Symbolism InThe Minister's Black Veil And Young Goodman Brown

In the short story “Young Goodman Brown” written by Nathaniel Hawthorne, the symbolism was used throughout the story. Hawthorne used symbolism to create another world of ideas concerning Goodman Brown’s faith. The symbolism in this short story shows points in Goodman Brown where he begins to make comparisons between his religious beliefs and the evil he is “witnessing.” Brown’s view on people and life becomes conflicted when he starts to realize that there is evil all around him. Nathaniel Hawthorne portrayed symbolism in this short story by giving his main character the name “Goodman Brown and naming Goodman’s wife “Faith”, the pink ribbons in her hair, the path Goodman chooses to take, the forest he goes through, the staff his companion carries and the significance of the townspeople he discovers in the forest all contribute to the symbolism that Hawthorne is delivering in this story.

unawed by the veil.  To her it is merely a cloth that hides the face she most

Hawthorne in essence, portrayed Goodman as proof of the nature of evil in man by showing how easily even a young dedicated Puritan can easily be influenced by a complete stranger. This stranger was symbolically the Devil among men in this text. Hawthorne begins introducing the Devil immediately as trying to sway Goodman to follow him on a long journey. By leaving his wife, Faith to begin the journey, Goodman Brown was symbolically leaving his faith in God and entering a forsaken ground by following the Devil. The fact that Goodman Brown left with no regard for his wife Faith’s warning, symbolized the lack of regard for his own faith in God and his fellow human race. This simple disregard that Goodman Brown showed was evidence of the easily persuaded ability of man to choose sin over good.

In Hawthorne’s “Young Goodman Brown” although the decision to visit the devil was not one Goodman Brown following the crowd, he soon realized he had not been the only one tempted to visit the devil. Actually upon his meeting the devil, he realized that he did not want to continue his journey and wanted to return back home to his wife, Faith, but soon realized many of the townspeople were companions with satan. The themes of “Young Goodman Brown” are that religion or religious actions do not make someone righteous and although we have an appeal to live right, there is a small desire to try the “dark side”. Goodman Brown knew right from wrong growing up in the Puritan community, he also had individuals who would teach him the doctrine of his religion; however just like many people, Goodman Brown had to see what it would be like to travel into the wilderness and visit the devil. While Goodman Brown was on his way he begin to hear familiar voices and see familiar people—those who have taught him the “right” way of living. Of course since the wilderness was no place for a saint to be Goodman Brown would hide so that the others could not view him of being in error of the Christian faith. This is how the theme religion

In “ The Minister's Black Veil”, Hawthorne uses plain descriptions that don't confuse readers, which helped explain his meaning of his story shown. “The Minister’s Black Veil” had a strong meaning showing that everyone has a sin that they don't want anyone to know about it. This meant everyone was a sinner and nobody was really a good man. Hawthorne was trying to tell the people that God could see the sins of everyone as he says here “loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black Veil!"” (4) , so he wanted Christians to be more orthodox and become more pure to prevent these secret sins.

In Nathaniel Hawthorne’s story “Young Goodman Brown” the allegory Goodman Brown, a man devoted to his faith in our Father the Lord, after making a hard decision that would follow him for the rest of his life ends up trying to make peace with the fact that he cannot take away the decision but can try to not make the matter worse. When Goodman Brown discovers the “depths of darkness” he is in he begins to have a loss of faith. The line for the story “’My Faith gone!’ cried he, after one stupefied moment. ‘There is no good on earth; and sin is but a name. Come, devil! for to thee as this world given.’” represents the fact that it appears that Goodman Brown lost his faith. That line also shows how he wished for the devil’s worship to come and retrieve him.

     The main focus of the story “Young Goodman Brown” by Nathaniel Hawthorne is the triumph of evil over good. A supposedly good man is tempted by evil and allows himself to be converted into a man of evil. This is much like the situation that arises in Hawthorne’s The Scarlet Letter, where two people are tempted to sin and give in thus submitting themselves to the power of the devil. In this novel, the area where the devil resides is strictly parallel to that in “Young Goodman Brown”.

