The Characterism Of Human Nature In George Eliot's Silas Marner

Judging by reality and fiction, there is not a single person to exist that has been purely evil or purely good. Yet it is in human nature to judge others as good or evil. Elizabeth Bennet, the protagonist of Pride and Prejudice was quick to judge Fitzwilliam Darcy, the second central character of the novel, harshly based on her false assumptions of the arrogance of the wealthy. His initial egocentrism, due to his belief in a structured social hierarchy, caused her to form a prejudiced opinion of him. Throughout Pride and Prejudice, Fitzwilliam Darcy is shown to exhibit both good and evil qualities, although not always apparent to the narrator, Elizabeth. Jane Austen’s portrayal of Mr. Darcy as a morally ambiguous character uncovers the significance of class in English society during the late seventeenth century.

Another famous and influential work from T.S. Eliot is The Hollow Men. Likely influenced by World War I, T. S. Eliot portrays a disconnect from humanity and a disillusionment with typical beliefs as a source of human despair in The Hollow Men. The “hollow men” that the work is centered around are depicted devoid of any human qualities that might provide them a relief from despair, such as hope or faith. As is written in “T. S. Eliot's Indigenous Critical Concepts and 'The Hollow Men'” by Muhammad Khan Sangi and others, “In this poem the human beings have been shown devoid of the qualities of faith, moral strength, of personality, determination and that of humanity; they are like empty bodies, lacking all human virtues” (Sangi et al para 4). No matter how these qualities were lost to the individuals, the result is constant and predictable: the individuals feel an inescapable despair. When one has nothing to anticipate in life, no expectations or hopes, then life loses its meaning. This is the world that the hollow men live in perpetually. The entire work, as Sangi describes, “is a cry of despair unrelieved by hope. The peculiarity of the poem is that it is an inner drama with the utmost economy of words. The images echo the deadness of sensibility and the emptiness of hollow men who, like the effigies, are fit only for burning” (Sangi et al para 5). Again, the hollow men are depicted as worthless, insofar as they are compared to effigies, the only purpose of which is to be

His image was formerly of the utmost importance to him: he arrived late to the Opera because it was “the thing” to do (Wharton 4) and “few things [seemed to him] more awful than an offense against ‘Taste’” (Wharton 12). When Ellen, the black sheep of the Mingott family, made an appearance at the Opera, Archer at first becomes annoyed that this “strange foreign woman” was attracting negative attention to the box of his betrothed, May Welland, and agrees with fellow high society onlooker, Sillerton Jackson, that the Mingotts should not have “tried it on” (Wharton 10). But, upon spending time with Ellen, Archer’s pretentiousness begins to dull and his self-alienation from the rules of society begins. During a dinner with Sillerton Jackson, Archer defends Ellen and even goes so far as to say that “Women ought to be free – as free as we are,” though he was painfully aware of the “terrific consequences” his words could bring (Wharton 34).

Actions and words define an individual. Clarence Harvey is described as a “man of genius” and was “distinguished at Oxford,” but he is also “ignorant” due to his fear of “passing for a pedant,” which comes to show how complicated Hervey actually is. In Maria Edgeworth’s novel, Belinda, the author uses literary techniques, such as point of view and language to portray Clarence Hervey’s character.

Flannery O’Connor’s A Good Man is Hard to Find tells the story of a family from Atlanta, Georgia as it makes it way to Florida for a vacation. The five members of the family include the grandmother, her son Bailey and his wife. Among the passengers are three children, one of whom is still a baby. There fatal deaths in the end illustrate the belief that everybody has their own unique flaws. The grandmother plays a pivotal role in the story considering the fact that she selfishly convinces the family to divert momentarily from the expected route. In From ‘One of My Babies’: The Misfit and the Grandmother, Stephens Bandy points out that the grandmother was extremely evil. John Desmond, on the other hand suggests that the grandmother is not necessarily a strictly evil person. With reference to the short story, this paper explores Bandy’s and Desmond’s critique’s of A Good Man is Hard to Find. The paper argues that the grandmother is absolutely to do anything for her selfish gains. Furthermore, the paper argues that people are not entirely good or evil, but respond to different events in unique ways.

