What Is Marriage Like In The 1800s

Nathaniel Hawthorne's novel "The Birth-Mark", explains the relationship between Aylmer, a scientist, and his wife Georgiana’s birthmark. The story is told in third person point of view. The story gives access to both Aylmer and Georgiana thoughts. It allows readers to see that because Aylmer is a scientist and a perfection, he feels that Georgiana would be perfect if the mark was to be removed or on another woman besides her. Aylmer sees his wife's birthmark is a symbol of imperfection. The mark is described to be a small deep crimson mark shaped like a hand on her left cheek. As he sees the mark, he sees her becoming less beautiful. Once the mark is removed, she would become perfect and beautiful. However, Georgiana, Aylmer wife feels that the mark is a symbol of a charm because she was told that the mark was placed on her cheek during her birth-hour by a fairy. Hawthorne shows us that people view beauty in different ways.

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

“As the last crimson tint of the birthmark that sole token of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight” (Hawthorne 13). In 1843, Nathaniel Hawthorne wrote “The Birthmark,” a tragic and unexpected short story. In the beginning of “The Birthmark,” Alymer, a man of science, marries a young beautiful woman named Georgiana. One day Alymer noticed a mark on Georgiana’s cheek, and over time his obsession with the thought of removing it scientifically caused the death of his wife. Therefore, in the short story “The Birthmark,” by Nathaniel Hawthorne, Alymer pushes the scientific boundaries too far and his experiment is unjustified.

“As the last crimson tint of the birthmark that sole token of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight” (Hawthorne 13). In 1843, Nathaniel Hawthorne wrote “The Birthmark,” a tragic and unexpected short story. In the beginning of “The Birthmark,” Alymer, a man of science, marries a young beautiful woman named Georgiana. One day Alymer noticed a mark on Georgiana’s cheek, and over time his obsession with the thought of removing it scientifically caused the death of his wife. Therefore, in the short story “The Birthmark,” by Nathaniel Hawthorne, Alymer pushes the scientific boundaries too far and his experiment is unjustified.

Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.

“The Birthmark” written by Nathaniel Hawthorne, was published in 1843 in a literary journal called the Pioneer. During this time period there were great advances happening in the scientific field. “The Birthmark is a story about a scientist named Aylmer who wishes to make his wife perfect by removing a tiny mark on her cheek and ends tragically for the wife. In the story there is a clear divide between science and nature. Aylmer who wishes to correct it the flaw that he sees on his wife Georgina cheek and nature who put it the tiny birthmark there. By using foreshadowing, allegory and symbolism Hawthorne shows how one must not try to correct Nature for it may have many disastrous consequences for the one that are involved in trying to correct it

Moreover, "The Story of an Hour", shows that Louise felt her husband's domination through the "powerful will bending her" (14), later she is in "this possession of self-assertion which she suddenly recognized as the strongest impulse of her being." (15). This last statement indicates this newborn contention in Louise, made only possible by Mr. Mallard's death. In Mr. Mallard's death, Louise finds herself being able to assert herself in unimaginable ways; Mrs. Mallard is no longer limited to the confines of her marriage. Ultimately, all of this new brazenness and freedom is dependent

The Birthmark is the story set in the late 18th century, it tells about the scientist named Aylmer who wants to remove the birthmark from his wife’s cheek as he believes it makes her imperfect. Also, he sees it as a sign of Georgiana’s «liability to sin, sorrow, decay, and death». He is sure that it needs to be removed. Aylmer succeeds in his attempt to remove the birthmark, but destroying the original design of Nature, he also destroys his wife. She eventually becomes perfect and

Upon Georgiana’s face there is a small, red birthmark the shape of a human hand. Before Aylmer married Georgiana, he never noticed the birthmark, or rather was blinded by her beauty that he chose to “[wish] it away” (Hawthorne 6). Aylmer says Georgiana is perfect but the birthmark overpowers her beauty. He becomes so obsessed with the birthmark that he associates it with everything that is wrong with Georgiana. He says the birthmark is “. . .

Explaining throughout this story how just about every living thing is simply imperfect in some way, and that everything that lives must die when its time is up. Although to Aylmer the birthmark is, “the symbol of his wife’s liability to sin, sorrow, decay, and death, Aylmer’s somber imagination was not long in rendering the birthmark a frightful object, causing him more trouble and horror than ever Georgiana’s beauty, whether of soul of sense, had given him delight” (Hawthorne 292). In consequence, Aylmer operates on his wife to remove the birthmark to help her become “perfect” but, ironically right as he removes the birthmark Georgiana awakens and says to Aylmer, “Aylmer, dearest Aylmer, I am dying” (Hawthorne 301). Hawthorne in the last paragraph tells us that “The fatal hand had grappled with the mystery of life, and was the bond by which an angelic spirit kept itself in union with a mortal frame”

“The Story of an Hour” was composed by American author Kate Chopin in 1894. The story depicts a period in time, specifically an hour, when Mrs. Mallard experiences a plethora of

In “The Story of an Hour” we are taken through a journey. The journey is the thoughts and emotions going through Mrs. Mallards (Louise) mind. The journey only takes an hour, so everything moves at a fast pace. Louise seemed to process the news of her husband’s death without an initial element of disbelief and shock. She goes right into the reaction of grieving for her husband. She quickly begins to feel other emotions. At first she does not understand them. The journey is a way that Louise comes to her final thoughts of freedom. She looks into the future and looks forward to living a long life on her own terms.

In the short story "The Story of an Hour" Kate Chopin, the author, presents the reader with an obscure view of marriage. Chopin's main character, Mrs. Louise Mallard, experiences the excitement of freedom instead of the devastation of loneliness after she receives the news of her husband's death. Mrs. Mallard disturbingly finds out that Brently, her husband is still alive. She know knew that her only chance at freedom is gone. The disappointment instantly kills Mrs. Mallard. Published in the late 1800s, the overbearing nature of marriage presented in "The Story of an Hour" may very well reflect, but not restricted to, that era.

Aylmer was a man knowledgeable scientist had an obsession for perfection in all aspects of life. Aylmer also viewed his wife as being flawless, except for the hand-like birth-mark that appeared on Georgiana’s left cheek. One day, Aylmer sits looking at his wife with many thoughts wondering throughout his mind, "Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?" "No, indeed," said she, smiling;

Many people believe that marriage is important in this day and age, but it holds little significance compared to the importance of marriage in the Victorian era. In the Victorian era women were to get married to a man of the same or a better social status, be good wives, and be a mother to her husband's children. Very few marriages started with love, but a woman's life is not complete without being married. Over time, the role of married women has evolved a great deal and they now have rights and privileges. John Stuart Mill was one of the great thinkers of the Victorian era, and his essay The Subjection of Women tells how few privileges women had and that they were slaves to their husbands. He also says that women are their own people and