William Gibson’s post-modernist novel Pattern Recognition was very complex in the chronicles of Cayce Pollard’s life in finding the maker of very moving and provocative footage. There were several themes throughout the story such as trust, interpersonal, and social relationships and the variation between art and advertising throughout the novel. There are several different characters in Pattern Recognition, which leads to several different social interactions between them all. Yet, in a post September eleventh society, there is a distinct mark in the beginning of surveillance culture. This brings a level of distrust amongst the people throughout the story and the protagonist, Cayce Pollard. From the very beginning of Cayce’s time in …show more content…
The moment she finally decided to hear Dorotea out, they were in the lobby of Cayce’s hotel room: “’She’s drugged the water. Scream.’ Which she does. So that, when things go black…’ (Pattern Recognition, 326). Essentially, the second Cayce let her guard down around her; Dorotea drugged her. On top of that, Dorotea hired people to break into the apartment Cayce was staying at just to make her uneasy enough so that she would leave London before accepting Bigend’s offer to find the maker of the footage. This includes typing: “SEE ASIAN SLUTS GET WHAT THEY DESERVE” (Pattern Recognition, 40) onto the computer she was using. From breaking into Cayce’s previous therapist’s office, Dorotea was able to piece together deep, dark secrets. One of the secrets she unveiled was Cayce’s “allergy” to big name brands and that she was afraid of the Michelin Man mascot. She then, she held that information over Cayce and tried to scare her with it: “Cacye tries to open her mouth, to say something. How did Dorotea know? The silence lengthens… Dorotea smirks” (Pattern Recognition, 100). Dorotea’s meddling in Cayce’s life did not start the moment Cayce arrived in London, however. Dorotea hired an American graduate student to help her create the guise of “Mama Anarchia” to lurk on the footage forum that Cayce and Parkaboy frequent. “’Did you ever guess,’ Dorotea says, ‘that I might also be Mama Anarchia?’ … ‘… And now I think you are my little puppenkopf as well’” (Pattern Recognition, 325). Finally, Dorotea hired two men to stalk Cayce while she was in Tokyo: “’Cayce was followed, in Tokyo.’ ‘By whom?’ ‘Two men, possibly Italia.’ … ‘Who were they?’ ‘We don’t know’ (Pattern Recognition, 182). Dorotea was not interested in the footage due to some passion for artwork, but for her own personal gain. She even tells Cayce: “‘Cayce,’ Dorotea says, ‘it’s a career decision for me.’
“Analyse, evaluate and compare the techniques used to dim the horror of the real life events discussed in the novel The Boy in the Striped Pyjamas and the film Life is Beautiful.”
When Norma asserts her self-worth, she does so surrounded by images of herself. “I am big,” she proclaims, with a thousand Norma Desmonds staring back at the camera from photographs, posters, and artistic renditions of the once famous face. “It’s the pictures that got small.” This convolution of reality, a reversal that gives Desmond the illusion of both control and continued adoration by nonexistent fans, provides the foundation for all her more severe misperceptions. As long as it is the cinema itself that has lost its appeal and not the former silent film star, a change of fates or Desmond’s own gracious compromise have the potential to restore her former glory. As she ultimately confesses, Norma feels that she left the spotlight (not the other way around) and that it has been waiting for her ever since. A belief that her seclusion is voluntary allows Desmond to avoid the finality of her fall from grace.
Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film
Almost everything someone does in today’s society is under surveillance. It does not matter if you are surfing the web, going to the store, or even driving a car; it is almost always under surveillance. While Michel Foucault does not specifically talk about modern surveillance technology in Discipline & Punish (1977), much of the primitive technology that he does talk about is directly related with today’s surveillance technology. Michel Foucault believes that societal surveillance began to take effect during the 1600’s to control the masses. Many modern surveillance technologies reflect Foucault’s ideas helping to categorize, differentiate, hierarchize, and exclude people from the masses.
