Stylistic texture as part of the implicit characterization process is established as a characteristic of the literary text. First, the reader/audience is faced with the question of the way individual sentences of a speech relate to one another. Whether they are connected in a strictly logical way, whether they form a more associative series, they always emphasize the structure of a character’s level of awareness. All significant deviations from the normal frequencies in the areas of syntactic and lexical selection and combination can also serve to delineate a character: the frequency of certain sentence types (such as statements or questions), the predominance of active or passive forms, the use of parallelisms and antitheses, an abstract or …show more content…
But fixed now in the meridian line,
Will send up fire to your turning spheres,
And cause the sun to borrow light of you;” (p.44)
This is a form of expression which Marlowe nowhere else uses as often as in this play. Marlowe can use imagery to differentiate his characters, for example, Bajazeth’s speeches contain images from the underworld and are full of monsters and darkness,
“… sacrifice my heart to death and hell,
Before I yield to such a slavery.” (p.43)
”Then, as I look down to the damned fiends,
Fiends, look on me! and thou, dread god of hell.” (p.44)
Tamburlaine speaks of the “frame of heaven,” “the triple region of the air,” his imagery referring to the heavens and the classical heroes. The playwright ultimate goal was amplification. Tamburlaine’s speech is not redundant rhetoric, but it seems rational and also it seems to express what will happen.
There are sections in the play which compare Tamburlaine with rulers whose incapacity is marked by their linguistic disability. Mycetes finds himself “insufficient” to express his sense of grievance, other people have to speak for him, and his own attempts to speak lose themselves in mixed
While reading a well written story I am conscious of the atmosphere the author creates through the particular style they choose to use. As a reader, I am able to admire the way in which the writer presents their characters and setting, and be conscious of the overall voice used in their writing. The "voice" used in the writing is often the most obvious aspect of an author's style to detect. The author's "voice" is the way
To most, when asked to define what Gothic is, they will state that it is similar to any other story, just with more “darkness.” This is because Gothic stories all have a classic story line. First, there is the main character’s back story, if any is then told. Next, there are events that lead up to a horrible incident that is the climax of the story. Lastly, the character finds some way to fix the situation or free him- or herself from it. They might go insane, commit suicide, run away, or watch other characters perish. However, readers would be greatly mistaken if they thought that this was all that there is to a Gothic story; there is much more to the Gothic than meets the
A mental disorder, or mental illness, can be a very serious issue in the world today. Not only today but even back many years ago. There have been many complications with studying mental illnesses, but with the basic knowledge and research of these topics, we can then understand the result of answering the question: How are mental illnesses viewed in Ireland compared to the United States? Looking at examples of mental illnesses around the world including examples from the book Reading in the Dark, written by Seamus Deane will help provide a good understanding of want a mental illness can look like in the life of a child. Although mental illness seems like a broad topic, there is a lot that can be taken away from it. Knowing a basic definition and background, and how mental illnesses were viewed in both Ireland and the United States, in the 1900’s and today, can help one understand how mental illnesses are caused in different countries around the world.
Night is a moving, passionate book about the hardest time in history for the Jews told by Elie Wiesel first hand. Wiesel wrote this book to tell us the truth of what really happened in concentration camps and how terrible they were. The Holocaust was a dark and dreadful moment in the history of the world.
Authors have different ways to convey the emotions from their work to the reader. Diction and sentence structure is one of the many components authors use to create the tone of the story, also known as the author’s attitude towards the subject. But with the use of figurative language it helps express the meaning of a line without using its literal definition. Homer, the author of The Odyssey, used figurative language to express the tone by using personification and similes to help the reader picture and sense his words.
This paper discusses the use of stylistic features in passing the message to the readers, with
Quotation marks are the grammar resource that Philbrick uses in chapter 3 to represent in a very natural way the characters’ emotions and expressions. He uses quotations to play with the reader’s imagination and transport us into a different world where we can appreciate a better view of this whaling experience. He mixes quotations with some other punctuation marks, such as exclamation points or question marks so that he can help the reader to understand in a better way what is happening aboard The Essex. It is what happens when he emphasizes in expressions like: “There she blows!”
