The Cinematic Technique of Nausicaa Essay

The painting language is never doing the function of simply to imitate or reflect a picture, but it gives a meaningful art imbibed with nature. The act of painting is an art through a meaning practice. In this picture, the painter said that, the source of painting. Then the background Judith story and depicting her role was very important in this scene. The picture should represent the reality of daily life and the events on his art and social life of the era.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

blows her hair is a bit theatrical. Her yellow dress also makes her the eye catcher that draws us to this painting, thus intensifying the overall eroticism of the woman we are

The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie

The piece introduces a moment of ecstasy created through an event of sexual tension. The strong presence in the figure begins to depict the emotions of the facial features in which is expressed through painted textures committing a exotic tension in the structure of Europa’s appearance. Emphasizing the emotion in the figure, Titian begins to express the sentiment through the creation of a dramatic presence. First with the colour scheme, he draw the attention to the figure with a light foreshadowing directly to Europa’s body accentuating the dramatization in the expression of the face. The appearance of the tense emotion conveys the illusion of fear, pain and distress causing a confusion of what seems to appear as sexual violence. According to A.W.Eaton the facial expression consists of exotic pleasure rather than an appearance devoted to despair and I quote “First, the painting eroticizes Europa’s rape by representing her as complicit and taking pleasure in the act. For instance, Europa’s facial expression does not obviously betray distress, fear, or pain, and is often interpreted as a look of ecstasy”(Eaton, P.162). Furthermore this quote explains that rather the expression interpreted from Europa was a moment of rapture or moreover an execution of enjoyment towards

In “Masque of the Red Death” art (which takes the shape of paintings, painters, as well as musicians and music,) represents entitlement and a lethargic distraction from monotonous day-to-day existence. Art here is a reminder for the reader and an escape for the characters, a reminder that this is simultaneously a self-imposed predicament and an escape from that same predicament. In the “The Lady of Shallot” art represents a well-developed skill and the hope of escape for the Lady of Shallot. Art also symbolizes the dedication she has to the betterment of her situation. In Edward Scissor hands art represents an abnormality refined into perfection as well as a potential for social mobility.

The background of the painting is very dark and a reflective of the dark times some women were in during this time. The dark background and the subject’s serious persona give the painting a mysterious sensation. Mrs. Richard Skinner’s clothing pieces are very light colors which give a light-hearted ambiance to the painting but the dark background, dim lighting, and the dark table that lay before her completely alter the mood of the painting. The lighting of the painting, therefore, emphasizes Mrs. Richard Skinner even more due to her dark surroundings, which is another example of Copley’s attempt at accentuating her womanhood. Some of the props in this painting elaborate and stress her sexuality even further. The subject is holding a flower in the painting; flowers are symbolic of purity and femininity. The way the subject is holding the flowers is to be noted as well. She is holding

Divided into five chapters, this book follows Stephen's life from childhood through adolescence to manhood. We are essentially given a window into Stephen's consciousness, and the whole world is unveiled to us through that single aperture. According to Sydney Bolt, no novel written before A Portrait of the Artist as a Young Man can match its variety in styles This indicates Joyce's originality. A Portrait of the Artist as a Young Man is told in characteristic dialogue and ironically sympathetic

The background has areas of dark and light that may be representing a dark part of this woman's life and the light area showing awakening in this woman's soul. To me the woman in the painting is staring out into the world and realizing that there is so much out there for her. That she can walk out of there and not be lost any more. Mrs. Mallard felt the same way. In the room she realized that she can now live her life on her own the way she wants to. She walked out of the room with a sense of

In its incredible attention to detail, The Awakening Conscience recalls the Flemish paintings of Jan Van Eyck while simultaneously offering a critique of the contemporary era at the time. There is a vulgarity to the opulence of the items that crowd the painting (considered by Ruskin to be the “evil of the age”) that is matched in offensiveness by the adulterous affair of the figures pictured. Nevertheless, there does seem to be some hope for the archetypal Pre-Raphaelite fallen woman in the painting, who appears to be caught in the moment of rejecting her lover for her previous life. From the mirror placed behind her (again evoking Jan Van Eyck’s Arnolfini Portrait), it appears that she is reaching out to the nature, a symbol that may be interpreted

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink

The picture symbolizes the aftermath of incestuous actions. Venus is evidently present at the center of the painting, recognizable by the golden apple in her left hand from the Greek myth The Judgement of Paris. A robust adolescent male figure with wings can be seen entwined with her. It is her son, Cupid. The undeniable sexuality of their embrace has long been debated over as scandalous behavior. Rather than channeling the act of incest in itself, Bronzino exploits these two as symbols for the personification of male and female sexuality. Whichever case it may be, the erotic narrative of the painting becomes instantly clear. Venus, determined to get Cupid’s arrow submits to dire endeavors when Cupid refuses and tries to distract him by seducing him while she takes the arrow from him. Venus and Cupid are painted

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this

In A Portrait of the Artist as a Young Man, Stephen Dedalus defines beauty and the artist's comprehension of his/her own art. Stephen uses his esthetic theory with theories borrowed from St. Thomas Aquinas and Plato. The discourse can be broken down into three main sections: 1) A definitions of beauty and art. 2) The apprehension and qualifications of beauty. 3) The artist's view of his/her own work. I will explain how the first two sections of his esthetic theory relate to Stephen. Furthermore, I will argue that in the last section, Joyce is speaking of Stephen Dedalus and A Portrait of the Artist as a Young Man as his art.

Joyce’s ability to make stories realistic was one of the reasons that he was such a tremendous success as a writer. Specifically, his use of imagery to establish motifs and symbols to provide a consciousness flow throughout his work that almost transports you into Stephens memories. If we can understand this imagery, then we can better understand Stephen's life and the time and place he lived in. “Stephen or Steven is a masculine first name, derived from the Greek name "Stephanos", in turn from the Greek word, meaning "wreath, crown, honor, reward", literary "that which surrounds or encompasses" and in Greek mythology, Daedalus was a skillful craftsman and artist". The portrait of the artist as a young man is not a story about a portrait or a piece of art by an artist but the artist himself. It is about the experiences and difficulties in his life that lead him into finding his passion, his purpose and himself.