The Common Man In Bolt's A Man For All Season

Shakespeare’s Othello explores the destructive nature of Iago’s villainy through his ability to confuse appearance with reality through his deception and trickery. In Shakespeare’s Othello, Iago is a scheming antagonist whose goal is to destroy Othello. Iago uses foreshadowing when he says, “I am not what I am.” Iago tells the audience that his loyalty with Othello is all a scheme to destroy him, and his

In any story with a recurring dark theme there always must be an outsider from humanity who somehow stands out from the seemingly equal community. In the case of Shakespeare’s Othello the outsider from humanity would be Iago for he truly stands out from the rest of society. Although Othello may be physically put out of the community, it seems that on an emotional and egotistical level Iago puts himself out of society further then Othello’s blackness does. He is not merely manipulative, as other villains are; he turns aspects of truth and good qualities, which he does not possess, and uses them as weakness for his own scheme. He deceives people to follow his plans by telling them the truth and what seems to be good advice. By standing on

• Using grotesque animal imagery, Iago voices an explicitly stereotypical view of Othello, as a “Barbary horse,” depicting him as an animalistic outsider. Through the image of conflict in black and white, Iago emphasises on the racial demarcation between Othello and Desdemona, that “an old black ram is tupping your white ewe,” associating Othello with uncontrolled animalistic sexuality. Iago’s overt and vicious racism becomes representative of the reigning stereotype of the African on the

In any story with a recurring dark theme there always must be an outsider from humanity who somehow stands out from the seemingly equal community. In the case of Shakespeare's Othello the outsider from humanity would be Iago for he truly stands out from the rest of society. Although Othello may be physically put out of the community, it seems that on an emotional and egotistical level Iago puts himself out of society further then Othello's blackness does. He is not merely manipulative, as other villains are; he turns aspects of truth and good qualities, which he does not possess, and uses them as weakness for his own scheme. He deceives people to follow his plans by telling them the truth and what seems to be good advice. By standing on

In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in

The first of many examples of Iago’s manipulation occurs in Scene 1, Act 1. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantio’s house to inform him about his daughter’s romantic relationship with Othello. When Roderigo starts telling Brabantio about this, he shrugs it off, blaming his nonsense on Roderigo’s unrequited love for his daughter. But Iago begins explaining the situation, saying “...very now, an old black ram is topping your white ewe. Arise, arise, awake the snorting citizens with the bell, or else the devil will make a grandsire of you.” (I,I). Iago’s exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. By comparing Othello to an animal, and “old

Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.

am’. It is not very clear on what Iago means as he does not make it

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

When Iago makes a point of including Othello’s race in a conversation with a confidant, it proves that he feels that Othello’s race is the reason for his actions. There is an obvious abhorrence for Othello based upon his race. Later in the play, Iago goes on to say “If she had been blessed, she would never have loved the Moor” (Reading and Writing Across the Curriculum “WRAC” ). This statement shows that Iago is jealous of Othello because he won the love of Desdemona and is cause for insecurities on his part. Iago must now question his marriage and whether or not Othello is cause for infidelity. These insecurities act as extra motivation for Iago’s actions.

He turns against his friend, Othello, and labels him as a lesser person because of his race. Iago's easy provocation of an important Venetian senator by using Othello's racial characteristics shows how prevalent racism is in the play.

Othello is presented initially as a dangerous beast by Iago, before he reveals himself to be of noble, human, status, only to degenerate later to the condition of a bloodthirsty and irrational animal. He is the hero of the play and this is achieved by his last speech(V. ii. 340-356) where he rights himself at the end of the play. "I kissed thee ere I killed thee: no way but this, Killing myself, to die upon a kiss" (V. ii. 359). By showing us these contrasting images of the moor, Shakespeare is revealing the two different attitudes to race. The one of acceptance, as shown through characters such as

Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce

It then hit me that through Iago’s judgments Othello is “the Moor” and should therefore exemplify the common idea of a moor, which is not admiration, self-worth, and fortune; it is one of disconnectedness and dependency. When he says that “nothing can or shall content his soul/ Till he is evened with the Moor, wife for wife” (Act 2: Scene), he means that he is satisfied until Othello’s life is made equal with his involving feelings of inadequacy and jealousy, which are all qualities fitting to a “moor”. Throughout the play Iago repetitively uses derogatory remarks when speaking of Othello so to encourage certain people in the play to endure racism and confirm that it was the norm. Even so, some of Iago’s semantics reveal his own prejudices. For example, Iago only refers to Othello as a “Moor” with the exception of when he refers to Othello as the “black Othello” (Act 2: Scene 3). Iago hates Othello because he is “the Moor” yet does not symbolize the expected role of what is thought of to be a black man in these times. There is neither reason nor logic behind his hatred, but discrimination against one seldom has reason, for it is characteristically irrational thinking. Iago is a clear illustration of what racism is and will justify his irrational thoughts with anything, just as Iago contributes to Brabantio and Rodrigo’s reasoning behind their actions and Othello’s reasons for acting out on

To begin, Iago’s encouragement of prejudice leads to Othello’s manifestation of darkness. For instance, when Iago unveils to Rodrigo that he has a plan to attain Desdemona’s affection for him, he in contrast dehumanizes Othello he reveals that “If I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, but seeming so for my peculiar end. For when my outward action doth demonstrate” (I.i.57–65). This illustrates, Iago’s true nature that he holds prejudice and hatred for Othello by referring to him as a Moor, it proves that he only views him as substandard. Iago will pretend to serve him, but in reality he is only loyal to himself. This foreshadows that Iago will use negative connotations of race to manipulate Othello into thinking he is worthless. Thus, planting in Othello’s mind thoughts of adultery and hypocrisy. Later, resulting in the uprising of jealousy and darkness of Othello’s character. So Rodrigo, can obtain Desdemona’s love. Promotion of racial bias is also, evident when Iago tries to insinuate that Desdemona is unfaithful. He argues that “not to affect many proposed matches of her own clime, complexion, and degree, Where to we see in all things nature tends—Foh! One may smell in such a will most rank, Foul disproportions,