Representation of Evil In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345) Aylmer’s abhorrence for Georgiana’s imperfection is a representation of evil in this story, he talks about Nature or God and how spiritual he is during the whole story; but his key focal point shifts to her imperfection. This is a representation of evil for the actuality that she carried one physical defect and that is all Aylmer could focus on. People like this are called pessimistic, since they only concentrate the awful or expect the worst. Georgiana was perfectly at ease for the way she was until her husband kept making comments about her until she became self conscious about
Middleton 2 it and started to loathe what she admired most. His original love and appreciation for his wife turned into an obsession of trying to mold her look the way he wanted her to, not the way God intended. In the end Georgiana felt as though she would rather die than to
In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.
In the story “The Birth-Mark” Nathaniel Hawthorne illustrates a man with an obsession for perfection of the human body. With a desire to reach the ultimate level of perfection, Aylmer’s obsession ultimately creates a path of destruction that tragically ends in the death of his devoted wife, Georgiana.
It somehow contains the concept of beauty, and in the story it's easy to notice that many man found this birthmark attractive, and so did Georgiana, but looking at her husband, who obviously hates this mark, she starts to believe that it's ugly. The beauty is very subjective; it was created by people, and can be changed by them. Thus, it is impossible to be perfect for there always will be those who can find flaws in any creature. Moreover, it is known that 'Perfection leaves no room for improvement". Thus, flaws are part of human beings, and the desire to go against it is
In “The Birthmark”, a short story by Nathanial Hawthorne, the use of the archetypal conflict Nature vs. Science, the character of Damsel in Distress, and the symbol of the Incurable Wound show how easily beauty is overlooked in the endeavor for perfection.
Once Georgiana also begins to view her birthmark as an imperfection, just like Aylmer does, she begins to hate it and demands it be removed. “’Remove it, remove it, whatever be the cost, or we shall both go mad!’” (Hawthorne 21). Georgiana is sacrificing everything she can in order for this birthmark to be removed, even death. Aylmer warns her of the dangers of performing such a surgery but she refuses to think it over and believes she is “most fit to die” (Hawthorne 21). Of all mortals, she believes that she has reached her potential in the world and there is no more use for her on the world unless she is perfect, with no birthmark and no imperfections.
The Birthmark by Nathaniel Hawthorne is trying to communicate some important ideas about a variety of themes, he articulates a few weighty themes around this brief argument: the struggle between science and nature. In a story full of successful and almost magical scientific experiments, it is intact nature itself that is more powerful than any creation made by man. As is to be expected, this path to perfection also includes the creation of life and the victory over death. In the birthmark Aylmer does not see, like others who pretended Georgiana's hand before him, a singularity that accentuates her immaculate beauty. He sees in that crimson little hand an indication of decay and death. And also of immorality and sin, in tune with the belief
Upon realizing just how much his wife’s birthmark bothered him, Aylmer made it his goal to do whatever was necessary to rid Georgiana of her only “imperfection”. While this story is a work of fiction, the way of thinking is anything but fictional. With the gender dynamic in this story in very centered around the man. The man is the one who makes the decisions, and the woman is expected to go along with them. If the man wants something of the wife, she is expected to do everything in her power to satisfy him. The woman, on the other hand, is often heavily pressured into submitting to this kind of unhealthy relationship. Whether she is blinded by love, afraid of what
simple birthmark where the obsession is because he perceives it in a more symbolic way. Georgiana has often been told that the mark on her cheek is a “charm” but Aylmer does not think so where he said, “No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which
Nathaniel Hawthorne like many other writers during the nineteenth century focused their writings on the darker aspects of life. “The Birthmark,” is set in New England and has a Puritan perspective. Aylmer, a well-known scientist, marries Georgiana who has a hand shaped birthmark upon her face. After some time during their marriage Aylmer and Georgiana decided to remove the mark through scientific means. Advancements in science and the ability to change nature were at the center of plots throughout their short stories and poems. Hawthorne believed that it was not unusual for science and women to rival for one man’s love (Hawthorne 12). Hawthorne used his critical thinking to write about taboos and dissention not spoken of during his lifetime to the forefront. In “The Birthmark,” Hawthorne focuses on science verses nature. Hawthorne attempted to create the perfect human being through science by using setting, character, and symbolism to undo the imperfections he saw within God’s work in “The Birthmark”. With all of his intellectual and spiritual qualities, Aylmer still does not have wisdom.
Once Aylmer had become consumed by the idea of this “imperfection,” it impacted his ability to function and live with a sense of normality. An example of this “anxiety-fueled obsessive thought” can be found on page 12 of Hawthorne’s “Young Goodman Brown & Other Short Stories” where the narrator says, “…but seeing her otherwise so perfect, he found this one defect grow more and more intolerable with every moment of their united lives.” It becomes apparent that Aylmer is going to continuously be plagued by this birthmark by dealing with crippling anxiety as it becomes “more and more intolerable.” His obsession continues to grow as the story progresses and becomes a much more serious issue. This can also be seen on page 12 where it is written, “With the morning twilight, Aylmer opened his eyes upon his wife’s face and recognized the symbol of imperfection; and when they sat together at the evening hearth his eyes wandered stealthily to her cheek, and beheld, flickering with the blaze of the wood-fire, the spectral hand that
“The Birthmark” is a short story authored by Nathaniel Hawthorne and published in 1848. The story is about Aylmer, a brilliant scientist who is obsessed with science and is planning to use his experiments to remove a birthmark on the face of his wife Georgiana. Aylmer’s love for science made him yearn to obtain control of the entire divinity. His wife was among his victims of science that was stronger in him than the love he had for Georgiana. Aylmer became blind to science to the extent that he could not realize that he was damaging his wife and putting his marriage at risk. It examines the obsession with science and human perfection that often cause problems if not controlled as seen in the story. Hawthorne’s aim with this tale was to warn its readers regarding the dangers of science and knowledge with the story, and this is analyzed below.
“As the last crimson tint of the birthmark that sole token of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight” (Hawthorne 13). In 1843, Nathaniel Hawthorne wrote “The Birthmark,” a tragic and unexpected short story. In the beginning of “The Birthmark,” Alymer, a man of science, marries a young beautiful woman named Georgiana. One day Alymer noticed a mark on Georgiana’s cheek, and over time his obsession with the thought of removing it scientifically caused the death of his wife. Therefore, in the short story “The Birthmark,” by Nathaniel Hawthorne, Alymer pushes the scientific boundaries too far and his experiment is unjustified.
Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful
Soon after Aylmer tells his spouse that the mark on her face bothers him, she practically begs him to remove it. Aylmer is more than happy to remove the birthmark and has no doubt that he can do so. While discussing the removal on page 316, he tells Georgiana that he “feels fully competent” to “render [Georgiana’s] cheek as faultless as its fellow.” He goes on to describe the sense of triumph he will feel when it is finally corrected. He only cares about the removal of the birthmark and not what may happen to his wife. Even though the mark bothers him, he reveals to Georgiana that “even [he] rejoices in this simple imperfection, since it will be such a rapture to remove it” (Hawthorne 318). This shows that Georgiana is not the love of Aylmer’s life, but rather science. He puts all of his faith directly into it. Barbara Eckstein states that “Aylmer’s study of minute details becomes a system of belief for Aylmer” (517). Even after Georgiana faints on page 317, Aylmer is “without alarm; for he was confident in his science, and felt that he could draw a magic circle round her within which no evil might intrude” (Hawthorne). This seems ludicrous to most people, but Aylmer had absolute faith in
Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.