In his essay, Paul Bogard argues that it is necessary to preserve darkness. Paul is trying to persuade the reader to take his side and help him achieve his goal of saving natural darkness. To do this, Paul uses tons of rhetorical devices and appeals to emotions while also providing facts and studies to support his argument. His main weapon though, is the way he talks to the reader. His tone is what makes his essay an effective one.
Imagery is a very important aspect of literature. Many different types of imagery exist and there is at least one dramatic purpose for each image. By analyzing William Shakespeare's
A final feature in the text which is vital for creating an emotional connection with the audience is the style in which it is written as it conveys Galloways personality, which allows the reader to understand the meaning of the text and relate to it, making it easier to connect with. The first element of style that Galloway uses to her advantage is formality; rather than writing it in a complex and serious manner, the writer presents the text in a light-hearted way making it more accessible and enjoyable. Aspects of the text which contribute towards are informality are the use of slang - "LURV", "stunk like a month-old kipper"; use of short sentences - "This did not trouble me. I was a biddable child. Most are."; and parenthesis - "(there were no men in our house)". These stylistic features all mirror the structure of natural, spoken language, therefore the reader feels as
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
the whole novel: “the linguistic pattern of choices realizes a primitive pattern of cognition, which in turn is the key to the tragic vision of the novel.”(Leech & Short, 2001: 32) Halliday being the widely acknowledged precursor of functional stylistics, the eminent German linguist-critic Leo Spitzer (1887-1960), is likewise father of literary stylistics. In his insistence that the smallest detail of language can unlock the “soul” of a literary work, he maintains the task of stylistics is to provide a hard-and-fast technology of analysis: I would maintain that to formulate observation by means of words is not to cause the artistic beauty to evaporate in vain intellectualities; rather, it makes for a widening and deepening of the aesthetic taste. It is only a frivolous love that cannot survive intellectual definition; great love prospers with understanding. (Leech & Short, 2001: 2) A question which is often asked in this connection is “At which end do we start, the aesthetic or the linguistic?” The image used by Spitzer of the “philological circle”, the circle of understanding, however, seems to suggest there is no logical staring point. Spitzer argues that the task of Linguistic-literary explanation proceeded by the movement to and fro from linguistic details to the
The Darkness' is a poem written by Lord Byron in 1816, around the Romantic period. Byron has stated that the poem was inspired by the events of Mount Tambora, which was a volcano that erupted in the Dutch East indies that caused surreal weather phenomenon's, such as inexplicable darkness and cold temperatures in Geneva, where Byron was at the time, and eventually where he wrote the poem. This event caused many authors to suspect that this eruption, and the following weather events, was a sign that linked to the biblical apocalypse.
The paper will analyze the literary skills in the novel. The literary styles will be analyzed in the context of their significance in influencing the plot and characters. The literary analysis will include review of the major literature styles the author uses and the characteristics of characters in regards to adapting the requirements of the specific literature styles. Additionally, the review will also include a perspective of the importance of style used by the author.
Literature has enabled all living life to communicate and build significant jobs since the dawn of time. Likewise, reading and writing provide us with impeccable information and allows individuals to liberally express their valid and unique opinions with different uses of toneーdetail, syntax and imagery . This powerful addition to our communication allows society to thoroughly comprehend the attitude in which an individual is speaking with. Regarding this, Mistero Buffo’s story, The Birth of the Jongleur initiates these values. To commence, Tone is “a quality, feeling, or attitude expressed by the words that someone uses in speaking or writing” (Merriam-Webster). Within this powerful passage, readers can come to a conclusion that tone is a crucial structure of literature. Mistero Buffo exquisitely showcases that tone defines the overall theme through detail, the mindset of the author’s point of view towards the fundamental topic presented and simply how imagery is used effectively so that readers may envision the plot while reading.