The Death Of The Girl Jig

Although Jig and Sheri were both dealing with the same issue of not wanting to have an abortion, they both interacted with their partners differently. While the American spoke with Jig over some alcohol, he downplayed the seriousness of the procedure. Jig was easily influenced by what the American was telling her and she even said, “Then I’ll do it. Because I don’t care about me” (Hemingway 637). While Jig did not want to have the procedure done, the way she interacted with her partner shows she cares more about his approval than she cares about herself. Also, it shows that when Jig interacts with her boyfriend, she is not willing to communicate her true feelings. Unlike Jig, Sheri is sure of herself and was not seeking her boyfriend’s approval. While Sheri did not speak in the short story, Lane had a vision of her saying, “This is her own decision and obliges him to nothing” (Wallace 258). Lane’s vision of their interaction shows that Sheri is not afraid to

“Perfectly simple” is restated a couple of times in the conversation which tells us that out of the two only one wants the child and the other doesn’t want the child (Hemingway). The American man thoughts are not more important than Jig’s. Even if the American man is supporting her to get an abortion it’s still Jigs decision. His opinion does matter to her because she wants his thoughts about what’s best for them and their unborn child. Jig is torn between remaining reckless and carefree and making a family with the man she loves. “‘Because I don’t care about me’” states that she is willing to do almost anything for the American man but is blocked by her mother instinct to protect her child (Hemingway). Jig is indecisive in what she wants because she questions herself and the American man what if questions. “‘I realize…can’t we maybe stop talking’” this tells us Jig finally realizes that by asking a lot of rhetorical questions to the American man she has the answer she needs even if it’s not the answer that she wants (Hemingway).

There are several instances in the story that “the American” reiterates “Jig’s” options for her future. Although he expresses that he would support and love her no matter what the ultimate choice is, she feels conflicted and her pain, which builds throughout the story and as the conversation progresses, becomes more obvious. What is most interesting is, as his second thoughts about the unspoken abortion spike, her resistance to discuss the topic any further grows in tandem. Although the two heroes’ love for one another is evident, there is the aching uncertainty between them: Is there room for a child in their relationship built of travelling, drinking, and discovery?

The ending of the story is rather ambiguous as it is not completely obvious what decision the two end up making. The man could have talked the girl into undergoing the procedure, or not. At one point toward the end, Jig tells him to “please please please please please please please stop talking”, and when he doesn’t she threatens to scream. This probably means that she had made up her mind, but it could be in either direction. In the end, she smiles at him, and he asks her if she feels better; she says that she feels fine. That could mean that she had made peace with the decision to abort their child or that she was proud of herself for finally standing up to him and making her choice not to abort final. Either way, making this choice is harder on her as she would be the one to undergo the operation, and she very well knows that he most likely will not stay with her if she decides to keep the child. No matter what she chooses, however, their relationship will never be the same.

Wyche disputes all the critics who suggested that the text was either about whether Jig should carry the pregnancy to a full term or have an abortion. Wyche feels that the text was a metaphor representing pain which comes as a result of an end of a relationship between two people. One of his main ideas was therefore to dispute some of the ideas that critics had put forward in the past and bring forward a new meaning to the short story. As Wyche noted most of the critics saw a metaphor of abortion but failed to see that the abortion could also be used as metaphor to mean something else which in this case means the pain of a breakup. By bringing other critic’s point of view into play, he successfully acknowledges what they wrote and their ideas but also presents him with a point to dispute the same. Even if he does not refuse the ideas produced by earlier critics, the author presents a different point of view from whatever was presented before.

The girl remarks that she and the American man never do anything together except try new drinks. This can represent that their relationship is boring and mundane which seems to bother the girl. These feelings can reflect that girl may be ready for change and a chance to settle down, unlike the man who doesn't seem interested in changing his carefree ways. She also asks the man permission for a drink and has to rely on him to order the drinks because of her inability to speak Spanish. She appears disappointed that she is so dependent on the man and no matter what her decision may be, their relationship will no longer be the same. After trying the new drink she replies that “Everything tastes like licorice. Especially all the things you’ve waited so long for like absinthe” (Hemingway 655). Another symbolism that Jig is now feeling bittersweet about the decision because she may want to have the baby, but the man's decision is to have the abortion.

The pregnancy or baby can be seen as the “elephant” in the room. This couple is trying to decide whether or not to get an abortion. The antagonist in this short story is the male the main character (Jig) is taking to at a bar in a train station. In the story this male character is simply referred to as the American. The American does many things that make us believe he is mainly the decision maker in their relationship. He is in charge of their luggage as well as the destination of their travels. This implies a sense of control and dominance. The American is very supportive saying, “If you don’t want to you don’t have to. I wouldn’t have you do it if you didn’t want to” (227). Despite the support he shows, throughout the story the reader can see that the decision of the women depends greatly on the American’s feelings and views.

