In constructing this short essay, I will first start off by touching on Tartuffe and how the writing was purposefully catering to the aristocratic. I will then shift to the analysis of The Country Wife. Finally, I will show the middle class society from The London Merchant breakdown. I will also be using specifics from Tartuffe, The Country Wife and The London Merchant, to show the shift from an aristocratic to middleclass society effected the drama. That being noted, I will begin with Tartuffe. The audience that Molière wrote Tartuffe was a worldly sector of the social elite in Paris in Seventeenth Century. Its original audience was of course the royal court at Louis XIV 's palace in Versailles. Officially, that society continued to be patriarchal. The society that had husbands and fathers exercising supreme authority over their dependents. The plot of Tartuffe concerns itself with an incompetent head-of-household, who is Orgon, relinquishes his authority by allocating it to a counselor he has picked up off the streets. Reasoning behind this is due to his extraordinary piousness. Tartuffe turns out to be a devout con-man, who, once he has attained control over the master 's property, moves to remove him and his family from the premises. At that moment it should have become obvious to readers that the play creates within itself something of a "contradiction." The question that has to be asked is; what happens when a sovereign power is somehow powerless of exercising
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all.
Orgon is completely enthralled with Tartuffe and he can not wait for him to marry his daughter, Mariane. As the play continues, the author allows the audience to witness conversations and scenes that Orgon does not know about. Slowly Moliere reveals Tartuffe’s true
Moliere rocked the 17th century French world with his comedy "Tartuffe" in 1664. Although, religious factions kept the play banned from theatres from 1664-1669, "Tartuffe" emerged from the controversy as one of the all-time great comedies. Tartuffe is a convincing religious hypocrite. He is a parasite who is sucking Orgon, the rich trusting father, for all he is worth. Orgon does not realize that Tartuffe is a phony, and caters to his every whim. For instance, he reneges on his promise to let his daughter Mariane, marry Valere. Instead he demands that she wed Tartuffe, whom she despises. He also banishes his own son, Damis, from his house for speaking out against Tartuffe and
In Molière's Tartuffe, translated by Richard Wilbur, the central character, a man named Orgon, has been completely brainwashed and taken advantage of by the title character, a lecherous and parasitic "holy man." Tartuffe has made use of one of the oldest scams in human history to insinuate himself into Orgon's household; he appeals to Orgon's desire to be a good, upstanding, and pious man by appearing to be the same. Tartuffe's manipulations are evident to everyone but Orgon, and seem to the reader to be blatantly obvious. His use of religion to manipulate Orgon is consistent throughout the play. In his religious zeal, Orgon is blind to the truth about Tartuffe's character. As a result,
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Though the original plot of the play, when Moliere wrote it was to recognize the hypocrisy in a religious man. Watching and reading the play, unveiled another trait in the story; which is the love and trust a family has together to not only try to come together to explain to Orgon who is their head of household over the family’s decision and estate their deep mistrust for the religious beggar Tartuffe despite his simple thinking, they were keen to show him and prove to him that you shouldn’t trust an outsider so easily. In “Tartuffe” Orgon’s family try to open his eyes to the truth of a man who claims to be religious but, is nothing more but an evil man who is trying to con him out of his family’s fortune and estate.
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits, and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate
Jean-Baptiste Poquelin Moliere's Tartuffe is an epic play of hypocrisy, betrayal, and the tale of a foolish mind. Moliere's choice of protagonist in this play happens to be the most blatantly ignorant character in the play. Orgon is naive to the villain Tartuffe's hypocritical ways, makes a complete dunce of himself by uplifting Tartuffe as holy, and failing to pick up the abundance of clues of Tartuffe being fake. Analyzing this character is rather interesting and at the same time frustrating to read of someone so ignorant that they fail to see the wolf hiding under the sheep clothing. A fool is a fool unless they open their eyes to see the truth, and it took Orgon the majority of the play to realize the truth.
The context surrounding the period in which Tartuffe was written in, the 17th Century is remembered as being a time of extreme power for the French Monarchy. King Louis XIV and Cardinal Richelieu transformed France’s feudal monarchy to an absolute monarchy. What must also be noted about this time is the fact that the Catholic Church and Politicians had a great deal of power over authors and playwrights. In this time of social and religious persecution, Molière created Tartuffe , a comedy dealing with hypocrisy and to a great extent, religion and how religion can be used in a negative way, to mask sin. The play is known to be offensive towards the Catholic Church and religion in general. When it was first performed in 1664, it was censored,
Moliere's Tartuffe embodies many themes including religion, the role of femininity,
Lastly, Moliere depicts Tartuffe as sort of a pest or a nuisance. Tartuffe “…is even the canonic example and the excellent model of the parasite. What is astonishing is that he had come to be the personification of a hypocrite.”
Moliere portrays an account of an endeavor by a two-timer, Tartuffe, to smash the local joy of Orgon who, he has gigantically enchanted through his appearing devotion to acknowledge him as a house visitor. Hypocrite betrays Orgon by putting on a show to be exceptionally devout and to talk with religious power, subsequently, Orgon and Madame Pernelle can't make any move without first running it through him. Nonetheless, Tartuffe does not figure out how to trick whatever is left of the family and partners. Orgon declares that he means to marry his little girl off to Tartuffe maddening her and her life partner, Valere. With an end goal to uncover Tartuffe's actual expectations, an arrangement is brought forth by the family. The goal is to trap
A theme of the play Tartuffe is justice. Justice, or the lack of justice, can be seen in the relationship between father and son, father and daughter, and guest and host. Lacanian philosophy, which focuses on language and the conflict that the male feels due to a disintegration of oneness, can be used to look at injustice as it manifests itself in the male conflict within the play.
Moliere creates the character Tartuffe to show the readers the hypocrisy hidden within christian standards. In Act 3, Tartuffe explains to Dorine how unladylike she is being and tells her to “cover that bosom” and
Moliere during his creation of Tartuffe wanted to bring to attention the underlying issues which were occurring in society as people began to accept the change in social order and the way of doing things. This was when the people who were lowly ranked by the aristocrats began to get the attention they deserved because of the changes and the impact they were making in the society. Moliere in Tartuffe also wanted to show the hypocrisy which was evident in I'm institutions like aristocracy, church and the working class citizens. Moliere fixed opposite attributes to the characters from the play so that they could they could represent how irrationality, hypocrisy, and corruption could manifest themselves to the members of the society who seemed