The Bridge Masculinity

Nevertheless, Eddie seeks to prove to himself that he is more masculine than Rodolpho. Unfortunately, Eddie’s method - training Rodolpho to box, then hitting him as hard as he could - was a poor choice as it was cowardly, due to the deception and therefore failed to even meet Eddie’s objective of proving his masculinity. Additionally, the others were unhappy with Eddie for reasons other than his masculinity, for example his over-protectiveness of Catherine. This can be shown when Eddie tells Catherine ‘I don’t see you no more’ on page 28, where Eddie talks to Catherine about Rodolpho not being as he seems. This foreshadows Eddie’s later control of everything, as Eddie eventually wants to control the entire household in this manner.

When Eddie and Beatrice are waiting for Rodolpho and Catherine to get home after a movie, Eddie goes down to the street and talks to them trying to figure out why Rodolpho had her out so late at night. When Rodolpho leaves, Eddie begins talking to Catherine and says that he is upset that Rodolpho did not to ask for permission to take her out. He goes on and says that Rodolpho does not respect Catherine and Eddie tries to split the couple apart with the idea that Rodolpho is only interested in Catherine to become a citizen. This is Eddie’s first attempt to split Catherine and Rodolpho apart. This is an unsettling thought because the audience does not suspect that Rodolpho’s feelings for Catherine are in any way fake. Eddie becomes very torn apart when she begins to date Rodolpho. He becomes convinced that something is not “right” with him and tries to intervene. When this plan does not work, he goes to a lawyer to try in hopes that the law can separate them. Of course, there is no law and Eddie becomes frustrated. When he gets drunk, he goes back to the house and tries to kick Rodolpho out of the house. He is jealous that Rodolpho is getting all of Catherine’s attention and the fact that he kisses her on the mouth leaves an uneasy feeling on the audience, adding onto Eddie’s unsightly protagonist image. When Catherine says that she is going to go with Rodolpho, Eddie becomes extremely angry and

Many socio-historical studies on masculinity have often revealed how Machismo is embedded in the Latino culture within the United States. Machismo is defined as a strong sense of masculine pride, often exhibited by Latino men. In Latino culture in the United States, machismo is not only accepted, but always expected. In any study that investigates the Latino group, machismo is a subject that cannot be left behind.

Fruitvale Station is based on a real life event. A tragedy occured in 2009 on New Years day at the BART system in Oakland, California. The film follows Oscar Grant, a 22 year old man on that day, preceding to the event. It shows the trouble Oscar has gotten himself into in the past, such as being imprisoned. The strong bond he has with his family and friends is on full display throughout the film. Oscar makes steps towards bettering his life. His daughter being a strong focal point on him trying to change and turn his life around. His character shown extensively throughout the day. At night, Oscar goes to celebrate the New Year with his girlfriend and a few other friends, when an unfortunate incident on Fruitvale Station leads to his untimely death.

To read Babio without recognizing the gender politics at work in the play would disregard much of how the play itself creates meaning. So much of the play’s plot and character dynamics are related to the way gender functions in this play. One major theme of Babio is the idea of masculinity and how masculinity is defined. Through the portrayal of Babio as an effeminate character, Babio is able to define masculinity through absences in Babio’s Character. Consequently, Babio makes the additional point that lovesickness is not an intrinsic aspect of medieval masculinity, despite the fact that love sickness is often attributed to men.

Throughout the history of the world, and specifically in the United States, the pressure that has been forced onto men in society has not only had a significant impact on the people themselves but in society as well. This can be seen through America’s history, the evolution of men and masculinity and even reflected through the development and growth of women and women’s roles in history. The expectation placed on men to conform to what would be considered masculine in that era was an extremely important factor in a young man’s life. This pressure was enforced not only by society but by men themselves who held each other to a specific and high standard. In order to understand the role that men play in society and the ideology of masculinity,

“The cult of masculinity.” When it comes to the big screen, women are treated like second-class citizens. Women were portrayed as helpless creatures, waiting in the castle for their Prince Charming whereas men were dauntless, swooping the Princess of her feet and saving the day. This gender gap came to an end when The Hunger Games (2012) was released in theaters. The brave Katniss Everdeen (Jennifer Lawrence) did what no “real” man or Prince could ever do – stand up for someone else – even when it meant risking her own life. The Hunger Games was not only one of the top grossing movies of the year, but it was also one of the very few movies where a woman was able to display her stability and willingness to fight. The Hunger Games, Divergent, and Gravity are some of the few movies that show a women’s potential than to sit in a castle. They all show three common characteristics for the roles of women: courage, personality, and recognition.

Given culture’s effect on masculinity, Beynon (2001) cautions against regarding “masculinity” as “implying uniformity”. Instead, he suggests considering masculinity as a “singular-plural” like “data”, comprising a range of masculinities (2001:1-2). Despite the multiple definitions and types of masculinity, hegemonic masculinity is ever-present in various settings (Stibbe 2004:33).

What is masculinity, and the relation of this cohesive concept to Shakespeare’s classic Macbeth? William Shakespeare was truly a master at idolising the masculinity of a character. Throughout Roman Polanski’s 1971 version of Macbeth, he demonstrates an accurate masculinity

1.) The people in the novel The Sun Also Rises are lost in more ways than one. The men all throughout the novel would struggle with the idea of masculinity. For instance Romero is wanting to marry Brett. Although, he wants Brett to conform to the traditional, feminine woman. Brett confides into Jake saying how "He said it would make me more womanly. I'd look a fright," (246). This connects to the idea of masculinity and how it is hard for men in that time period to obtain it. That is because one of the many ways masculinity was obtained wat through women. If he could control Brett how he wanted, and marry her, he would become more manly. Another way in which the people in the novel are lost is that they feel a need to be accepted. Cohn was

In Ernest Hemingway’s “Hills Like White Elephants” and Guy De Maupassant “The Necklace” the American and Monsieur Loisel have failed to meet society’s stereotype of masculinity. Such actions have put both characters in terrible predicaments. To begin with, the American in “Hills Like White Elephants” have failed to support the girl he impregnated. This action have resulted in him loosing the girl he loves. Although the story never mentions a baby or an abortion, the reader can assume that the dialogue is about ending an infant’s life.

noise was used to give a sense of tension. But later when is honour is

By using language, tableaux and subtext, Arthur Miller’s A View from a Bridge explores the ideas of masculinity. Miller does this by using different characters to portray different sides of masculinity. Eddie and Marco are shown to be stereotypical men, whereas Rodolpho portrays the softer, kinder side. This essay will explore the techniques and characters Miller uses to present the idea of masculinity.

and dancer and he can cook as well as make dresses. For the most part

To Eddie Carbone, Rodolfo is the exact opposite of his ideals. He has effeminate attributes; he can sing, dance, and make dresses. These all seem to anger Eddie but ridiculously, it seems that Rodolfo's blond hair seems to irritate Eddie especially; he seems to think that it proves that Rodolfo 'ain't right',