The Irony Of Optimism In Voltaire's Candide

Cunegonde was a beautiful young woman, she was the daughter of the Baron, and is constantly being pursued by Candide throughout the whole story-which really is about him finding his way back to her the whole time. Cunegonde grew up in the Castle of Baron Thunder-Ten-Tronckh which was located in Westphalia. She grew up rich, getting all the nicer things in life, and didn’t have to worry about anything until one day, Candide got banished from the castle and that’s where it all started going downhill. Cunegonde was separated from Candide, her home got attacked, and her family was murdered. From there, Cunegonde is passed around through a couple of men: The Bulgarian, Captain Don Issachar, The Grand Inquisitor, Don Fernando, and others. Candide ends up feeling like she isn’t as beautiful after he gets her back in the end, and really just is not attracted to her like he used to be. In fact, in the end, there is a description of how ugly she really is while she is running to Candide after their time apart. There is also a line that says “in fact, Candide had no real wish to marry Cunegonde” (Voltaire 411) when in the beginning he talks about his love for her non-stop. But now that she’s been raped, abused, and used for whatever, he thinks she’s ugly and really doesn’t want to marry her but thinks that it is a good decision. At the same time, Cunegonde understands that she isn’t very powerful and doesn’t have a lot of options. So, if she wishes to survive, she must use her beauty to her advantage. Women in the 18th century didn’t have a lot of options if they wanted a “good” life after marriage. They married someone who could take care of them since they legally couldn’t have jobs. This quote “A women’s gender and marital status were the primary determinants

Voltaire’s Candide can be understood in several ways by its audience. At a first glance it would appear to be simply a story blessed with outrageous creativity, but if you look deeper in to the novel, a more complicated and meaningful message is buried within. Voltaire uses the adventures of Candide as a representation of what he personally feels is wrong within in society. Written in the 18th century (1759), known commonly as the age of enlightenment, Voltaire forces his audience to consider the shift from tradition to freedom within society. He achieves this by exploring the reality of human suffering due to

Enlightenment philosophers wanted concrete, tangible proof to back their ideas. Pangloss, Candide’s friend and teacher, is a character that depicts the metaphysical side of the Old Regime. He is an optimist who believes that there is no effect without a cause and that everything is made for a reason and with a purpose. Voltaire portrays Pangloss as naive. Pangloss finds himself in trouble for studying and exploring the world before he becomes sure of himself and his ideas. Even after Pangloss’s troubles, he still refuses to stray from his thoughts and would rather believe his ideas than face reality. Another character that is depicted as naive and optimistic is Cacambo, Candide’s servant. Cacambo consoles Candide after his loss of Cunegonde. Cacambo claims that God takes care of all women and that they will never be at a loss. But Candide knows the sufferings that Cunegonde and the Old Woman have experienced. Cunegonde was bought, sold, and objectified throughout the novel, along with the Old Woman, who was beaten, raped, and treated with

  In its time, satire was a powerful tool for political assault on Europe's corrupt and deteriorating society. Voltaire's Candide uses satire to vibrantly and sarcastically portray optimism, a philosophical view from the Enlightenment used to bury the horrors of 18th century life: superstition, sexually transmitted diseases, aristocracy, the church, tyrannical rulers, civil and religious wars, and the cruel punishment of the innocent.

Candide studied under Professor Pangloss, who taught him, we live in the best of all possible worlds. In the beginning, Cunégonde seeks out to have affectionate affairs with Candide. Unfortunately, they were discovered, which caused Candide to be ejected from the castle. This could symbolize the Biblical Fall. Like Eve, Cunégonde comes across the forbidden knowledge of sex and shares it with another person.

