Usually if a woman were to present herself to be a powerful being, she 's unpleasant, distasteful, or even exasperating. Women who express their sexual sides are viewed as loose, disrespectful to themselves, or despicable. People often forget that women can be powerful and sexual beings. Women in society, nowadays and even three thousand years ago have always dealt with these problems simply because they are not male. A woman could show complete class, intelligence, and ambition and portray herself to be a powerful or even sexual being and she would still be given a hard time. The Epic of Gilgamesh translated by Andrew George and Monkey translated by Arthur Waley have fantastic examples of women being looked up to for being immortal, powerful, and sexless while other women are looked down upon for having any association with sexual activity regardless of power or being mortal. My ultimate judgment about the view of women in the societies of both of these books is, even though there are very few women that are respected, it is explicit that women who hold qualities of sexual desire are looked down upon more than women who hold qualities of power. Both texts are harsh when it comes to depicting a female character. Shamhat the harlot and Ishtar the goddess of love are both main female characters in The Epic of Gilgamesh, both representing temptresses. Blue Orchid is a female character from the novel Monkey and she is represented as a powerless woman. Shamhat the harlot is
The Epic of Gilgamesh is a tale from ancient Babylon. Its hero, Gilgamesh the king of Uruk, is two-thirds god and one-third man. Throughout the epic, which consists of three stories, the character of Gilgamesh is developed. This is accomplished by changing the vices he possesses at the start of the epic, and replacing them with virtues he receives by its completion. “A virtue is a quality of righteousness, goodness, or moral excellence; any good quality or admirable trait of a character.” (Halsey Collier’s Dictionary 1114) “A vice is an immoral or harmful habit or practice; fault or fall” (Halsey Collier’s Dictionary 1111). Gilgamesh is not the only character in the
The Epic of Gilgamesh contains several instances where women are regarded as objects that solely provide men with pleasure, specifically with the story of Shamat and Enkidu. In the beginning of the epic, the story is introduced with the creation of Enkidu and his transformation into a human being; a vital part of Enkidu’s transformation being a woman named Shamat. Shamat acts as the bait or lure that leads Enkidu out of his animalistic lifestyle, and causes him to become human. In order to do so, Shamat is told to do sexual acts that will arouse Enkidu. For example, the
Justice is described as a concept of moral rightness based on ethics, rationality, law, natural law, religion, fairness, or equity. The people of ancient Egypt and ancient Mesopotamia also believed and relied on this concept. Rulers, if not fair and just, were often eliminated by their subjects or their enemies. There were many great kings and pharaohs of the ancient age that were just to their kingdoms, and these often went down in history. Yet, those kings and pharaohs who were blinded by their own selfishness often became just as famous. Two men, Akhenaten of ancient Egypt and Gilgamesh, king of Uruk, were such rulers. They were powerful and cunning individuals, yet they let their own selfish nature ruin the ability to be a great
Ishtar, the goddess, is a powerful woman as if to recognize the power of women as they give life to men through their love as well as their ability to destroy men. The name goddess normally would represent a majestic and noble woman of power. Ishtar however, is portrayed as the complete opposite in The Epic of Gilgamesh. She is portrayed as one who uses the characteristics of a prostitute to lure in the man that she wants, which at the time is Enkidu. Ishtar is told “make your breasts bare, have no shame. Let him see you naked, let him possess your body” (Sandars, 3), “she was not ashamed to take him, she made herself naked and welcomed his eagerness” (Sandars, 4). The story talked about how Ishtar would go for the men she wants and would throw them away after she gets what she wants. This is rather the opposite of how women during the times of this story were. Women were used by men and not the other way. The creators of this epic portrayed Ishtar this way to show the power of women being able to seduce men to have their way.
What if women ruled the world? The question does not seem so strange today as it may have back in 2500 B.C.E., an age when people tell stories of the Great King of Uruk--Gilgamesh. Although the story of “Gilgamesh” revolves around themes of masculinity and brotherhood--with its male prerogative, its composers develop several strong female characters which suggest women have great influence in a male-dominated, Mesopotamian society.
