oedipus searches for the murderer of the fallen king—the audience is already aware of Oedipus’s story. Ironically, readers grasp that Oedipus was the murderer of Laius and therefore the cause of the plague. Oedipus himself, however, lacks any knowledge of his participation in the event and believes that he has managed to avoid the prophecy’s fruition. As such, Sophocles’s use of the device affects the way the plot progresses. Mainly, the author bases the conflict on Oedipus’s “blindness”. It draws out the story until it reaches its climax. Throughout the play, Oedipus is in denial of his involvement in the death of Laius despite being told several times of his guilt. One such time occurred when Teiresias, an old blind prophet, reluctantly told Oedipus of his actions. As to be expected, Oedipus reject his words with scorn, threatening the old man. “Do you imagine you can always talk like this, and live to laugh at it hereafter?” (lines 425-426) Oedipus further insults Teiresias physical blindness, not realizing his own metaphorical blindness. As per dramatic irony, however, readers know the one who is truly blind was Oedipus. Teiresias further makes this apparent. “You have your eyes but see not where you are in sin, nor where you live, nor whom you live with. Do you know who your parents are?” (lines 482-484) Events such as these seem to be a recurring theme in the play. Oedipus is made aware of the truth by another character, and then he fervently accuses them. Because of this, the audience becomes familiar with the pattern. The dramatic

In the play Oedipus The King written by Sophocles, it is the blind man who can see the truth of Oedipus and Jocasta’s relationship and it is those that see, Oedipus and Jocasta, who are blind to the truth. When Oedipus finally sees the truth of his actions, he blinds himself in horror. The irony here is that only the blind see things clearly, while the seeing blind themselves to the reality in front of them. While believing himself to be living in the light, Oedipus is actually living in darkness. The story of Oedipus begins as a murder mystery in a village that is suffering from a plague that is threatening to destroy the village. The author continues to use prophets and messengers as well as irony to follow the main character. Sophocles uses the motif of blindness and sight, the contrasting imagery of darkness and light, along with dramatic irony to bring a huge impact to the meaning of the story. A motif is a symbol which can take on a figurative meaning. In this case the author uses blindness and sight as the motif. Imagery is used as a descriptive language. In this story the author uses light and dark as imagery. Dramatic irony is an irony that happened when the meaning of a situation is understood by the audience but not by the characters. An example of dramatic irony is shown when the old soothsayer visits the King. Oedipus did not listen to the man because he's blind, and Teiresias is full of anger tells the Oedipus that though he might be able to see he is "blind" to the truth. When Oedipus finally becomes blind at the end of the play, Oedipus realizes the truth of the soothsayer’s words. Irony is also showing that the only person that can see the truth is the blind man.