The Importance of Act 3 Scene 3 to William Shakespeare's Othello

Fear of cuckoldry is widely known theme in medieval and Renaissance English literature. Fear of cuckoldry was also a widespread fear in English society during those eras. Men often treated their wives as possessions. Once men and women married, divorce was almost impossible, especially since it was almost impossible to prove that one had been cuckolded. If one were cuckolded and one’s wife had another man’s child, one might spend decades taking care of that child and passing on one’s money and belongings to that child without ever knowing that one had been deceived. Unmarried women are seen as their fathers ' property and the play 's two marriages are marked by jealousy and cruelty. Most

“Man cries, his tears dry up and run out. So he becomes a devil, reduced to a monster” (Kohta Hirano). In Act Three, Scene Three of William Shakespeare's Romeo and Juliet, Friar Laurence, the holy father of Romeo, informs Romeo of his punishment from Prince Escalus and then Romeo lies on the floor weeping in regret. In this monologue, Friar Laurence is exhorting Romeo to stop being pessimistic and reminds him of the things that he should be grateful for; the friar also sets up a plan for the future that will lead Romeo back to Verona.

In Othello every character has their own personalities that makes them the person they are. In Othello there are characters that show true grit, a fixed mindset, and a growth mindset. Each characters are different which makes the book even more interesting. True grit means to endure and push through to do something better no matter what it takes. An example of grit is studying for a long period of time for a test and enduring the amount of work that must be completed. The definition of mindset is the established set of attitude held by someone. There are two other types of mindset as well. There is growth mindset and fixed mindset. Growth mindset is when the person isn 't

In Othello Act 3, the plot is able to advance with the introduction of Othello's internal and external conflict forcing him to make a decision. In scene 3, Othello faces an internal conflict after hearing from Iago that he had seen Desdemona and Cassio lusting for each other grew worrisome. He questions Desdemona virtue contemplating if his “wife be honest” or “think she is not” (385-386). Othello inner self struggles with the idea of the his first love Desdemona with someone else. This allows for jealousy to shroud over Othello’s thoughts and choices. This internal conflict allows to advance the play by making Othello make rash decisions on what he believes to be true. Furthermore, in scene 4 Othello now doubtful and full of suspicion,

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

am’. It is not very clear on what Iago means as he does not make it

When pairs of texts are considered together, their universal themes and ideas lead to greater understanding, appreciation and insight of both the old and the new. The texts Othello, William Shakespeare (1600) and Othello, Geoffrey Sax (2001), ring true for this statement. Despite the differing contexts and ages, the universal themes of racism and betrayal bring new meaning to each of the texts. The primary meaning from the juxtaposition of the two is that of the human condition, and how the problems faced in the 17th century are faced in modern times.

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

that he may have pushed his luck a little bit says, 'My lord, you know

Act 1 Scene 1 as an Effective Opening to Othello The play begins in a dark street in Venice and the audience is thrown into a heated debate between Iago, a soldier and Roderigo, a wealthy Venetian. Roderigo is rejecting, 'Tush, Never tell me', what Iago has just said and is angry as Iago has not informed him that Desdemona has eloped with Othello, a black general hired by the city of Venice to protect it from the Turks. Iago has been apparently helping Roderigo win Desdemona's, daughter of the rich merchant Brabantio, heart, in return for money 'Iago, who hast had my purse As if the strings were thine'.

Act III Scene 3 of Othello reflects the true mastery of Shakespearean plays that transcends throughout history. Shakespeare asserts sentence structure, topics and themes, reveals the scene’s purpose, and depicts the importance of Iago as a character in this scene.

After the play within the play, Shakespeare uses the rest of act 3 to deepen our understanding of some characters and to deliver some compelling plot twists. The first twist comes in scene 3, when we are shown that Claudius, the villain of the piece, has a conscience. CLAUDIUS: “. . . Pray can I not, Though inclination be as sharp as will: My stronger guilt defeats my strong intent.” NARRATOR: Hamlet arrives, determined to exact his revenge until he reasons that killing the king at prayer sends his soul to heaven. Hamlet stays his hand, giving us the second twist—a dose of dramatic irony, a contrast between what a character thinks and what the reader or audience knows to be true. We know that Claudius is not praying, and that Hamlet spares

The scene that I chose to illustrate and direct was act 4 scene 1, when Othello slapped Desdemona. Here you can really grasp Othello’s controlling attitude as he insists on Desdemona lying, even though she didn’t know what she was necessarily lying about. We really witness the manipulative portion of Othello’s personality, and that’s why I'm focusing on this scene.

important scene where the play’s main themes of jealousy and doubt surface. Through Iago's way of displaying subtle but effective implications in speech patterns and mannerisms, it draws Othello's inner conflict to start and eventually take a hold of him as the play continues. The subconscious worries of Othello become known, not only through Iago's words and unsupported claims, but by filling his mind with the image of doubt envisioned as Cassio. Taking form of his worries, Iago plays the mirror reflecting Othello's inner fear and Cassio as the physical form of all his apprehensions. This scene reflects the most hidden parts of Othello in a way where his future actions become a direct result of this scenes affect and conclusion. Those that believe Iago to be the one to set up Othello's future endeavors and downfall are mistaken in the realization that Iago mirrors Othello's own self in worries and fears. The role Iago has in this scene is not one to manipulate Othello into believing what's not there but to believe what's there by Othello's own mind.

Iago is the manipulative villain in the play and cause Othello to be jealous. “I hate the Moor, And it is thought abroad that ‘twixt my sheets he has done my office. I know not if’t be true, But I, for mere suspicion in that kind, will do as if for surety” (1.3 430-433). Iago reveals his motivation to destroy Othello as there’s a rumor that Othello is sleeping with his wife, Emilia. This rumor caused only more hatred towards Othello. Later on, Iago had malicious plan which involved to create an illusion of Desdemona and Cassio sleeping with one another. Also, he used the handkerchief as a way to show affair of Desdemona and Cassio’s relationship. “Trifles light as air. Are to the jealous confirmations strong. As proofs of holy writ. This may do something” (3.3.370-372).Handkerchief symbolizes the love of Desdemona and Othello. It shows how much they care for one another. Iago realizes the significance of the handkerchief and takes advantage of it. Iago saying that the handkerchief is in Cassio’s possession shows that Desdemona is faithless. Losing the handkerchief was the push that drove Othello to become a violent and vengeful