Have you ever experienced something unimaginable? The brutal murder of the Clutter family on November 15, 1959 sure was to the people around them. On pages 58- 60 of the chapter The Last to See Them Alive in Truman Capote’s novel, In Cold Blood, he emphasizes the disbelief of the townspeople when they find out the beloved family is dead. Capote uses descriptive imagery, diction, tone, and syntax throughout the book to create sympathy for the family .
The imagery takes a major shift in pages 58- 60. In the beginning it tooks about the beautiful mountains and the sunrise on a sunday morning. “ But by nine, when the boys finished work- during which they had noticed nothing amiss- the sun had risen, delivering another day of pheasant- season perfection,” (Capote, In Cold Blood, 580). This quote describes the day before the murders were known. Everything was perfect and that shows how many people felt in Holcomb, Kansas before that awful day. Later on the passage, after the murders were known, the imagery turns gruesome. “ ‘There’s too much blood. There’s blood on the walls. You didn’t really look,’ ” ( Capote, In Cold Blood, 60). This quote is what Nancy Ewalt says to Susan Kidwell after they see their friend, Nancy, dead in her bed. This imagery gives the reader a feeling of
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In the beginning Capote’s word choice is mostly positive using words such as perfection, safely, and coy. It was a beautiful Sunday morning and Nancy and Susan were going over to the Clutter’s for church. The diction turns to more confusing types of words when nobody will answer to the frontdoor. “ ‘But that’s impossible. Can you imagine Mr. Clutter missing church? Just to sleep?’ ” ( Capote, In Cold Blood, 58). Nancy Ewalt knew something was wrong because the Clutter’s were always at church. The diction in the story creates the confusion the people had. It also added to the fact that the Clutter’s were such good
While reading Truman Capote's novel,"In Cold Blood ", I spent more than one night lying awake in my bed, frightened by Capote's presentation of the facts surrounding the murder of an obscure Kansas farmer and three of his family members. Several times, I caught myself wondering why this book
In Truman Capote’s captivating nonfiction, In Cold Blood, Capote ventures through the journey and lives of both the killed and the killers all while analyzing the point in which they crossed paths. From the days before the four Clutters were murdered to the last moments of the two killers’ lives, Capote takes into account each and every aspect that creates the ‘famous’ Clutter Case with an in depth look of just how and why these strange and unforeseeable events occurred. What was originally supposed to only be an article in a newspaper turned into an entire book with Capote analyzing both how and why a murder comes to be through the use of pathos, juxtaposition, and foreshadowing.
In Truman Capote’s Novel, In Cold Blood, Capote synthesises the writing techniques of a reporter and an author to tell the horrific and true story of the Clutter family murders. Capote uses comparison, selection of detail, and understatement to pose his argument that capital punishment is not a correct practice.
For centuries, men and women have murdered each other for greed, lust, revenge, etc. However, in 1959, Truman Capote traveled to Holcomb, Kansas to discover the other side of murder. Truman Capote, author of In Cold Blood, offers a close examination of the horrid murder of the Clutter family. He explored how two men of different backgrounds, ethnicities, and personalities joined together to kill an innocent family for riches. Capote provides different points of view through each of his character’s eyes for his readers’ better understanding of the murderers. The use of juxtaposition compares and contrasts Dick to Perry, the murders. Capote succeeds with using juxtaposition to reveal the murderer's how he perceived them.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
When we hear about a killing on the news, our natural instincts are to immediately antagonize the killers. More likely than not, we hate the killers, and hope they get a vengeful prison sentence. In Truman Capote’s true crime non-fiction book, In Cold Blood, we learn about the murders that took place in Holcomb. The story is about much more than the slaying of a respectful family, its focus is on the killers, Dick Hickock and Perry Smith. One of Capote’s main purposes in the book is to convey the multiple perspectives of a crime in order for the readers to view the killers as more than just the bad guys, and he achieves his purpose primarily through the use of pathos, anecdotes, and his chosen narrative.
3. In “In Cold Blood”(1965), a nonfiction novel, Truman Capote accounts for the murder of the Clutter family, residing in Holcomb, Kansas, and the events that followed. The mode of development includes Gothic themes and motifs to make the audience question the roles of the protagonists and the antagonists, “Uh-huh. But you’ll have to kill me first”, said Perry to Dick when he proposed to rape Nancy Clutter; Capote also juxtaposes between different time periods to make the audience question what had really happened in the Clutter household. This work of “new-age journalism” continually asserts that Perry killed the Clutters, although scant evidence is produced. Capote’s target audience is the people who are part of the criminal justice system and psychologists. Capote is trying to prove that all people are inherently benevolent, but when they have had traumatic events occur in their past, they have injured psyches, thus attempting to explain the formerly inexplicable murders.
