The Ideal Of Femininity In Tanenbaum's Slut !

In today’s society, it seems that there has been an increase in the word slut. Girls are depicted as either good girls or prudes that “save themselves till marriage” or bad girls or sluts who are very sexual and promiscuous. They are either labeled as prude or sluts, which are both derogatory terms. We have begun to take away the idea of someone being a victim, and this idea of victim blaming stops. Films have helped embed this within our culture. In horror movies women, are killed for having sex; in comedies, women are called sluts and whores for being too flirty. This has caused society to believe it is okay to call women sluts. Slut shaming in movies turns high schoolers into bullies and college men into perverts. This causes negative effects on all women. This also creates a rape culture that we have been hearing about in the news, dealing with main actors/actresses, movie producers, politicians. Women are not allowed to be sexual human being, so that’s when they are labeled as sluts and men use that idea of them being a slut as their chance to rape a women and victim blame the women for being sexual.

The Purity Myth: How America’s Obsession with Virginity is Hurting Young Women is a book by Jessica Valenti which contains research that shows that there is a prevalent false notion promoted within the United States that a woman's worth is dictated by whether or not she is sexually active. She argues that the country’s intense focus on chastity is damaging to young women and claims that girls remain virgins until they are married. She accomplishes this by putting into context the historical question of purity, modern abstinence-only education, pornography, and public punishments for those who dare to have sex. The Purity Myth presents a revolutionary argument that girls and women are overly valued for their sexuality, as well as solutions

What is even stranger is that women fully enforce this sexual double standard. Over 99% of woman agree that women enjoy sex as much as men do, yet when asked to describe a woman who has had many sexual partners, over 59% percent of women used words that fell under the negatively connotative ‘Promiscuous’ category, using words like “slut,” “cheap,” “loose,” “whore,” “easy,” and “dirty.” Twelve percent of women even used words that would suggest that sexually liberal woman are psychologically damaged, using words like “insecure,” “lonely,” “desperate,” “needy,” and ‘unfulfilled.” Only 8% of women tagged a sexually liberal woman in the more positive category of “sexually focused,” the respondents feeling that “these women were uncommitted and focused on sex rather than the relationship” (Milhausen and Herold). In addition, “Women were more likely to discourage a female friend from dating a highly experienced male that a male friend from dating a highly experienced female” (Milhausen and Herold). This fact furthers the case for women’s involvement in maintaining the double standard. In a one study researchers found that “Women will endorse a sexual double standard in which women are judged more

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenage girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug when he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White). As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected they can become from their children in a social media world.

Throughout the book, Bogle places particular attention to gender differences. Supporting Bogle’s findings, there is still a double standard for men and women. Participation in the hookup scene is risky for women, while men have few, if any risks. Women who behave too “sexually” in the hookup culture have to recognize that there are repercussions. These repercussions include damaged reputations, being labeled, and being ostracized by peers. Women can get labeled, damage their reputations, or ostracized by having too many partners, hooking up with two guys that know each other well, dressing in a seductive manner, constantly hanging around a fraternity house, or drinking too much.

In the book, Slut!—Growing up Female with a Bad Reputation by Leora Tanenbaum, she collects a multitude of testimonies from women who have been subjected to sexual harassment, physical abuse, rape, incest and slut-bashing from all ethnicities and locations around the globe. One astonishing truth approaches you at the beginning of the book. Tanenbaum enters a table that shows the positives and negatives of being a sexually active man and a sexually active woman, unfortunately the truth is absolutely ludicrous. The table states a total of two positives of being a sexually active woman; hot and sexy. On the contrary, it states three negatives for sexually active men, compared to the twenty-eight negatives for sexually active women. This list consists of names from “slut” and “Jezebel” all the way to “prostitute.”

Media influence has caused beauty to evolve into ideals that can’t actually be attained. In addition to this, women are objectified and seen as sex objects, being sexualized by men without consequence due to the normalcy the media has created for genders. In fact, men are even encouraged to sexualize women. During her TEDTalk, Kilbourne presented a photo of an adolescent boy wearing a shirt that stated “pimp squad,” showing how our society is comfortable with men sexualizing women from a very young age. In contrast, women are labeled as sluts or whores without even engaging in sexual activity. I, for example, have been called a slut for wearing leggings, merely talking to a guy, and even wearing shorts— in the summer.

For decades women have been belittled by men. However, history shows that men ain’t sh*t. . Who stripped women of their rights? Men. Who degraded women for centuries? Men. Who did not want women’s rights? Women. Who continue to objectify women based on how many people they are involved with? Women. The objectification of woman has been proven to not be one sided but come from women themselves also. Kurt Vonnegut's short story of “Miss. Temptation” displays the life of a ravishing young woman named Susanna. Men desire her; Woman despise her. She is portrayed as a loose promiscuous woman. Despite the fact that these individuals know nothing of her personal life. Showing how easy people

The theory being tested in the article is that women participate in slut shaming as a way for them to distance or separate themselves from other women. The reason they separate themselves is a way for women to categorize other women into different statuses and a way for themselves to maintain their own status. The status classes women are categorized in are linked to the social class they are a part of. Slut shaming among women is not necessarily based on their sexual acts, but of the way they act as a woman. The theory also states that slut shaming is also a result of male dominance and female submission. The slut label was created by men due to a double standard created by society. The double standard is that men are expected to act upon their sexual desires regardless of being in a relationship or having any emotional connection with the person they’re engaging that sexual act with all while women are only allowed to participate in sexual activities if they are in a loving and committed relationship. However, if

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

This essay will look at how various forms of media examine female and child offenders, and how these same criminals can also be viewed as being victims. The media is able to shape the way the public perceive a certain criminal through aspects such as personal information, history of violence and appearance (Fries, 1820). Therefore, creating the opportunity to generate a media story in which the ideal criminal is involved. Included within the essay will be how the medias fixation with gendered and social norms can cause a female or child offender to be considered as being depraved. Also, this essay will demonstrate how today’s media supports the now discredited theory of criminologist, Cesare Lombroso, that asserted physical attributes

This binary relationship manifests itself in Levy’s work in another way, as well. Toward the very end of the book Levy claims she has no complaint against women who do gain genuine sexual pleasure from “their vaginas waxed, their breasts enlarged” (Levy, 198). On one hand, Levy recognizes that sexuality is personal and that everyone’s own experiences and preferences are unique. Yet at the same time, by drawing the line between “authentic” and “fake”, she must impersonally interpret these experiences in order to classify them as “problematic”. This desire to judge yet not judge women’s sexual nature represents an underlying tension within the book that threatens to unravel her arguments.

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenaged girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug while he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White) As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for the today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected parents become from their children in a social media world.

This construction reinforces control over young women’s sexual expression. Faus highlights how it forces women to partake in this patriarchal culture where women’s bodies are under control

In the chapter of her book The Second Sex entitled “the Woman in Love,” Simone de Beauvoir characterizes the romantic ideal of the relationship with a man as a woman’s purpose as a form of self-deception (translated here as “bad faith”). The self-deception de Beauvoir describes is based in the thesis of The Second Sex. This is the idea that women have been deceived into believing that they are second-class humans. Western culture, according to de Beauvoir, teaches us that women are missing some elusive element of the self that endows men with freedom- a concept essential to the existentialist definition of the conscious being. Therefore, a woman can never find fulfillment as a thinking person as