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Stylistic Patterns In Darkness And Darkness By Joseph Marowe

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Stylistic texture as part of the implicit characterization process is established as a characteristic of the literary text. First, the reader/audience is faced with the question of the way individual sentences of a speech relate to one another. Whether they are connected in a strictly logical way, whether they form a more associative series, they always emphasize the structure of a character’s level of awareness. All significant deviations from the normal frequencies in the areas of syntactic and lexical selection and combination can also serve to delineate a character: the frequency of certain sentence types (such as statements or questions), the predominance of active or passive forms, the use of parallelisms and antitheses, an abstract or …show more content…

But fixed now in the meridian line,
Will send up fire to your turning spheres,
And cause the sun to borrow light of you;” (p.44)
This is a form of expression which Marlowe nowhere else uses as often as in this play. Marlowe can use imagery to differentiate his characters, for example, Bajazeth’s speeches contain images from the underworld and are full of monsters and darkness,
“… sacrifice my heart to death and hell,
Before I yield to such a slavery.” (p.43)
”Then, as I look down to the damned fiends,
Fiends, look on me! and thou, dread god of hell.” (p.44)
Tamburlaine speaks of the “frame of heaven,” “the triple region of the air,” his imagery referring to the heavens and the classical heroes. The playwright ultimate goal was amplification. Tamburlaine’s speech is not redundant rhetoric, but it seems rational and also it seems to express what will happen.
There are sections in the play which compare Tamburlaine with rulers whose incapacity is marked by their linguistic disability. Mycetes finds himself “insufficient” to express his sense of grievance, other people have to speak for him, and his own attempts to speak lose themselves in mixed

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