Rural Kansas was a peaceful, welcoming community. The farmers and townspeople were very close and friendly with one another. Nothing bad ever happened in these farming areas because the people were nice and friendly. Until one frightful night, everything changed. Back in 1959, the town of Holcomb, Kansas was absolutely shocked and taken aback by the news of killings that occurred in their small town. The victims were a well-known and loved family from the community. They were brutally murdered in their rural farmhouse. Truman Capote unravels the secrets, rumors, suspicions, and truth about the crime of the small town murder of the Clutter family in his non-fiction book, In Cold Blood: A True Account of a Multiple Murder and Its Consequences.
In Cold Blood, written by Truman Capote, is a book that encloses the true story of a family, the Clutters, whose lives were brutally ended by the barrel of a 12-gauge shotgun. The killers were 2 men, each with 2 different backgrounds and personalities, each with his own reasons to take part in such a harrowing deed. Capote illustrates the events leading up to the murder in sharp detail and describes its aftermath with such a perspective that one feels that he is right there with the culprits, whose names are Dick Hickock and Perry Smith. They had very critical roles in the murder and how they themselves were caught, and in many ways they were foils for one another. Through Capote's extensive descriptions
Many people say the documentation of the murder of the Clutter family is Truman Capote’s best work. It started out as an article for The New Yorker, and evolved into the non-fiction novel; the first of its kind. Capote traveled to Kansas with friend Harper Lee to research the killings. In the course of six years bringing this narrative together, Capote began taking drugs and drinking heavily due to the dark nature of the book. Truman Capote tells the true story of a family murdered in In Cold Blood, through character analysis and symbolism to prove nature is a stronger force than nature in shaping a person’s character.
The book In Cold Blood is a nonfiction book about the murder of the Clutter family. Taking place back in the 1959s, Truman Capote writes about the events leading up to the murders, when the murders took place, and the aftermath. He tells the story in such a descriptive manner, that it feels like we were there when it happened. The purpose of writing like that is so we can know everyone’s side of the story, even people you wouldn’t ordinarily think of. He helps us feel like we were there when it happened by effectively and efficiently using the rhetorical strategies. The rhetorical strategies I feel were most important to the story were pathos, logos, and the tone. The way Capote uses these rhetorical strategies and literary devices is
In his nonfiction novel, In Cold Blood, Truman Capote describes Mr. Clutter as a very active member of the community who “never sought to associate” with the upper-class men in his society. Capote’s purpose in writing this passage describing Mr. Clutter is to enable the audience to visualize and sympathize with the father of the family described in Part I of In Cold Blood in order to evoke a stronger emotional response from the audience when Dick and Perry murder the Clutter family. He develops this purpose by using elaborate diction and portraying Mr. Clutter as kind through Mr. Clutter’s own words.
Capote begins his novel with a conventional narrative structure choice: describing the setting. He spends several pages familiarizing the reader with the town of Holcomb, Kansas. This move is crucial, especially when contrasted with his unconventional choices for the traditional narrative timeline as the book progresses. As Capote introduces the reader to the Clutter family, with a particular focus on Herb, he sets the groundwork for the conflict. With necessary background information in mind, the reader first confronts the conflict with the words, “...he headed for home and the day’s work, unaware that it would be his last” (13). It is this moment, that the reader experiences the first sense of satisfaction. This is the
The captivating story of In Cold Blood by Truman Capote is a beautifully written piece describing the unveiling of a family murder. This investigative, fast-paced and straightforward documentary provides a commentary of such violence and examines the details of the motiveless murders of four members of the Clutter family and the investigation that led to the capture, trial, and execution of the killers. As this twisted novel unravels, Capote defines the themes of childhood influences relevant to the adulthood of the murderers, opposite personalities, and nature versus nurture.
Through his numerous short stories, fiction novels, and even nonfiction novels, Truman Capote has notably been considered one of America’s most prominent literary writers of the twentieth century. The numerous conflicts in which Capote dealt with in the earlier parts of his life led him to procure solace in writing (McMillan). Emerging as a prolific author who was commonly known for his excellent usage of prose, Capote came to publish the notorious nonfiction novel, In Cold Blood, in 1966. During Capote’s era, Southern Gothicism, a literary genre associated with dark and grotesque themes, increasingly prevailed (Bjerre). Capote’s novel became an atypical work in the genre, though, as he transformed a work of literary nonfiction into what seemed as though a “factional” piece-- a true novel in which incorporated fictional elements of Southern Gothicism (“Slouching Toward Popularity). Within the novel, Capote intricately details the Clutter family murder executed by Richard Hickock and Perry Smith. By doing so, he was able to successfully incorporate elements of Southern gothicism within the novel. Through the analysis of the damaged characters within the novel, the criminality involved in the Clutter murder, and the violence of the murder itself, Truman Capote’s In Cold Blood not only fit the Southern Gothic genre, but ultimately came to revolutionize the nonfiction novel, thus proving its deserved standing in the literary canon.