Alfred Hitchcock’s 1954 movie Rear Window captivates the audience by presenting a thrilling murder mystery, where Jeff Jefferies, the masculine hero, is confined to a wheel chair in his apartment, which leads to the spying on his neighbors. In the movie, Hitchcock beautifully captures the turn of events from Jeff’s wrongful surveillance of his neighbors, to catching the killer. His examination of the idea of surveillance and privacy, plays into the current American debate of the rise of the surveillance debate. Hitchcock’s movie also falls into a traditional pattern where men are the active dominant roles and women are the submissive, background roles. Consequently, I believe that women are not a part of the rise of surveillance state conversation,
Surveillance is not a new thing. In fact, espionage, tracking, and sleuthing were part of society ever since 5000 B.C. But in the rise of the modern era, the idea of surveillance in the public eye serves as a controversial topic of discussion. People everywhere complain about the existence of security cameras, government tracking, and the right to privacy. Such problems, however, are not due to the sudden discovery of surveillance, but the modern abuse of it. Seeing the disastrous effects of over surveillance from George Orwell’s 1984, the public rightfully fears societal deterioration through modern surveillance abuse portrayed in Matthew Hutson’s “Even Bugs Will Be Bugged” and the effects of such in Jennifer Golbeck’s “All Eyes On You”. The abuse of surveillance induces the fear of discovery through the invasion of privacy, and ensures the omnipresence of one’s past that haunt future endeavors, to ultimately obstruct human development and the progress of society overall.
In conclusion, it is evident that surveillance has taken a toll on the characters in these pieces of art. Gattaca helped me understand and notice the severe impact that surveillance has on society and the impact it has on the lives of the citizens in 1984. The characters are covering their true selves in order to be accepted and to fit within the society. Not only is surveillance restricting their ability to show love and affection, it is also preventing the characters from expressing what they enjoy, and being who they are by living to their full potential. This new perspective has helped me understand the underlying significance that surveillance has on society in both 1984 and the film Gattaca and the restrictions it placed on the many
For this paper, I have decided to compare two Hitchcock films. Ever since I can remember, I have seen Alfred Hitchcock films; Psycho, The Birds, North by Northwest, I enjoy his work because I like the suspense, and visual effects that he was able to accomplish. Out of all of his films, I believe that my favorite Hitchcock films would have to be Rear Window (1954) and Vertigo (1958), because I think that the two incorporate everything that is “Alfred Hitchcock”. Hitchcock films are known for being mysterious, cynical, as well as suspenseful and they are all similar because of his use of symbolism, light, repetitive actors, and repetition of theme.
Over time, as the brain becomes more familiar with an individual's manner, it becomes easier to notice their quirks, habits and tiny speckles of imperfections. Observing an individual in their natural element can provide more insight on them than what they even know about themselves. Usually, obtaining specific knowledge about an individual's identity is done when someone is very at hand with them and spends quality time with them quite often. But sometimes watching a person in their natural habitat will allow you to gain an accurate and deep intuitive understanding of that person; more than a conversation ever will. Elyse is a high school junior at Harmony School of Ingenuity. As she is very quiet, reserved, and mysterious, it was hard to
He makes recognizable cultural references such as “Picasso painting,” “Mozart symphony,” and “the movie ‘Interstellar.’” All of these writing features help to make the article easier to understand and relate to.
Though restrictive in terms of time, the short film genre allows directors a wider range of personal choices to explore and experiment with ideas and the art form itself. They allow directors such as Virgil Widrich to experiment with unconventional methods of film creation in his short film The Copy Shop. Frederico Heller’s Uncanny Valley is another short film that also takes advantage of the creative liberty enabled by the genre to convey narrative in unique methods and formats. These two films employ unconventional film and narrative structures to explore themes and ideas. Virgil Widrich’s
Many critics have noticed that Mulvey’s application of psychoanalysis and filmmaking appears in an ironic return to Freud and Jacques Lacan. Mulvey uses the gaze to examine male pleasure in narrative cinema, but Lacan
Since the start of his professional career, LaChapelle's work has attracted the attention of many other artists, celebrities, journalists, and regular people. I first noticed his work on advertisements in magazines several years ago. I immediately felt drawn to his images- they are photographs I could stare at for hours, playing out in my head the story each photograph is telling and what it says about the character
The Neuromancer is a world of darkness, where the society is slowly becoming corrupted. There is violence, excessive drug use, and lack of individuality, which portray this world as a disturbed and inhumaine society. The Neuromancer is an experiment to see how the society would react if the world was taken over by computers, and everyone were only concerned about themselves and their survival. Unfortunately, it is only a test, which ended up blowing up in their faces. The dystopia of the Neuromancer casts a dark shadow, which destroys the living.
PATTERN RECOGNITION, is a present day thriller focusing on the same themes but through real world elements and patterns. From reading the Novel , it clearly seen that the story line is very appealing and full of action loaded as William Gibson paints a “cyber” tale that allegorically tears into the soulless patterns of modern society including email. Cayce is a heroine representing the hope that the dismal patterns of the present will not lead to an even bleaker future as the trends seem to imply. Mr. Gibson provides a firm thought provoking tale, but not for action fans. As consumers or customers we all have certain brands that we are familiar with and get addicted to. This is because our sensory perception has already determined the experience