The Best Man For the Job
I found Othello, the 1995 film, to be a close adaptation of the written play read in class, but in the part of Othello there are notable variances between the film and the written play that may be accounted for by the actor's interpretation of Othello. Through his persona, Lawrence Fishburn portrayed Othello as commanding more clout in the film than he did in the written play, and Fishburn portrayed Othello as having less emotional intimacy with Desdemona in the film than he did in the written play.
When Othello is summoned before the Duke to answer Brabantio's charges of thievery, he exhibits much clout, as he appears calm and composed in the filmed version. Fishburn's interpretation of the
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When Othello enters the room there is nothing to signify his demeanor in the written play, but under the circumstances the reader is lead to think that he would be the least bit nervous since his life is at stake. Further, as Othello address the Duke in the written play, the reader sees the humbling words: (1)"Most potent, grave, and reverend signiors, My very noble and approved good masters." These appear to be the words of one in search of mercy from his judges. Furthermore, when he recounts his history with Desdemona, there is no sign of him walking over to Brabantio and looking down on him as he speaks of the history. Rather, the reader is inclined to think that Othello is addressing the Duke directly because he starts recount by addressing Brabantio as "Her Father". Clearly, without the authoritative tone of Fishburn's voice, the reader is inclined to see Othello in a state of meekness rather than clout while he recounts his history with Desdemona to the Duke.
While Fishburn portrays Othello as having much clout in the filmed version, he portrays Othello as having less emotional intimacy with Desdemona. When Othello rejoins with Desdemona at Cyprus, he gives her a big hug and two long, passionate kisses, but he doesn't look into her eyes very long before he is off greeting Montano. Fishburn appears to show more physical intimacy with Desdemona by greeting her with
Many people prefer the book version of a story rather than the film it tries to become. This is due to the fact that the author’s intent of his own story is much more intriguing and familiar to its readers than just another film version. However, some versions portray the story better than others. Hollywood seems to have taken up the responsibility of creating complicated and compelling characters on screen. Unfortunately, doing so can easily take away a story’s rich, necessary detail. For instance, Shakespeare’s Othello has a few different movie versions of his story. Both movies, the 1990 version by Trevor Nunn and the 1995 version by Oliver Parker, are great productions carried by strong casts. However, there are areas in which the movie and the play differ. These differences tend to interpret the film in a different way compared to what Shakespeare intended. The film portrayals of Shakespeare’s Othello by Parker and the other by Nunn both display the character of Desdemona in very different ways. The Nunn version of this play did a much better job of portraying Desdemona as Shakespeare
As a character, Othello is tough, noble, and virtually fearless. He is recognized for his hard work as a soldier but at the same time manages to remain humble. Shakespeare makes him out to be a hero from the start of the play. For example, in Act One, Othello says, “Let him do his spite./ My services which I have done the signiory/ Shall out-tongue his complaints” (1.2.17-19). I think that this quote displays that Othello is confident enough with his value and importance to the city of Venice that he really is fearless of getting in trouble for marrying the one he loves, Desdemona. As the play progresses, Othello’s humility comes to the surface via the words he elects to use in order to explain his marriage to Desdemona. In Act One, Scene
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
These instances heighten his nobility as a character. He is in great demand by the duke and senate due to his honorable qualities. This is evidenced by Cassio's comment that the senate "sent about three several quests" to look for Othello (I.ii.46). Othello is a noble man who is well known and respected for his position as a general. He is experienced in battle and shows great courage and demonstrates high levels of dignity. Othello shows immense respect for his fellow man, we see this in his initial relationships with Casio an Iago. Othello's valiant personality is a major part of his success in the military as well as with his marriage, to Desdemona. Because of his exotic qualities, he is able to woo his wife in an art of story telling, reflecting his nobility and honor. Such a storey seduces Desdemona, causing a strong bind to Othello made from a mixture of love and lust. The Venetian government trusts Othello enough to put him in full martial and political command of Cyprus; indeed, in his dying speech, Othello reminds the Venetians of the "service" he has done their state (V.ii.348). However noble or revered by his peers Othello may be, it is his honor, aided by his naivety and insecurity that lead to his destruction.
As an example. this shows how Othello deals with style and grace under fire, when accused of witchcraft by marrying Desdemona. Othello neither yells nor screams, but explains in a way that captivates his audience and enhances the emotions in the play.
