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The Help Movie Analysis

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The Help Review Racism was and still is a very prevalent problem, especially in African-American communities. The Help, a novel by Kathryn Stockett, represented racism in the 1960s very well. In 2011, the novel was adapted into a film by Tate Taylor. The Help is a touching and well-written film, that is in some ways better than the book. In general, the film The Help would not have been as successful as it was if it did not have a solid plot line. The movie revolves around the racial issues tackled by a white twenty-year-old lady named Eugenia Phelan, known by her friends as Skeeter, a black maid named Aibileen, and another black maid named Minny. After being raised in Jackson, Mississippi, an incredibly segregated city during that time, Skeeter decided to write a book of interviews revealing how life as an African-American was at that time. Even though she was going against social norms and was eventually outcast by all of her friends, her courage and determination pushed her to continue writing until the book was published. The plot of the movie was thoroughly thought out and realistically showed both sides’ perspectives in Jackson. Although the plot of the movie was very suitable, the plot of the book was arguably better. There were a few minor details that added to the character development and allowed the book to be more interesting. For example, in the novel, Celia did not tell Minny about her pregnancy, which added to the suspense when she had the still-born baby. Although both of the plots were fascinating, the novel’s plot was slightly more comprehensive than the film’s, making it stand out more. Furthermore, the set of The Help played a key role in the storytelling of the movie. Fancy cars lined the streets and whites-only signs dotted the walls. The set spoke for itself; the humble, squalid homes of The Help paled in comparison to the extravagance of the white women’s homes. They provided an obvious example of the inequality that took place during the story. Simply put, the hard-working help had much less than the privileged white women, and the sets allowed us to quite easily visualize the situation. In the film, the racial differences in Jackson do not need to be described; we can

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