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The Character Of Iago In William Shakespeare's Othello

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Turning attention to the character of Iago, one of the most compelling things about him was his true lack of motive for his actions. The play begins with him expressing his hate of Othello to Roderigo, citing what appears to be jealousy at Othello choosing Cassio to be his lieutenant. Yet, by the end of Act II, he states his revenge is based on a suspicion that Othello has slept with Emilia; “For that I do suspect the lusty Moor, Hath leaped into my seat” (2.2.1078), and that he must get even with Othello “wife for wife” (2.2.1082). These reasons never seem genuine, aided by Iago’s infamous refusal to reveal his motives at the play’s end; “demand me nothing, what you know, you know. From this time forth, I will never speak a word” (5.2.3607). Iago’s answer is akin saying to you know why I’ve done this, but neither Othello nor the audience have a concrete answer for his behavior. Former Iago actor Simon Russel Beale speculates that, “there is something genetic in Iago that just wants to mess Othello up, because Othello represents something good, I think it’s a very broad, genetic loathing of the good” (Othello with David Harewood). Iago is manipulative, conniving, and malicious, but perhaps what makes him so sinister is how mysterious his motives are. As professor Ryan describes, “pathologically normal and theatrically irresistible.” Iago’s actions may be unforgivable, but he remains charming, witty, and more importantly, he embodies a prejudice that may lurk in all

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