The Complexity of William Blake's Poetry
Northrop Frye, in his critical essay, "Poetry and Design," states; "In a world as specialized as ours, concentration on one gift and a rigorous subordination of all others is practically a moral principle" (Frye 137). William Blake's refusal to follow this moral principle by putting his poetry before his art, or vice versa, makes his work extraordinary as well as complex and ambiguous. Although critics attempt to juggle Blake's equally impressive talents, they seem to land on either one side or the other; failing to transcend, as Blake did, that moral principle of concentration. Blake, not only controlled his art and poetry through innovative printing techniques, but controlled how his readers
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To create anew both the illustrated book and its reader, to bring into relief the infinite form of the book hidden by fragmentation's of its art, Blake created his method of illuminated printing. "A comparison of Blake's works with typical eighteenth-century illustrated books reveals some of the sources available to Blake for illustrative techniques and shows points of contact between Blake's commercial career as copy engraver and his vocation as book artist." (Easson 36)
"The illustrated book's structure is determined by the interaction of function and the book's physical properties, thereby establishing the quality and degree of correlation within the book's text and designs" (Easson 41) The convenience and wisdom of yoking together decoration and illustration reside in the practical need to identify certain structural relationships of a book's text and designs. It is not just "art" and then poetry underneath it or above it, but with the integration of decorative illustration,Although "decorative illustration" was used in the traditional sense to simply, "beautify the book in which it used," Blake saw it has "sublime ornament." To Blake, ornamental or decorative illustration has a motivating power: Ornament simultaneously enriched the book and compels the
“The Chimney Sweeper” (128): This version of the Chimney Sweeper is very upfront and saddening. The version that is presented in the songs of innocence is much more of a calm town and is not as straightforward, while this version is very short and to the point. In this version its very deep as the narrator basically just calls out the parents/church for doing these horrible things to the children. I really love all three stanzas of this poem because they all have a really deep meaning and Blake transitions through them very well. Reading this poem over and over I don’t know what to make of it other than it is an absolute horrible situation. I think it can be tied in to
The author of this book did make use of literary elements to tell the story. These elements are also used in other picture books such as lines, shapes, color and speech bubble. The book is a graphic novel and dialogue takes majority of the writing in the book. The dialogical and concise style of writing of the author including the pictures
The illustrations should help readers anticipate the unfolding of a story’s action and its climax.
The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of
“EWW!”, went the crowd when Blake fell to the ground. When Blake hit the ground, the turf did not give much at all. Furthermore, it resulted in him breaking his leg. To play on the turf, was a bad idea we all knew. Mr. Ray, athletic trainer, put his leg in a boot and gave him a pair of crutches to use. The next day Coach Topps sent a group message saying, “Guys, keep Blake in your prayers and visit him as teammates should. Because we are a family and that is what family’s do.” Not only did many go see Blake, but also many prayed for him. Although Blake continues to get better, he still has a long way to go to recovery.
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
London by William Blake is a poem characterised by its dark and overbearing tone. It is a glimpse at a period of England's history (particularly London) during war and poverty, experienced by the narrator as he walks through the streets. Using personification it draws a great human aspect to its representation of thoughts and beliefs of the narrator.
We can see transcendentalism with William Blake and his poetry. William Blake, who is a pre-romantic poet, handles his themes sincerely with a mind that is not distracted by the existing opinions such as rationalism, suppression and reason of opinions in his society. Although, he favors the morals of love, freedom, brotherhood and equality. Therefore, I believe he is considered one of the best romantic poets of all time. The majority of Blake’s poems show the romantic side of things such as simplicity, nature, transcendentalism, imagination, childhood and freedom. For instance, in his poem "the Lamb", simplicity, nature, and transcendentalism are strong romantic descriptions that we, as readers, can see them easily. Finally, the
Before being good or bad, human beings are just humans who have to live with their own nature, which they sometimes cannot control. Man can do good or evil but he always makes it with a unique purpose, his personal satisfaction, because it is simply in his nature. Thus, human beings aware of good and evil are confronted with conflicting choices but they never act against their will. The poem, “The Human Abstract”, written by William Blake reflects on these characteristics of human beings and demonstrates how they are unconsciously corrupted by their own nature in a selfish way.
William Blake’s poem “London” takes a complex look at life in London, England during the late seventeen hundreds into the early eighteen hundreds as he lived and experienced it. Blake’s use of ambiguous and double meaning words makes this poem both complex and interesting. Through the following explication I will unravel these complexities to show how this is an interesting poem.
William Blake’s poetry is considered through the Romantics era and they access through the sublime. The Romantics poetry through the sublime is beyond comprehension and spiritual fullness. A major common theme is a nature (agnostic religion). In William Blake’s poem “The Tyger” he describes the tiger as a creature that was created by a higher power some time before. In Blake’s poem he questions, “What immortal hand or eye/ Dare frame thy fearful symmetry?” (Blake 22-23). He describes the tiger as a form of symmetry that can be seen as evil, yet have intriguing features such as those that make the tiger a beautiful creation. Blake also questions if that the higher being who created the tiger also created all else around the world such as a human being. Blake shifts his first stanzas from the tiger to the creator. Not only is he questioning who created the tiger, but he is also describing the beauty and evil of the world. The beauty that the Romantics believe in is nature and one evil seen through the world is materialism that distract humans from the beauty of nature 's gifts. He believes that people lose touch with spirituality when haven’t given to nature. Blake also illustrated his own works through
Blake uses traditional symbols of angels and devils, animal imagery, and especially images of fire and flame to: 1) set up a dual world, a confrontation of opposites or "contraries" which illustrate how the rules of Reason and Religion repress and pervert the basic creative energy of humanity, 2) argues for apocalyptic transformation of the self "through the radical regeneration of each person's own power to imagine" (Johnson/Grant, xxiv), and 3) reconstructs Man in a new image, a fully realized Man who is both rational and imaginative, partaking of his divinity through creativity. The form of the poem consists of "The Argument," expositions on his concepts of the "contraries" and of "expanded perception" which are both interspersed with "Memorable Fancies" that explicate and enlarge on his expositions, and concludes with "A Song of Liberty," a prophecy of a future heaven on earth.
William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.
William Blake was an English poet, painter, and printmaker. He was not recognized during his lifetime and now is considered as a seminal figure and criticised over the twentieth and even this century. Blake’s strong philosophical and religious beliefs in the history of both the poetry and visual arts of the Romantic Age. Although he was from London he spent his entire life in Felpham.
William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.