Desdemona is portrayed as a very inquisitive women, whom loves to explore the things and people outside of her class. She fell in love with Othello because of her curious nature and being attracted to his acts of bravado. Her intentions are sincere; however her curiosity in this act is seen as folly. She asks her cousin Lodovico about his arrival and informs him of Cassio’s dismissal. This angers Othello as she is praising another man, taking a persona of being proactive about him. For Othello this concludes that she is disobedient and has dishonored him - to put her in place, he resorts to violence:
Othello has spent most of his life in battle, which makes him good at some things. Othello says "Rude am I in my speech,/ and little bless'd with the soft phrase of peace,/ for
Although Othello seems confident about himself and his position, in reality, most of the times he feels the need to prove himself to others to get their respect. Before Othello goes into details about how he and Desdemona fell in love, he says, “Rude am I in my speech,/ And little blessed with the soft phrase of peace” (Othello 1.3. 96-7). By “rude am I in my speech” Othello means that he is not good at speaking, but right after he says this, he goes on to make a long speech. Othello says this to bring the element of surprise and also to prove to them that he can do anything they can do. The want and need to establish his power and boast reveals that deep down Othello does not fully have confidence in himself.
Oliver parker's Othello came out in 1995 with Laurence Fishburne as Othello this is also the first time Othello was played by a coloured actor, Kenneth Branagh as Iago and Irene Jacob as Desdemona. Parker kept the original plot and language intact, however the movie seemed to give Othello life through visual and audio aids. Parker's Othello enables the viewer to associate on a personal level and compliments to the anticipation and imagination of those who have read the play before watching the movie.
Othello's open-mindedness enables him to actually accuse Desdemona, although he does not believe a word of her plea of innocence. Iago's influence has made Othello violent and sarcastic. Although to the Venetian nobility around him, Othello seemed to be fairly like his usual self, his private face became his public appearance when he hit Desdemona in the presence of Lodovico. When Othello once again faces Desdemona with his accusation which she denies, he says "I took you for that cunning whore of Venice that married with Othello".
It is here that the audience begins seeing a different identity of Othello. Who was once regarded as so valiant and courageous, was now beginning to show signs of severe insecurities dealing with matters, most importantly, such as his lack of experience in love and marriage causing shadows of doubt over his confidence in himself and his ability to be loved by and worthy of someone like Desdemona. Desdemona, although not intentionally, seems to be the reason for all the unrest in Othello. This is an instance in the play when irony shines it's smiling face upon Shakespeare's most tragic characters. Othello feels truly happy with the presence of Desdemona in his life (Act II.1, 181-187):
The settings establish the mood and tone of the act. The play's opening setting of Venice symbolizes the sophisticated, wealthy, and civilized world. This is later juxtaposed by Cyprus, an isolated military outpost composed of uncivilized, uncultured people. In Venice, Othello's diction is calm, intellectual, and respectful as displayed when he addresses the Senate in Act I, scene 2: "'Most potent, grave, and reverend signiors, / My very noble, and approved good masters.'" He displays his faith in Desdemona: "'If you do find me foul in her report, / The trust, the office, I do hold of you / Not only take away, but let your sentence / Even fall upon my life.'" However, once in Cyprus he becomes angered and short tempered and strikes Desdemona. Lodovico, a relative of Brabantio, then remarks "'My lord, this would not be believed in Venice,'" signifying the contrast between Othello of Cyprus and Othello of Venice.
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).
"The Tragedy of Othello Written by William Shakespeare" highlights a variety of ways in which males and females reacted to intense situations." The emotions of the characters changed from the start of Act 1, the end of Act 1, and continued as the story of Othello progressed. In Act 1, the main protagonist named Othello started off conveying the emotion of happiness because he and his wife Desdemona were newlyweds. Othello was the general of the army of Venice. Iago, who was a soldier desired the rank of lieutenant, but Othello skipped over him and chose Cassio as the lieutenant even though Cassio had no experience in war but was exceptionally knowledgeable. Iago feels envious towards Cassio gaining the rank he wanted, Iago decided to work with Roderigo, a man who loves Desdemona, to pressure Brabantio, Desdemonas’ father, into thinking Othello used a “magic charm” to build up Desdemonas’ love for him. ("The Tragedy of Othello Written by Shakespeare” Book) In addition to Iago’s actions, Brabantio conveying anger approached Othello by accusing him instead of talking to him calmly. Brabantio told Desdemona of the rumor and asked: “who do you choose?” Meaning, she had to pick either her husband or her father. Desdemona projecting love towards her husband chose Othello. In conclusion to Desdemona's actions, it appeals to the reader that the female character represents
Othello is a very honorable man with a humble and trusting disposition, despite other character’s varying perceptions of him. When faced with accusations of coercion from Brabantio he remained calm, which is shown through his lack of stuttering and nervous ticks when he spoke. He even admitted to his own faults before the Duke: “Rude am I in my speech, and little blessed with the soft phrase of peace … and little of this great world can I speak more than pertain to feats of broil and battle.” Othello’s ability to admit to his own shortcomings while being accused of drugging his wife revealed his complete trust in both his innocence and the Duke. If he had truly harmed Desdemona he would be wary of revealing any negative aspects of his person.