In the two stories Goodman Brown and The Man in the Black Suit, the writer's Nathaniel Hawthorne and Stephen King portray the features of appearance, language, and behavior about the devils that occur. These features occur throughout the stories to give evidence and detail about characterization and how he tries and pursues the people to be a servant of him. The writers also evoke the effect of evil on innocence. The two stories show the two different outcomes of what path Brown and Gary choose to go down upon. The presence of evil on the innocent can be an experience of being a servant for him or not believing him and still find the good in everyday.

Symbolism plays a major role in the “Minister’s Black Veil” by Nathaniel Hawthorne. It influences the setting of the story and it complements the moral message. The minister, Mr. Hooper, has a lot of faith and is very committed to helping the society to be more faithful and closer to God. He lives a very harsh live being rejected by society and goes through unpleasant moments to achieve his original goal. When he decides to wear the black veil, he was not trying to be mysterious and create a gloomy environment like he did; he had much more than that in mind. The Black Veil represents the thought of the puritans that sin was an inexcusable mistake, the secret sin and dark side in each individual, and he uses

The main symbol used by Hawthorne throughout the story is Goodman Brown’s wife, Faith. Faith has a more of a significance in the story than just Brown’s wife, she represents actual faith and purity. There is a conflict going on inside of Brown’s mind and it is if he should “keep the faith” or not. In the beginning, Faith urges Brown to stay home and go in the morning, but he disregards her and keeps going. This is a metaphor for Brown leaving his religious faith. Goodman Brown questions if his wife has lost faith in him and he asks her, ‘“dost thou doubt me already, and we but three months married?”’ Throughout the story, Faith stays as a symbol of Brown’s faith. The devil and Goodman Brown finally meet and the devil questions Brown about being late. Brown being a little afraid responds with, “Faith kept me back awhile,” Faith physically tried to hold Brown back and figuratively talking about his faith in the religion. His wife could have prevented Brown from talking to the devil, but failed. Meeting with the devil evidently shows that Brown is willing to see the evil side of his religion.

Hawthorne writes puritanical allegories. "The Minister's black veil" and "young goodman brown", are religious allegories where the main

The main character of “Minister’s Black Veil” by Nathaniel Hawthorne is a thirty-years-old parson Hooper who is wearing a black veil on his face. It does not seem much fun but more like it is strange and revolting to people in the story that parson Hooper is having a veil on the face. Why would the parson wear a veil?

Moreover, the symbol of secret sin also appears in “The Minister’s Black Veil.” When the people of the town first saw Mr. Hooper wearing the black veil, they were all wondering why he would wear such thing. To Mr. Hooper, the black veil means deceit and sins to those who can not separate themselves from their sins. One example is when he is wearing the black veil to the wedding, and everyone is kind of skeptic about why he is wearing it but in reality, he wore it to remind everyone of their sins. Because of this, people call him evil, and he soon became an outcast. The black veil can also represent his own sin that he committed in the past in which he can never forgive himself. Symbols for secret sin are once again used in Nathanial Hawthorne’s works.

Hawthorne’s writing style in the “Ministers Black Veil” reveals his view on humans nature through symbolism of the black veil. Reverend clark and other men encircle the minister and question why he must never take off the vail. Right before the ministers death he gets aburst of energy and proclaims, “When the friend shows his inmost heart to his friend…, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!”(Hawthorne 882). Everyone has secrets that they do not want to tell even their closest companions because they feel guilty and ashamed. The minister tells the clergyman that everyone wears a black veil over their face. Hawthorne writes this intending for the veil to be a symbol of man’s secret sin therefore showing that his outlook on humanity is that people are secretly sinful.

“The Minister’s Black Veil” was first published in 1832 and was written during the American Romantic time period. Romanticism was a time period where emotion and beliefs were valued over reason and facts. Nathaniel Hawthorne can be seen as a writer of “Dark Romanticism,” a sub genre of Romanticism with a fascination with horrific themes and the exploration of the psychological effects of sin and guilt, and where the writers focused on judgement, punishment, and self-destruction. Hawthorne’s use of this style of writing sets the tone of the work as a observation of the nature of sin.