Clarence Hervey supposes himself to be a Renaissance man, when in authenticity, he is nothing more than a charlatan. In this passage from her novel Belinda, Maria Edgeworth develops the many characters of Mr. Hervey through generalized language, references to Mr. Hervey’s inconstancy and Mr. Hervey’s ironic and hypocritical fears of Belinda.

Glaucon closes his discourse with an endeavor to show that not exclusively do individuals like to be out of line instead of just, yet that it is judicious for them to do as such. The impeccably uncalled forever, he contends, is more wonderful than the consummately just life. In making this claim, he draws two point by point pictures of the fair and uncalled for man. The totally treacherous man, who revels every one of his inclinations, is respected and remunerated with riches. The totally simply man, then again, is despised and vomited.

In Octavia Butler’s novel, Kindred, Butler presents to the reader the controversial character of Rufus Weylin, a white plantation owner who is also the ancestor of the novel’s protagonist, Dana. As the story progresses, Rufus commits various heinous and agreeable acts that would have the reader question his innate goodness, or lack thereof. Butler never explicitly states whether Rufus is naturally good or inherently evil, but, through a number of incidents that merge to illustrate his true character, Butler allows the reader to draw their own conclusion on the matter of Rufus’ intrinsic nature.

T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.

As one develops, the values that he/she support mature in sync with mental, physical, and emotional developments. With this maturation, individuals create a moral code that is based on the values and beliefs that are deemed most important. Whether the creation of this code of conduct is intentional or not, it nonetheless serves as a guide for the way in which one behaves. These moral codes ensure the maintenance of order within one’s own life. By token of consideration, Raymond Chandler’s “Red Wind” follows Philip Marlowe as he subscribes to a moral code of chaotic good, wherein he behaves in a seemingly unprincipled manner. However, he does so as a mode of ultimately serving the common good. Comparatively, society as a whole also creates regulations to live by with the intention of maintaining order amongst the masses. The court of law, for example, ensures that individuals behave ethically and in favour of the common good. Without these general regulations, society succumbs to chaos. With reference to the text, the world that Marlowe lives in is one that supports moral systems that are in opposition to his own. The interaction between one’s personal values (moral code) and social sanctions (e.g. the law and societal ideals), may result in a shift in an individual’s belief system. The following essay will explore the ‘world’ that Chandler has created for the characters, Marlowe’s moral code in response to the world in which he lives, and finally, the state that Marlowe

It can be assumed that if J.S. Mill and Lord Devlin ever coexisted some intoxicating deliberations regarding the role of morality in society would transpire. However, time has a peculiar habit of erecting boundaries amid centuries, allowing us only to presume discourse between the contemporary and the historical. Consequentially, each individual has an obligation to formulate his or her own appraisal established through the logistic unification of the particular instant and one's own conception of idealistic righteousness. But the acquisition of an infallible and tangible philosophy with universal application would be as obstinate to create as it would to fathom. In such regard, the apparatus on

Jane Austen’s Pride and Prejudice takes place in rural England among the landed gentry. In the society’s social atmosphere, it is imperative for characters to have a facade and for most of the characters, their first impressions are much different from who they really are. The only characters that do not have a facade, such as Mr. Collins, are socially inept. These first impressions play a large role in the novel and are often taken at face value, to the detriment of the receiver and impressionist.

Q5 "Much of what Eliot writes about is harsh and bleak, but he writes about it in a way that is often beautiful". Comment fully on both parts of this assertion.

The Relationship Between Parents and Their Children in Silas Marner by George Eliot "A child more than all other gifts

In George Eliot ‘s “Silas Marner”, there was a clearer organization of the social hierarchy, with people in different classes not frequently interact with each other and much less restrained social mobility in the hierarchy. Generally, social relationships in “Silas Marner’’ are relatively dynamic, yet heavily influenced by social status and geographical boundaries.