Symbolism and Irony Used in Edgar Allan Poe's The Cask of Amontillado

Montresor tells the story in detail of how he leads a man, Fortunato, to his death. Montresor repeatedly expresses the need to kill Fortunato because he has done something to insult him and he must pay for it with his life. Montresor tells readers early in the story that he is going to be lying to Fortunato’s face by acting one way, but thinking about killing him the whole time. He says "I continued, as was my wont, to smile in

Edgar Allen Poe's brings us a twisted tale of vengeance and horror in "The Cask of Amontillado." Poe's character, Montresor, acts as our guide and narrator through this story. He grabs a hold of the reader as he tells the story from his own apathetic and deceptive mind to gain vengeance from the weak and dismal Fortunato. Montresor's mentality is disturbing as he uses his clever, humor, ironic symbolism, and darkness to accomplish this.

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

Conflict: For Montresor to revenge himself for Fortunato’s insult, he has to get away with it – if Fortunato can revenge him back,

A type of dramatic irony in the story can be seen in Fortunato’s attire at the carnival. Fortunato was dressed as a jester, though it was actually Montresor who was laughed at and ridiculed. Professor Charles N. Nevi, of the department of English in Medford, Oregon, writes about the irony in Fortunato’s dress when he says, “Fotunato’s dress is ironic, for a jester is not just a man to be laughed at; he is a man who makes others laugh by being aware of the frailties of mankind and then ridiculing them, but Fortunato is aware of very little and who ridicules nothing. It is Montresor who came closer to the role of jester,” (Nevi par.8). Here Professor Nevi suggests that Montresor is the one who is actually ridiculed and should be a better fit in the jester dress. These examples demonstrate Fortunato’s ironic misfortunes that lead to his eventual death.

To begin with, Montresor taking revenge on Fortunato is quite evil. When Montresor trick Fortunato down to the cellar by using Fortunato’s ego and taste in wine it is very cool and calculating. In the text Montresor says, “ As you are engaged, I am on my way to Luchesi. If anyone has a critical turn, it is he. He will tell me--.” (Montresor 58) This plays off of Fortunato ego saying somebody else had a better taste in wine then he did. In like manner, Montresor was very happy and excited to see Fortunato during carnival. Which is just an act to lure Fortunato to the catacombs. Montresor says in his head, “ I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.” (Montresor57) Furthermore, Montresor offers many times for Fortunato to turn back because of the cold or of his health. The short story states, “ Come sais Montresor, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was.” This is cruel because once Fortunato gets to the bottom of the catacombs he will never get to turn back.

In “The Cask of Amontillado” by Edgar Allen Poe, the dark side of human nature is illustrated through the character of Montresor and his victim, Fortunato. Montresor is a manipulative and vengeful person whom is obsessed with the downfall of Fortunato. Through the acts, words, and the thoughts of Montresor, one is able to see him carry out his plan for revenge.

It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis. The skillful use of these devices are utilized by the author to create this horrific and suspenseful masterpiece.

However, Montresor has a characteristic that, not shown prominently, but given through little hints until the end. That secret characteristic is guilt, guilt for wanting to kill Fortunato. Some of those hints show at the carnival, down in Montresor’s catacombs, and even as Montresor is building in the wall to keep Fortunato in to die. At the carnival, Montresor calls Fortunato his ‘friend’. “It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend.” (Poe). In addition, Montresor is talking about Fortunato, with the term friend being used. Another is, “I was so pleased to see [Fortunato]...” (Poe). In this part of the story, Montresor even says himself that he was happy to see his friend, Fortunato. He shows signs of actually liking Fortunato, but for strongly believing in his family motto and arms of revenge, he feels the need to get revenge on Fortunato for what he did to Montresor. Montresor greets Fortunato kindly and with warmth, “[m]y dear Fortunato, you are luckily met. How remarkably well you are looking to-day!” (Poe). Montresor

Montresor does this by flattering and acting concerned about the health of Fortunato when really his only concern is killing Fortunato. While in the wine cellar, Montresor says to Fortunato, “Come, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchesi-.” Montresor does an excellent job of being Fortunatos’ friend and at the same time convinces him to continue drinking and telling him, “A draught of this Medoc will defend us from the damps.” Montresor was not trying to defend either one of them, his only purpose was to place Fortunato into a higher state of drunkenness. Montresor causes Fortunato to become so drunk that while he was being chained to the wall by Montresor, “He was too much astounded to resist.” “The Cask of Amontillado” is filled with many ironies and also life lessons; such as know who your real friends are. Fortunato thought his real friend was Montresor when, in reality, Montresor was anything but his friend. Not only did Montresor fake his sincerity towards Fortunato, he was also vengeful and very intelligent in his actions to kill Fortunato.

Edgar Allan Poe, an American born writer and poet during the early 19th century, is known for his dark and twisted diction that continues to captivate readers to this day. Nearly all of Poe’s stories contain hidden symbolism and themes that entice readers to discover the secrets in his writings over a hundred years later and the “Cask of Amontillado” is no different. Written in November of 1846, nearly three years before Poe’s death, “The Cask of Amontillado” is often regarded as one of Poe’s master pieces, full of symbolism and dramatic irony. Edgar Allan Poe’s dramatic ironies and symbolisms in his short story “The Cask of Amontillado” convey a dark theme of pain, manipulation, and the impact of revenge.

Feuds and arguments between individuals who may disagree with or dislike one another are a common occurrence in everyday life, often varying in degrees of intensity, but rarely reaching a point of extremity. However, in Edgar Allan Poe’s short story “The Cask of Amontillado”, This threshold of extremity is reached by the narrator of the story, Montresor, who explains that his acquaintance, Fortunato, has repeatedly and irreparably insulted him over the course of years, and uses it as justification to take justice into his own hands and seek retribution through murder, despite there being no proof of Fortunato's guilt other than Montresor’s claims. His motive for murdering Fortunato can be attributed to his state of mind, as Montresor’s lack of guilt, empathy, or remorse highlights him as a character with psychopathic tendencies. As the story progresses, Montresor’s cold and calculating nature leaves the audience full of dread and suspense while he lures the oblivious Fortunato towards his inevitable demise. The employment of rhetorical devices such as irony, theme, and structure builds the suspense for the ultimate climax of Poe’s gothic masterpiece.

After a couple of drinks Montresor warns Fortunato about the danger of consuming this wine because of the high levels of nitre that it has, foreshadowing for the audience, telling us the venom Fortunato is consuming. When Fortunato starts to feel bad Montresor offers him a drink to make him feel better, this is not an act of sympathy, it's just to keep Fortunato alive until his burial ground; and also to keep the audience waiting for the action to come.

As the story progresses, Montresor devises a careful plan to lure Fortunato to his death trap, but he is careful enough not to place himself at risk. He approaches him at a carnival, and plays on his victim’s weakness for wine by offering to show him a brand of wine akin to the light Spanish sherry, Amontillado (8). The narrator presents an interesting description of his encounter with Fortunato at the carnival; at first expressing dislike for his friend’s behavior by claiming that he approached him with too much warmth since he was drunk, but then he adds that he was extremely delighted to see Fortunato at that particular moment. This illustrates the depth of Montresor’s desire to exert revenge on his friend, since the sole reason of his pleasure at seeing Fortunato is that he knew his plans had taken off, and he anticipated the satisfaction of the act of brutal revenge.

narrator Montresor uses revenge as a motive to trick and murder and old friend, Fortunato, in the