The Aeneid-the Role of Fate

From the dawning of modern human thought, humans have questioned the nature of life and its passing. One of the most fundamental questions to arise from this train of thought is the ideas of fate and duty. We humans desire to know whether the path of our lives is preordained and unalterable or if it is just a series of consequences from our past actions. If we live by fate and believe our path is already set in stone, then is it our obligation to fulfill that destiny to the best of our abilities or can we resist and hope to forge our own story? It is quite obvious in the epics of both Aeneus and Odysseus that the idea of fate and duty plays a huge role. The difference we see between the two is which is more important and how each epic

Over the centuries, the concept of fate is constantly being changed to adapt to our current way of living. In modern times the concept of fate is usually connected to the themes of love and romance. However the ancient Greeks recognized fate as an inescapable reality that shaped their lives. The famous playwright, Sophocles, adopts the idea of fate in his plays to control the character’s actions. In both plays, “Oedipus the King” and “Antigone”, the writer uses the concept of fate to show human’s inability to conquer the will of the gods.

Fate as defined by the Merriam Webster dictionary is ‘an inevitable and often adverse outcome, condition, or end’. Sophocles discusses fate vs free will in his plays. In the play Oedipus Rex there was a prophecy that Oedipus was destined to kill his father and marry his mother, he attempts to escape his destiny by running away to Thebes where he meets his fate. In the play Antigone, that main character Antigone decides to go against Creon’s (her uncle who has inherited the throne) decree and bury the brother, Polynices, knowing the consequences would lead to her death. In Sophocles’ plays Oedipus Rex and Antigone, the theme is mankind not being able to escape their fate.

The Aeneid is a grand chronicle that charts Aeneas’ obstacles versus his accomplishments. Aeneas’s accomplishments entail escaping Juno’s wrath; leaving and finding love; and losing loved ones in war. Against all odds, Aeneas continued to achieve victory over all his potential downfalls. With some divine assistance, Aeneas continued to achieve victory over all his potential downfalls. With some divine assistance, Aeneas recognizes his need to help midway through his journey and needs to speak with his father, Anchises. In Book VI, he asks the Sibyl to grant him access into the underworld. Aeneas’ journey leads him to many discoveries. He discovers Leucaspis and Orontes are among “all in the nearby

This quest to interpret Christian God firstly starts with eagerness to find truth represented by God in wisdom and knowledge. Augustine regards truth as the immutable and unperishable object and he worships truth sincerely (Confessions, Book III,6). This driven force to learn truth from God leads Augustine to approach God more intimately and eventually fully devote his heart to God. Similarly, in Aeneid, Aeneas is guided by his destiny set by Jupiter. Aeneas is bounded by the fate to build his lineage in Rome and found the great Roman empire. Divine influence serves an important and overwhelming role to push Aeneas to this end-point. Although both characters are divinely guided, their mortality and human desire contradict their pursuit and trapped themselves in the tumultuous social issues. It is in the process of abandoning their lust that Augustine and Aeneas realize their more significant purpose of

Fate is defined as the development of events beyond a person’s control. In “Oedipus the King,” Sophocles, tells us about a tragic hero (Oedipus) in which his life is predetermined by fate, because he is deprived of free will. The first act of fate on Oedipus was him being saved by a shepherd when his parents (Queen Jocasta and King Laius) left him in the mountains to die, he then met and killed his father without knowing who he was, and last, he married Queen Jocasta, later realizing that she was his mother. Every action that Oedipus took to prevent his fate, would soon be the ultimate downfall, not only for himself, but for his family and the people of Thebes.

Throughout the Aeneid by Virgil, death is a reoccurring theme and each death has its own significance to the poem. The death of Creusa in book two shows that Aeneas will need a new wife and the death of Pallas in book ten foreshadows Turnus’s future. One of the most interesting deaths is that of Dido because the responsibility for Dido’s death falls on multiple characters: Anna, the goddesses, Venus, Juno and Rumor, and Dido herself.

The function of prophecy manifests itself in many ways in the Aeneid. Throughout the epic, prophecies and omens act as the agents behind Aeneas fulfilling his destiny as well as providing clear social commentary on the dawn of the Roman Empire under Emperor Augustus. Even though not all of the prophecies and omens included in the epic come to pass in literary terms, Virgil’s inclusion of prophecy is of paramount importance for driving the plot forward. In this essay I will discuss the function of both internal and external prophecy and the effect these prophecies have on both the characters in the epic and the enjoyment of the reader from The Roman Empire until the present day.

In The Aeneid, Virgil uses many prophecies. They begin in the first few lines and last throughout the poem. Many are directed toward Aeneas, but some are to his relatives and friends. The prophecies shown allow the reader to better understand the situation and also provide insight about Rome. Prophecies are an important key to The Aeneid.

It is consistently difficult to understand in old world literature, from Homeric epics to Virgil's work, The Aeneid, what the relation of fate is to the Pantheon of gods. There seems to be an ongoing debate within the texts discussing whether "fate" is the supreme ruling force in the universe and the controlling element of the lives of men, or whether fate is the will of the king of gods, Jupiter. In, The Aeneid, several situations and instances of the use of fate are presented to the reader. The direction and destination of Aeneas's course are preordained, and his various sufferings and glories in battle and at sea over the course of the epic merely postpone his unchangeable destiny.

Many may tell themselves, “I am the master of my fate, I am the captain of my soul”, William Ernest Henley’s, Invictus. Individuals often believe life is independent of outside forces; one does not often ponder whether situations that introduce decisions or experiences are controlled by fate and the gods. In Virgil’s The Aeneid, he introduces the notion that we are all subject to the workings of fate regardless of our will or desire; this is shown through the tragic romance between Aeneas, a Trojan, and Dido, the queen of Carthage. Their love and lives are a combination of free will, fate, and the work of the gods. We are all brought into the world without choice, thus lack the will to change our destiny from birth. In the end, however it

Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any

Firstly, when Aeneas is called upon to go found a new city across the sea, he lacks self-confidence. He is suddenly thrust into his harsh fate, a fate

The concept of fate and the influence of gods on mortals’ lives are prominent aspects of Greek mythology. While the gods of Olympus are commonly presented as the primary manipulators of human lives, the Fates are the true creators of destiny. Gods may be able to affect human lives in monumental ways, but predetermined destiny and the Fates’ intentions ultimately reign. The gods have respect for this authority, as well, as they’re aware that a limit on their ability to intervene is necessary to maintain the order of the universe. This leaves one to question the amount of knowledge that the gods themselves have of fate, and whether they have their own free will to refrain from intervening or if they truly must submit to the authority of the Fates and their plans. The gods do have some knowledge of the Fates’ plan, but they are also wise enough to avoid too much interference and therefore don’t necessarily need to be commanded; they sometimes help guide mortals by sending them messages and symbols—and sometimes even influencing them for their own advantage—but ultimate fate cannot be avoided.

Thanks to Neptune, though, they are only thrown off course, and Venus assures that they will not be harmed in Carthage. At times in the Aeneid, it seems as if the story is less about the deeds of the mortal characters than about the bickering of the gods, who continuously disrupt or manipulate events on Earth. The one common theme, though, is that fate always comes true. Aeneas is destined to settle in Italy, and nothing can prevent this. Jupiter sees to it that his overall plan will come to pass by helping out Venus.