Certainly the fact that abortions are not legal at this time in Spain is also playing on the girl’s mind (Short Stories for Students 159). The reader is also left with great doubt, as there is no resolution or decision given by Hemingway at the end of the story.

Jig knows that having the child will make her look like a whore in the eyes of her community, thus she knows that she has to get rid of the baby, but in her heart she wants to keep it.

The girl, the American and the woman all symbolize the decision that must be made. The girl symbolizes youth, innocence and naivety. She is totally ignorant of the consequences of an abortion because she is young, beautiful and in the prime of her life, and experiencing new things all the time. Hemingway uses her to show a young, pregnant girl trying to decide if she wants to remain carefree like the American or if she wants to be like the woman and be wise and mature. The girl battles back and forth with an inner conflict, two different sides pulling at her final decision; If she has her baby she will ruin her youthfulness and destroy her romantic relationship with the American, but it very well could transform her into a woman who is wise, mature and focused on someone other than herself. The girl is getting tired of the same routine of drinks and a social life and she decides to do something very different. She decides to keep her baby, to become a woman and leave her carefree and childish ways behind. However, the only thing that is standing between the girl and the life she wants for herself and her child is the American.

The plot focuses on crossing boundaries. The two characters, The American and a woman nicknamed “Jig”, are constantly wavering middle grounds. It’s a story about communication and conversation. Though they are having a conversation the couple is not communicating. The story implements ambiguity and subtlety to discuss, though never clearly stated, an abortion. The couple arrives at a train station in Madrid. It is assumed only passing through, they decide to have a drink while they wait for the next train. The woman mentions the hills resembling white elephants and notices the infertile barren land in comparison to the green hills in the valley on the other side of the tracks. There is little conversation till the American man hints on an operation. There is

Time and place are very significant in the story. The author describes where the train is boarded and where it is headed to, but he never tells the reader where the man and woman are at the moment. Hemingway notes that the train "stopped at this junction for two minutes and went on to Madrid" (324). Baker argues that "this limited time symbolizes the time she has to have the abortion" (Baker, 145). Baker further

Ernest Hemingway was an American author and journalist. One of his most famous and controversial pieces “Hills Like White Elephants” is frequently discussed among authors and readers. In this short story there is a girl and a American man sitting at a train station. The girls name is Jig, we come to find out that she is pregnant and that the two are disusing whether to keep the baby or not. They question each other to see if the options would ruin their relationship. Hemingway portrays things to serve as double meanings. Two of the main subtopics and questions formed from this paper is whether or not Jig has the baby. And whether of not the tense relationship between the two lasts. Among the many authors who have their own opinion on what these things mean is, timothy Obrien, who wrote, “Allusion, Word Play, and the Central Conflict in Hemingway’s ‘Hills Like White Elephants”. In his paper he focuses on certain phrases to conclude his belief that Jig does get and abortion and that the relationship between Jig and the American does not last. A professor at Illinois state university by the name of Stanley Renner, author of “Moving to the Girls Side of “Hills Like White Elephants””, does not think the relationship lasts. Although the relationship does not last he believes that the baby does. David Wyche, author of “Letting the Air Into a Relationship: Metaphorical Abortion in “Hills Like White Elephants””, he is not

This imagery of the train station is brought about by more than the actual setting, but rather is corroborated by the presence of bags “against the wall of the station. There were labels on the them from all the hotels where they had spent nights” (Hemingway 592). Hemingway’s choice to mention Jig’s bags is used to further extend the effect of transition, as the bags are covered in stickers, portraying a map of the various places that the couple have been together, both physically visited as well as the many emotional attachments that have grown between the two along their journey. An employee emerges, and offers to move Jig’s bags to the end of the train tracks for her as the train nears. Hemingway’s choice to have Jig’s belongings move towards an end of the tracks creates the effect of another man entering Jig’s life in order to bring her, and her belongings, closer to the decision of what track to choose.

He tells her that she does not have to have the operation, but tells her it is the best thing to do. The girl begins to think, “And if I do it you'll be happy and things will be okay like they were and you'll love me” (Hemingway 107)? He reassures her that he loves her now. Jig is more realistic about the situation and the consequences in front of her. She knows that she is going to make the ultimate decision, although she is asking for reassurance from the American(Short Stories for Students). The girl also knows that regardless of her situation, their relationship might not work out anyway. The choice to abort or not abort the baby ultimately leaves her with the same consequence: life without the American.