Summary Of The Hollywood Machine : Equations To Downfall In Sunset Boulevard

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.

When discussing American culture, the influence and interplay of film cannot be understated. We are a nation consumed with the media. Today, the movie business is one of the highest grossing businesses there is. We hold movie stars up as though they are super human. We closely watch their style, their dating lives, their party habits, and even their favorite restaurants, among many other things. We rely on movies to lift us up, teach us about other cultures and time periods, and even to teach us about our own culture. Often, movies reflect the time period they are filmed in and directly reflect the social tensions of that time and the film noir genre is no different. One of the most famous film noir movies out there, The Maltese Falcon,

Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood

The star-studded romantic comedy Midnight in Paris is one of Woody Allen’s most recent films which he did both, wrote and directed. It is a film about a man named Gil (Owen Wilson) who travels to Paris with his fiancée’s parents in order to expand his imagination and he ends up embarking on a journey to the 1920s while walking the streets of Paris at night. Not only is this film engaging and witty, but it also manages to provide both, overt and covert examples of postmodernism in film. By analyzing Woody Allen’s 2011film Midnight in Paris, we can identify the presence of many underlying motifs in both the narrative and the characterization of the film when using some of Frederic Jameson and Jean Baudrillard’s concepts on postmodernism.

Harold and Maude, a movie directed by Hal Ashby and released in the 1970’s, did not receive much attention and popularity when first released. Since the movie depicted obsession with suicide through a 20-year-old character Harold, the movie received backlash because during the 1970’s there were high rates of suicides among teenagers and college students. However, over time college students found the movie very entertaining, therefore bringing the movie into the lights and making it a cult hit. In Blue Velvet, a neo-noir mystery film directed by David Lynch and released in 1986, received a variety of critical responses from a wide range of audience, but this movie’s unique style earned Lynch his second nomination for Best Director. The idea of innocent getting caught in a web of evil is portrayed through the character Jeffrey Beaumont, who first encounter’s a severed ear in a grassy abandoned field. In this paper I will compare and contrast these two movies that include key actors Bud Cort, played as Harold, and Kyle MacLachlan, played as Jeffrey and include a few key points that have made these movies enjoyable to watch.

The movie Sunset Boulevard written by Billy Wilder highlights the screenwriter’s potential of making a reflexive film more than focusing on the style and aesthetics. The movie revolves around the life of a fallen silent movie star, Norma Desmond, and her fame delusions. With the introduction of the sound in the film industry, she is brushed off and forgotten not only by her associates but also by her dear fans. This lifestyle change caused her to be drawn into the world of superstardom and luxury that she developed for herself in mind. Her universe involved her mansion full of photos framed of her memories and herself in her past. She identifies very strong with her condition that once it is

The Golden Age of Hollywood was a time when Hollywood hit its peak successfully and economically, starting with the late 1920s, and met its decline due to corruption in the late 1950s. One would ask the question: “Where did the name Hollywood come from?” The name came from Harvey Henderson Wilcox and his wife, Daeida, who were owners of a small ranch west of Los Angeles. According to u-s-history.com, “Daeida, who, while on a train trip east met a woman that described her country home in Ohio, that had been named for the Dutch settlement of Hollywood. Liking the name, Daeida christened their ranch 'Hollywood,' upon her return.” (History of Hollywood, California) Movies during this time period became a vital form of entertainment for all Americans during this time period. By the 1910s, Hollywood was combined into its neighboring city Los Angeles, and many motion-picture studios began to open. Moviemakers rushed to Hollywood, and competition started to become widespread between directors and producers. By 1910, the first motion picture was made in Hollywood, titled In Old California, and soon enough, Los Angeles became second to New York in producing films also because of it’s quintessential weather for movies to be made in all year long during this time. As Hollywood began to industrialize, filmmakers began to work on the image of a “star”; they would continuously use these highly-paid actors in order to achieve a form of comfort for the general audience of the movies. Seeing

Hollywood cinema is primarily subjected to telling stories. The inclination of Hollywood narratives comes not just from good chronicles but from good story telling. The following essay will discuss Hollywood’s commercial aesthetic as applied to storytelling, expand on the characteristics of the “principles of classical film narration” and evaluate alternative modes of narration and other deviations from the classical mode.

This further demonstrates how the affluence of that period enabled people to support this industry and help its enormous growth. It was during the roaring 20s that the first real celebrities began to appear, with the ever-increasing role of cinema having a huge role to play. Similarly their fame contributed to the growing status of Hollywood and the American film industry. (Source J). Charlie Chaplin is one example of an actor that gained worldwide recognition in the twenties; he was particularly famous for his ‘highly visual style of acting’ (Soucre J). The 1920s was often referred to as “The Golden Age of Hollywood” (Source G) emphasizing how this period represents the era of greatest output in the United States movie market [an average of 800 films were produced annually]. ‘The cinema came of age in the 1920s and Hollywood confirmed its position as the “dream factory” of the English- speaking world. It was there that fame and fortune could be found.’ (Source J) This also highlights the growing image of Hollywood ‘throughout the roaring 20s, which started to represent wealth and achievement. ‘The establishment of the Academy Awards showed the maturing cinema as an industry confident of its own technical and artistic standards.’ (Source J) This further shows how there were many other expansions and transformations from this industry that occurred during this period. Artists, directors and other personalities of the film making industry received acknowledgement and recognition of their work in this industry. ‘The awards soon acquired international status’ (Source J) showing how Hollywood’s film industry developed into a global sensation that was supported by people all over

Film Noir, a term coined by the French to describe a style of film characterized by dark themes, storylines, and visuals, has been influencing cinematic industries since the 1940’s. With roots in German expressionistic films and Italian postwar documentaries, film noir has made its way into American film as well, particularly identified in mob and crime pictures. However, such settings are not exclusive to American film noir. One noteworthy example is Billy Wilder’s film Sunset Boulevard, which follows the foreboding tale of Joe Gillis, the desperate-for-success protagonist, who finds himself in the fatal grips of the disillusioned femme fatale Norma Desmond. Not only does the storyline’s heavy subject matter and typical character

Film Noir was a result of it's time - The war had just ended and It was time where prohibition had influenced an abundance in crime and corruption. Film noir serves to highlight the darkest aspects of human beings. ‘Society is making the machinery of it's own destruction.

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

What makes for a classic Hollywood film? Increasingly, films have evolved to the point where the standard by which one calls a “classic Hollywood film” has evolved over time. What one calls a classic film by yesterday’s standards is not the same as that of today’s standards. The film Casablanca is no exception to this. Although David Bordwell’s article, “Classical Hollywood Cinema” defines what the classical Hollywood film does, the film Casablanca does not exactly conform to the very definition that Bordwell provides the audience with in his article. It is true that the film capers closely to Bordwell’s definition, but in more ways than not, the film diverges from Bordwell’s definition of the typical Hollywood film.

Genre is a reflection of society. Film noir is a genre that has a distinctive relationship with the American society from 1941 - 1958 because it reflects America’s fears and concerns from when they experienced major upheaval after The Great Depression and during World War I. In particular, the unstable atmosphere from the aftermath of World War 1 as Bruce Crowther, author of the book ‘Film Noir: Reflections in a Dark Mirror’, elaborates on how Film Noir films produce “a dark quality that derived as much from the character's depiction as from the cinematographer’s art.” These dark moods are transparent through the key features of the femme fatale, the film techniques and the impact of the Hay’s code on American film and American society.