In the short story “The Birthmark” the author, Nathaniel Hawthorne uses different patterns of imagery of different settings to contribute to both the symbolism and an allegorical reading of the story. The boudoir was described as a scene like enchantment, the apartment had gorgeous curtains, perfumed- lamps that resulted in a “soft, impurpled radiance” (Hawthorne 225). The description of the boudoir symbolizes Aylmer’s ideal, perfect reality which is free from mortal imperfections. Hawthorne uses similar imagery to characterize the laboratory. The lab, however is naked with brick walls described as “…oppressively close, and was tainted with gaseous odors which had been tormented forth by the processes of science” (Hawthorne 229). The
The main literary device in this story is symbolism. The birthmark seems to represent many things to each character described. Hawthorne seems to use the concept of science to symbolize the flaw of perfection. The symbolism of Aylmer’s science and knowledge takes its turn shining a spotlight, as a narrative nod toward the practicality and perfection of science.
In “The Birthmark”, a short story by Nathanial Hawthorne, the use of the archetypal conflict Nature vs. Science, the character of Damsel in Distress, and the symbol of the Incurable Wound show how easily beauty is overlooked in the endeavor for perfection.
The Birthmark by Nathaniel Hawthorne is trying to communicate some important ideas about a variety of themes, he articulates a few weighty themes around this brief argument: the struggle between science and nature. In a story full of successful and almost magical scientific experiments, it is intact nature itself that is more powerful than any creation made by man. As is to be expected, this path to perfection also includes the creation of life and the victory over death. In the birthmark Aylmer does not see, like others who pretended Georgiana's hand before him, a singularity that accentuates her immaculate beauty. He sees in that crimson little hand an indication of decay and death. And also of immorality and sin, in tune with the belief
“As the last crimson tint of the birthmark that sole token of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight” (Hawthorne 13). In 1843, Nathaniel Hawthorne wrote “The Birthmark,” a tragic and unexpected short story. In the beginning of “The Birthmark,” Alymer, a man of science, marries a young beautiful woman named Georgiana. One day Alymer noticed a mark on Georgiana’s cheek, and over time his obsession with the thought of removing it scientifically caused the death of his wife. Therefore, in the short story “The Birthmark,” by Nathaniel Hawthorne, Alymer pushes the scientific boundaries too far and his experiment is unjustified.
In this short story, Hawthorne uses symbolism to emphasize the strange shape of the "earthly imperfection" (204) and his desperate need to change it. The shape of the birthmark "bore a little similarity to the human
In Nathaniel Hawthorne’s short story, “The Birth-Mark,” there are a variety of symbols representing control, the earth, man, and nature. These themes all tie together in the characters along with the bigger symbols of the story. Characters in this story are symbols with ideas of control and how they control one another. Aylmer controls Georgiana, Aminadab, and he attempts to control nature by removing his wife’s birth mark. In the story, nature controls every character in ways like killing Georgiana and putting the spot on her cheek in the first place. There are themes of man versus nature with Aylmer trying to eliminate the birth mark, Aylmer controlling Aminadab, and his occupation of a scientist who tries to control nature. The main symbols in “The Birth Mark” are of control and nature, seen through many characters and concepts in the text.
“As the last crimson tint of the birthmark that sole token of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight” (Hawthorne 13). In 1843, Nathaniel Hawthorne wrote “The Birthmark,” a tragic and unexpected short story. In the beginning of “The Birthmark,” Alymer, a man of science, marries a young beautiful woman named Georgiana. One day Alymer noticed a mark on Georgiana’s cheek, and over time his obsession with the thought of removing it scientifically caused the death of his wife. Therefore, in the short story “The Birthmark,” by Nathaniel Hawthorne, Alymer pushes the scientific boundaries too far and his experiment is unjustified.
Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.