The Fall of the House of Usher by Edgar Allan Poe

In Edgar Allan Poe’s “The Fall of the House of Usher” there is dense symbolism that surrounds the house that may lead the reader to infer many conclusions about Roderick himself. Perhaps the most interesting understanding comes in the femininity that is present in the story. Poe uses very specific descriptors in the story, many of which seem to indicate the gentle, soft, delicate features of woman. These substantiations seem to be interconnected in opposition to death, and by the end of the story, they overwhelm any masculine threat that appeared in the story. The pervading presence of woman in the interior and exterior of the Usher Manor is indicative of Roderick’s feminine qualities. Ultimately, Roderick’s inability to deal with his

Poe uses the house metaphorically to show how the usher family's mind is unstable and how they isolate themselves from the outside world. The narrator himself deals with the insanity of Roderick Usher, who was one of the two survivors living in the house along with his twin Madeline. Poe's story starts with a really long sentence recording the

In “Fall of the House of Usher”, Edgar Allan Poe uses parallels between Roderick Usher and the House to illustrate how one affects the other. The House particularly compares to the physical appearance with Roderick Usher. To illustrate, Rodericks physical appearance is crumbling, much like the Houses “crumbling condition of the individual stones” (Poe 323). With human like qualities, the Houses “vacant eyelike windows” are a direct parallel to Rodericks “large eye, liquid and luminous” (Poe 322-324). In other words, the Usher family is so connected to their home that Roderick begins to physically look like the worn down, dark and mysterious House that is his abode. Not only does the House have similar physical parallels, but Rodericks

When writing “The Fall of the House of Usher,” Poe used the setting outside of the mansion to illustrate the theme of the fear of death. From the outset, the Rodrick Usher’s home is portrayed in a way that gives the reader a feeling of alarm. For example, the narrator mentions the house gives him a feeling of “insufferable gloom” (Usher 1). By pointing this out, the reader begins to feel on edge as the connotation of “gloom” is unwelcoming and distressing. The home is also said to have “vacant eye like windows” (Usher 1) which make the narrator

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

Another story told in the first-person, “Fall of the House of Usher” is told from the perspective of an unnamed narrator, as he visits a childhood friend, Roderick Usher. The only other major character in the story is Madeline Usher, Roderick’s twin sister. The story takes place in Roderick’s manor, which has fallen into a state of extreme disrepair. The narrator takes note of this dilapidation, and the estate’s condition becomes a key theme in the story. Roderick’s quarters are dimly lit, with barely any light coming in through the windows. Later in the story, a severe storm hits, and the Narrator is in his room as the estate weathers it.

Edgar Allan Poe wrote, "The Fall of the House of Usher", using characterization, and imagery to depict fear, terror, and darkness on the human mind. Roderick and his twin sister, Madeline, are the last of the all time-honored House of Usher (Jacobs and Roberts, pg. 462). They are both suffering from rather strange illnesses, which may be attributed to the intermarriage of the family. Roderick suffers from "a morbid acuteness of the senses"(464), while Madeline's illness is characterized by " a settled apathy, a gradual wasting away of the person, and frequent all though transient affections of a partly cataleptical character"(465) which caused her to lose consciousness and feeling. The

Roderick Usher is a victim of circumstance. The House he has known his whole life seems to have turned against him. Poe

Hence, Poe appropriates a setting that seems to contaminate the characters. Just as the atmosphere and landscape seem translated into the characters, the house, as another primary feature of setting, functions as a symbol for the Usher family. The narrator even mentions initially that “House of Usher” had come to represent both family and home. Therefore, the house itself can be seen as an embodiment of the family. Poe emphasizes this symbolism by personifying the house, providing it with the anatomy of humans: “eye-like windows” and clothing: a “veil.” Moreover, the house is deteriorating just as the family is. The Ushers, Roderick and his sister Madeline, have no relatives, only themselves, and both are suffering with unusual illness. Finally, after Roderick and Madeline die, likewise the house completely breaks apart, characterizing the fate of the family.

Edgar Allan Poe became an author that has grasped the importance of language in his short stories to form the perfect mood and the ability to affect his readers emotionally. In the short story, The Fall of the House of Usher, a man decides to go on a trip to reunite with a friend from his childhood, who suffers from an unknown illness. During the visit, bizarre events occur while staying in his friend’s home. This short story allows Poe to use hints of horror and gothic prose to drive the protagonists into constant mental distress and eventually driving them to madness. Poe incorporates horror and gothic prose such as the unsettling description of the setting, demise, and the fear of paranormal slowly will creep fear upon his characters

The "fabric gave little token of instability"-- or the mansion itself did not tell of the turmoil it concealed. The story takes place in autumn, a season associated with death. When the story's tension is about to reach its crescendo, a storm comes up, a "rising tempest." This is a symbol for the "tempest" brewing in Roderick Usher's mind. Poe's use of foreshadowing is just enough to clue the reader into what will happen, but not enough to give it away.Character traits are displayed through how the setting affects, influences, and reveals the characters.

The opening of the story depicts and sets the gloomy atmosphere of the short story “During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone” (Poe 109). That is, rather than having the transcendentalist ideas that build to an optimistic ending, The Fall of the House of Usher presents a lifeless plot that comes to be gloomier as the story develops. For instance, the description of the house and its residents are presented as a sarcastic criticism of that

Faithful to the principles of the author, the first detailed words of description of the setting announce the decadent character of the composition- “All the main lines of action are supported by a systematic elaboration of detail” (Robinson, 79). The Fall of the House of Usher begins with the description of the place where all the facts of the story will develop: “It was a dark and soundless day near the end of the year, and clouds were hanging low in the heavens… through country with little life or beauty; and in the early evening I came within view of the House of Usher” (Poe, 22). At exterior levels, the presence of a crack crosses the whole structure of the house: “a crack making its way from the top down the wall until it became lost in the dark waters of the lake.” (Poe, 23). The dark aspect is present in the obscure interiors of the house: “Dark covering hung upon the walls. The many chairs and tables had been used for a long,