In the society we live in today, the people are broken into two separate categories. The two categories are called the Have's and the Have Nots (Proletariat and Bourgeoisie). This theory came from a man known as, Karl Marx. He believed the Proletariat or the Have Nots, were always searching for something like independence, appreciation, acceptance and more, but never had the power to get it. The only ones who had such power was what he called the Bourgeoisie or the Have's. In the short story "Story of an Hour" the character, Mrs. Millard wanted independence, that only her husband could give her.
In the passage, Mrs. Millard's husband is supposedly dead, and how she takes the news it is not the typical reaction. In the text it says she whispered '' free, free, free!" (236) I believed she felt as if a weight has been lifted off of her shoulders, a weight that has been building her entire marriage. This short story was written in the late 1800s, which tells me that the author was writing from what she sees saw and experienced from her surroundings. In that time
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Millard was finally apart of the Bourgeoisie category. She finally had the power that her husband unconsciously held for so long and couldn’t help but feel as it says in the text, "Free! Body and Soul Free!"(237) But, when her husband had risen up from the dead, all of that new found power of independence, and self-worth was ripped from her hands like it was never hers to begin with. In the text it is said that Mrs. Millard had a heart condition, that it was that same heart condition that killed her and that it was seeing her husband walk through that door that triggered that heart to give up. At the end of the story it said, "of joy that kills."(237) Mrs. Millard died because of seeing her husband. She had just obtained some sense of independence and was not ready to give it up, so the only way she could keep it was with
Chopin expertly adds irony to the story by stating, “When the doctors came they say she had died from heart disease - of joy that kills” (8). However, the readers know that she died because of the sudden loss of her new found freedom. This develops irony because the characters didn’t know the excitement she felt when her spouse “passed away”, but the readers know she rejoiced in her freedom. From the characters point of view, it may seem she died because she was so excited her husband returned safely. After Mrs. Mallard barracked herself in her room, it is stated that she “Abandoned herself” and then started chanting “Free! Free! Free!” (7). This displays her excitement towards her husband's death. However, the other characters are fearing for her health since they believe she is not strong enough to get through the
Mallard, they get the idea that she is a small, frail woman who would do nothing more than rest for most of the day. Upon receiving news that her husband has died, it would be expected that she may cry or sob. However, after a brief moment of mourning, she begins to feel excited about her husband’s death. “Free! Body and soul free!”( ). At first, someone may be startled by this response, as it appears that she has no reason to be acting this way, but if you look between the lines, you realize why. Ms. Mallard was a woman who felt trapped in her marriage. She craved freedom and was never to reach it until the death of her husband. When she first feels it, she likens it to something vial or sinister, but soon after she compares it to an elixir of eternal life. While this reaction appears to be extreme, it is important to realize that divorce was not an accepted practice at the time of this story. This means that she was essentially stuck in her marriage until one of them died, which is why she was so untroubled by the demise of her
This loss of happiness and freedom caused Mrs. Mallard’s heart to give out and she died. The doctor said “She had died of heart disease – of joy that kills” (Chopin). Society believes she
“But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely” (Chopin 157). She feels free from the obligations to her husband that was forced upon her during the Victorian era and she is looking forward to the years of independent freedom that are yet to come. “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature” (157). Mrs. Mallard did not want to submit to the oppressor, who in this case, was her husband. She wanted to make her own decisions and didn’t want to take orders from her husband. She was forced to live that way because her husband controlled her. Once she found out that he was supposedly dead, she felt free from the male oppression that she had been a victim of since the day she and her husband exchanged vows. Mrs. Mallard would rather live for herself and not have to live for her husband, and his alleged death allowed her to live for herself without getting a divorce, so her society wouldn’t look down upon her.
When her husband is killed in a train accident Mrs. Mallard cries, but for different reasons than would be expected. She is sad for her husband’s death, but, moreover, she is overcome with joy. For now she is free. No one recognizes her true emotions because women fall apart when their spouse dies; it’s required. Marriage is portrayed as a life sentence. "She said it over and over again under her breath: ‘free, free, free!' Her pulse beat fast, and the coursing blood warmed and relaxed every inch of her body"(1). Mrs. Mallard was relieved that her husband died for she thought her sentence was over. When she realized that he was still alive, and therefore she was still committed to the marriage, she died from the shock and horror of being trapped.
The open window in “A Story of an Hour” holds a lot of symbolism towards the emotions that Mrs. Mallard discovers within the story. The open window constitutes as her epiphany moment in the story where she discovers her true feelings and bases her actions off of the freedom she finds when she looks beyond the scenery through the window with new eyes. The open window in Mrs. Mallards home is what triggers her emotional state in which she breaks out of her restraints that her marriage has put her in.
Mallard is unsatisfied with the limitations of her marriage, however, like Desiree, she is submissive and believes that the end of her duties as a wife will come at the death of her husband and her freedom will be given to her. Also, she experiences little or no feelings because of her marriage. This is shown when Mrs. Mallard, after hearing of her husband’s death, cries, but ironically she senses a moment of euphoric pleasure at the awaiting freedom in her remaining life. “She saw beyond that bitter moment a long procession of years to come that would belong to her absolutely.” Mrs. Millard is now aware of things that were not noticeable before such as: the beginning of spring, patches of blue sky through clouds, the twittering of sparrows and the smelling of the pending rain, which may signify the nature of her freedom. Mrs. Mallard would now be able to live her life outside the home and find her identity.