One of the most fascinating pieces of literature, The Epic of Gilgamesh, deals with and explores many of the problems humans have wrestled with for thousands of years. Even though the text does not explicitly answer any of the questions it poses, it gives clues that point to the answers. One of these questions, the dilemma of whether to act based solely on a person’s intuition or act based on reason and advice, occurs regularly in the text. Throughout The Epic of Gilgamesh, characters have success and failure when they act based on either their intuition or using reason, but the epic clearly points out, through examples, that acting based on reason instead of intuition constitutes more success in all facets of life.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
Further analysis of the poem The Epic of Gilgamesh, described the characteristic of king Gilgamesh from the beginning, middle, and end. Throughout the poem, there are immature and petrified moments of Gilgamesh, but more importantly he learned to grow as he explore his journey. Friendship, love, and fear appears to be essential in this poem. Why are those terms relevant ? and how does it connect with the trait of Gilgamesh ?, let’s continue to find out the truth about Gilgamesh.
The maturation of Gilgamesh and his desire to acquire wisdom throughout his journey is quite apparent. By overcoming difficulties such as upholding Uruk, becoming friends with Enkidu, and various other scenarios, Gilgamesh proves that he did in fact grow up throughout the epic.
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
The Epic of Gilgamesh, a Mesopotamian epic poem with no known author, is the story of the brute King of Uruk, Gilgamesh, who was two-thirds divine and one-third human, which teaches readers the unstoppable force of death, the wrath of the gods, and also the power of friendship, which are illustrated to readers through the characters journeys, and those encountered along the way. The poem, which is divided into twelve tablets, starts off with Gilgamesh being a vicious tyrant, one who “would leave no son to his father… no girl to her mother”(Gilgamesh 101), and as for newly married couples “was to join with the girl that night”(Gilgamesh 109) transitions to by the end of the story an entirely new man.
People have been fascinated by tales of heroism for centuries. In ancient Mesopotamia, heroes give people hope and comfort, and fill them with strength. Ancient Mesopotamia is filled with tales of heroes- mighty warriors battling monsters, men ready to risk life and limb to save their true love or to fight for their nation. Still, there is a great difficulty that lies in defining what a hero truly is. Strength alone does not make a hero; nor does intelligence. Moreover, the Epic of Gilgamesh truly defines the definition of a hero. Gilgamesh is portrayed as a true hero through his skill, intelligence, willingness to die, reverence, and his respect for death.
The Epic of Gilgamesh renders women as subordinate to men through the characters Shamhat and Ishtar. In this epic, Shamhat is a prostitute and must obey men’s wishes. As Gilgamesh wants to civilize Enkidu, he tells the hunter, “Take with you Shamhat the harlot, when the wild beasts draw near the water hole, let her strip off her clothing , laying bare her charms” (103). Although it is a part of Shamhat’s job to do what men want, Gilgamesh speaking about controlling her actions suggests that he believes women should always defer to men. Furthermore, Gilgamesh insists Enkidu have sex with Shamhat in order for him to become a man (104). This emphasis on virility
In both The Epic of Gilgamesh and The Tale of Genji women play a very important role. In a time were men were considered to be leaders, fighters, and the powerful decision makers, it was the women behind them that supported, advised, and took care of them. In the ancient times females were considered dominate over males because they had the ability to carry a child and continue human life. These two tales show us the important roles that women played and the vulnerability of women in a male dominated world. In each story women are considered as important characters, but each story portrays them differently.
In The Epic of Gilgamesh the lines that are repeated at the beginning and end of the epic show that only immortality a human can gain lies in creating things that last beyond a person’s lifetime. While at the beginning of the epic Gilgamesh is seeking eternal life, when he concludes his journey he realizes that he has created an enduring legend through the foundation of his city, Uruk. Through this legend, Gilgamesh can live on in the memory of his people, long after he has passed away. The epic is able to convey this message multiple ways. The opening lines immediately introduce and impress upon the audience the importance of Gilgamesh, and the significance of his kingship. The epic continues on to describe the city of Uruk, with special consideration given to the walls surrounding Uruk. 3. Finally, the ending repetition of the lines shows that Gilgamesh has become aware of the legacy he has created in Uruk, and and accepts that in lieu of immortality. okay so these are the three? points you are talking about in your paper? make sure they match up with your paragraphs proving them and are not so vague