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Subcultures: Popular Culture and Cultural Capital

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To What extent are subcultures such as Goth, Dance or Hip Hop, types of consumption of media popular culture, rather than styles of resistance?

One problem in analysing a type of youth culture is measuring the extent to witch it is a response to a culture deliberately manufactured for marketing and consumption of cultural products. I would say to some extent all subcultures consume part of popular culture, but it does vary from which culture a person is apart of, E.G you can look at the Goth type of culture and think it not to be very commercialised at all. But I would argue differently, because Goth is one of the most commercialised types of culture in the world. The Director Tim Burton makes huge blockbuster films that have been …show more content…

E.G I remember seeing a fashion show that was showing a type of fashion based on the types of clothes that punks wear. But the models on the cat walk were all good looking with rips in clothes that were fit to measure and the safety pin that went through one of the models eyebrows was made of gold. Through that example you can see the difference between the commercial punk and the punk.

Subcultures also have a relationship to the overall dominant culture which, because of its pervasiveness, in particular its transmission through the mass media, is unavoidable. We can therefore distinguish a subculture, for example that of the hippies, which has connections with, but is distinct from due to its deviant lifestyle, the progressive middle class culture. The hippy subculture also has connections with the bohemian tradition of the artistic avant-garde, but its use of illegal drugs, and its value of instant hedonism means it has connections with other urban, more delinquent subcultures.

In this quote Brake argues that the hippie culture has connections with the progressive middle class culture, but it is distinct from due to its connections with a deviant life style of taking illegal drugs and the pursuit of pleasure. Frith (1978) also argues that the middle class children are interested in the alternative values expressed in the lyrics of rock music. I think that people who are borne in to a middle class environment have more

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