However, the story ends with Mrs Mallard’s freedom being ripped away from her as she dies from shock upon seeing her husband walk through the door. When the doctors come to pronounce her dead, they said “she had died of heart disease, … the joy that kills”. This is foreshadowed that the beginning of the story when it is said that Mrs Mallard “was afflicted with heart trouble”. Also this use of irony suggests how the male ideology of the doctors is foolish and misplaced.
Mrs. Mallard is, outwardly, a typical woman in the 19th century with a husband, family, and home. It is first apparent that Mrs. Mallard is not satisfied with her role as a wife when she receives the news of her husband’s death and begins to feel a sensation of joy that overcomes her. The wife’s unhappiness with her married life is enhanced when the narrator states, “She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Chopin 16) The reader infers that Mrs. Mallard was figuratively suffocating under the duties and stereotypes a 19th century woman was subjected to, such as caring for a house and family instead of pursuing a career outside of the home. Mrs. Mallard views her husband’s death as an escape from her role and a chance to have control over her life and choices, showed when she whispers “Free! Body and soul free!” (Chopin 16) In the final portion of the story Mrs. Mallard’s husband returns home, having never been in an accident, and she dies of what doctors determine is an overwhelming joy for seeing her husband alive. The reader infers that Mrs. Mallard has lost her chance of a new start and freedom from her role and dies of grief over her loss of freedom. The author contrasts Mrs. Mallard’s lack of control and freedom in her life to
Upon hearing the news, Mrs. Mallard is overwhelmed with grief, which swiftly turned into hope. Mrs. Mallard’s reaction upon receiving the news of her husband 's death is considered to be unusually by society’s standards. In the beginning of the story it is revealed that Mrs, Mallard suffers heart problems; however, when it is revealed that her husband is dead her heart is relieved. She was thrilled that she was able to be her own person again. It was revealed through her reflection on her marriage that she “had loved him - sometimes” (16). Mrs. Mallard overcame is quick to overcome her grief after the realization that she has been set free of her horrible marriage. As a married woman, Mrs. Mallard is miserable, but as a widow she feels a sense of relief that she is free of her marital vows. At the end of the story Mrs. Mallard dies of a failing heart which it ironic because typically a woman would be filled with joy to find out
In “The Story of an Hour” we are taken through a journey. The journey is the thoughts and emotions going through Mrs. Mallards (Louise) mind. The journey only takes an hour, so everything moves at a fast pace. Louise seemed to process the news of her husband’s death without an initial element of disbelief and shock. She goes right into the reaction of grieving for her husband. She quickly begins to feel other emotions. At first she does not understand them. The journey is a way that Louise comes to her final thoughts of freedom. She looks into the future and looks forward to living a long life on her own terms.
Mrs Mallard's awkward attitude after learning of her husband's death establishes an irony- somebody who is really happy in marriage will not enjoy nature in peace and have mixed emotions; the person will feel genuine grief upon hearing of the death of her husband. Here, Mrs Mallard's reaction portrays the extent to which her thirst for freedom was strong. Kate Chopin allows us to visualise the moment that Mrs Mallard is able to shed the bondage of marriage: "free, free, free!." She feels liberated through her husband's death. Much emphasis is laid on her joy upon finding freedom- "there would be no one to live for." The author also points out that "she knew that she would weep again.....folded in death." This only highlights the fact that it is not an expression of love but seems more like a duty that
Mrs. Mallard is described as weak and “Afflicted with a heart trouble.” The statement: “…great care was taken to break to her as gently as possible the news of her husband’s death,” show how the narrator has a tone of tenderness, talking about Mrs. Mallard as if she were a fragile child, even later saying, “[she shook], as a child who had cried itself to sleep continues to sob in its dreams.” Throughout this whole scene, the language is riddled with foreboding adjectives and phrases, perhaps foreshadowing her later demise. When she learns of her husband’s death, she weeps “with sudden, wild abandonment,” only going to her room when “the storm of grief had passed.” Then once in her room she sat in an armchair “pressed down by physical exhaustion that haunted her body and seemed to reach into her soul.” This statement gives the physical exhaustion the same qualities one would normally give to a ghost, furthering the foreboding nature of the piece.
Mrs. Mallard feels tied down and trapped in her marriage. The lines of her face "bespoke repression" (paragraph 8). Once Mrs. Mallard receives the news of her husband's death, she knew that there will "be no powerful will bending her" (paragraph 14). There now would be no husband who believes he had the "right to impose a private will upon a fellow creature"
Next, Mrs. Mallard was a woman who suffered from the times where women were treated with less value and importance. She lost her own life because rejoice at her husband’s tragedy. Her uncontrollable desire to be free made her become a frivolous woman, who let his personal longing’s end with his own life. When she realized that her husband was alive all his plans vanished. Her happiness was a temporary happiness which lasted less than an hour.