Turning attention to the character of Iago, one of the most compelling things about him was his true lack of motive for his actions. The play begins with him expressing his hate of Othello to Roderigo, citing what appears to be jealousy at Othello choosing Cassio to be his lieutenant. Yet, by the end of Act II, he states his revenge is based on a suspicion that Othello has slept with Emilia; “For that I do suspect the lusty Moor, Hath leaped into my seat” (2.2.1078), and that he must get even with Othello “wife for wife” (2.2.1082). These reasons never seem genuine, aided by Iago’s infamous refusal to reveal his motives at the play’s end; “demand me nothing, what you know, you know. From this time forth, I will never speak a word” (5.2.3607). Iago’s answer is akin saying to you know why I’ve done this, but neither Othello nor the audience have a concrete answer for his behavior. Former Iago actor Simon Russel Beale speculates that, “there is something genetic in Iago that just wants to mess Othello up, because Othello represents something good, I think it’s a very broad, genetic loathing of the good” (Othello with David Harewood). Iago is manipulative, conniving, and malicious, but perhaps what makes him so sinister is how mysterious his motives are. As professor Ryan describes, “pathologically normal and theatrically irresistible.” Iago’s actions may be unforgivable, but he remains charming, witty, and more importantly, he embodies a prejudice that may lurk in all
The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters. Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a
Trust is fundamental to life, but knowing who to trust can be quite difficult. Having faith in the wrong person could lead to unfortunate outcomes. In William Shakespeare’s Othello, many characters are blinded by Iago’s false personality, causing them to put their trust in someone who eventually makes them feel cheated and betrayed. After reviewing the term sociopath, defined as, “a person with a personality disorder manifesting itself in extreme antisocial attitudes and behaviour” (English Oxford), one could say that Iago has antisocial personality disorder. The traits Iago displays throughout the play, such as his use of manipulation, his abusive behavior toward others, his lack of remorse, and his deceitfulness make him a true sociopath.
Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking
Iago claims to “hate the Moor” (Act 1, sc 3, line 368) so he wants to
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,
Throughout his works, Shakespeare has utilized multiple types imagery to create vivid and powerful images in the minds of the readers and viewers, for a multitude of purposes. Specifically, in his tragic play Othello, Shakespeare employs the use of strong religious imagery to reveal Iago’s character. Spiritual imagery is a powerful tool used by Iago as the time period of the play was set where many, if not everyone, was a strong believer of catholicism or christianity. As the main antagonist, Iago is portrayed as a character whose true personality is unknown to all of the other characters until the very end. Religious imagery is often used to unravel and emphasize Iago’s evil character, mainly his manipulativeness and
Iago is undoubtably the villian in William Shakespeare's 'Othello', however the reason behind his evil deeds are less clear. There are many possibilities as to why Iago betrayed his superior Othello. Was he simply envious of Othello's status or did Iago plot to destroy Othello for his own enjoyment?
Further in Act II we learn more of how manipulating Iago is and how he is willing to do anything to get his way without anyone realizing it. He continues to use his so called "honesty" to his advantage, when he is lying and using others to achieve his desire, per say. After watching the movie in class I was able to get a better see of the way Iago acts through the play. By Iago sharing his thoughts with the audience, I was able to get a more in depth understanding of Iago as opposed to the other characters. When Iago shares his thoughts there's a better understanding of his motives behind whatever he is planning to do, and it helps us understand his purpose and to what extent he will go in order to fulfill his purpose. He is giving his personal
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
Iago as Evil in William Shakespeare's Othello "Othello" is famously regarded as one of Shakespeare's greatest tragedies. It explores the downfall of a great general Othello through a series of unlucky circumstances. Othello's character shows a man of high status whose job, marriage and life is ruined because of his insecurities by a man named Iago. Iago (Othello's ensign) is able to manipulate Othello,
In William Shakespeare’s tragic drama Othello we see a morally depraved character, perhaps a very mentally sick individual, named Iago. His personality and development during the play is the subject of this essay.
Tragedy can expose humans fallibility and weaknesses. Traditionally, a tragic hero is established into three parts: hamartia, a hero’s tragic flaw; peripeteia, the change in the hero’s fortune; and catharsis, a hero’s tragic ending. In William Shakespeare’s Othello, Shakespeare illustrates how a General, Othello get manipulated by his subordinate, Iago.Iago tells Othello that his wife, Desdemona is having an affair with his friend, Cassio. Othello deeply believes in Iago’s lies, and kills Desdemona and Cassio. In William Shakespeare’s Othello, Shakespeare uses hamartia, peripeteia and catharsis to show that Othello is a tragic hero. Ultimately, through Othello’s tragedy the audiences learn that one’s gullibility can lead their tragedy.
The poet Coleridge appropriately described the character of Iago as being one of "motiveless malignity." Throughout the play Iago’s motives are secondary to, and seem only to serve as justification for, his actions. Iago is driven by his nature of character. To discuss Coleridge’s assessment we must look at Iago’s character—from Iago’s point of view and that of the other characters—his motives, methods, and pawns. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him; all the while he is pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic end.
Iago, the main villain of William Shakespeare’s Othello, is a manipulative mastermind, able to weave an intricate web of lies that eventually leads to the death of the namesake of the play, Othello. Iago provides a multitude of rationales which explain his motivations for his deeds through sprawling soliloquies, such as the suspicion that Othello might be sleeping with his wife, Emilia, or that Othello denies him a promotion, instead giving it to the inexperienced Michael Cassio. Although, initially, these motivations explicitly stated by Iago sound credible, they ultimately crumble as the audience learns more about both the plot and the characters. Furthermore, by providing such a diverse range of feeble justifications, the audience of Othello is able to conclude that a deeper, unstated force fuels Iago’s hatred for Othello. Readers today have attempted to interpret this unstated force with a modern twist: that Iago’s hatred stems from his homosexual lust for Othello. However, these interpretations are loosely supported by textual evidence, which are then often quoted out of context . By establishing that both the reasons Iago himself provides and modern explanations to explains his decisions are lackluster, this leaves the audience with one supportable rationale remaining: that Iago has no motive for his actions. Additionally, by assigning a human character with such an unexplainable
The Character of Iago in William Shakespeare In the extract Iago truly shows himself to be a man of great