In the novel, Voltaire shows that Candide also expresses tyranny touching upon the values of power of reason and progress and potential. A specific scene on progress and potential states “He then informed the Baron that he was going to marry his sister. ‘I shall never allow her to disgrace herself so meanly,’ said the

When propositioned by the governor Cunegonde must decide between staying faithful to her love, Candide, or being the governor’s mistress. Her companion, who is simply named the Old Woman, offers this advice. …

At the beginning of the novel we are introduced to the character of Cunegonde. From the beginning Voltaire shows no interest in her. Instead of describing the type of person she is, Voltaire merely addresses Cunegonde as "plump, alluring"(Voltaire 18) and "extremely beautiful"(Voltaire 18). By being depicted as alluring it makes her seem like a temptation to men.

But now, with money in hand, he doesn’t have to worry that much, and he has so much more free time. Candide will do something that has nothing to do with finding Lady Cunegonde, and that is caused by boredom. For example, Candide and Martine decide to visit Signor Pococurante. The reason they decided to do this is because they heard that he “never known sorrow and trouble” (98), and Martin would “like to see such a rare specimen” (98). It’s like when you are bored, and there is something that interests you, so you decided to

Violence has been interpreted in various way by authors as the centuries have gone by. In Candide, Voltaire paints a picture about violence in the 17th century as war that continues to rage over centuries between empires with the main protagonist Candide, and his fellow members being subjected to all kinds of hardships as they themselves become casualties of war. In the Dew Breaker, Danticat discusses the extent of the everlasting damage, both physical and psychological, that is caused by totalitarian regimes, such as the Duvalier’s in Haiti in the 1970s. The central character in this story, The Dew Breaker represents an individual that is the product of such regimes, with his cruel and sadistic past as a torturer epitomizing violence. On the

Enlightenment thinkers wanted tangible, concrete evidence to back their arguments. Pangloss based his arguments on nothing. Voltaire portrays him as naïve, scorning him for not experiencing and studying the world before he becomes firmly planted in his ideas. Even after Pangloss experiences the evil ways of the world, he refuses to change his philosophy. Pangloss would rather preach something attractive to the ear rather than reality. Candide’s servant Cacambo also speaks of false optimism as he tries to console Candide over the loss of Cunegonde. He says that women are never at a loss and that God takes care of them. However, Cunegonde and the Old Woman both experienced brutality and suffering many times over in their lifetime. Cunegonde was bought, sold, and treated like a possession throughout the novel. She and the Old Woman were left vulnerable to molestation and treated like objects. The only hint of optimism in Voltaire’s novel is when Cacambo and Candide stumble upon the country of Eldorado. However, this optimism is quickly distinguished when the two men foolishly trade such a perfect society for jewels, gold, power, and influence. Eldorado is a country in which there is no organized religion, no courts or prisons, no poverty, and complete equality. Even the king is treated as a normal citizen. Candide overlooks the fact that this is a perfect society because of the ideals they practice, and believes that the riches are the most

Voltaire uses a lot of sarcasm to explain how he views the world. He believes that it is not just enough to believe in some values and morals. What is important is that the actions of a person ought to reflect on their beliefs perfectly. Voltaire goes ahead to argue that the experiences of life are vital to the functionality of reason. Meaning that the knowledge one will have is dependent on their experiences in life.

But still, he is optimistic about the world. Without Cunegonde, I believe, that Candide would not so readily accept Optimism. His love for her is so strong that it renders Candide naïve to the world’s horrors.

Voltaire also illustrated in Candide that society as a whole places more emphasis on physical appearance than on inner beauty. Throughout much of the story, Candide is obsessed with the idea of being reunited with Cunegonde. Candide speaks of how beautiful his future bride is and of how much he really loves her. As the story concludes, Candide is reunited with Cunegonde only to find that she has become ugly. Candide has a change of heart and

Voltaire’s Candide is a satirical fiction that was meant as both an insult and a criticism to the wealthy nobility and the Catholic Church. Voltaire, major voice during the Enlightenment period, had a wide spread influence from England and France to Russia. Candide was massively circulated throughout Europe. Voltaire used Candide to offer his opinion of what was wrong with society: being that the wealthy were ungrateful, selfish people and the church was a ruthless, maniacal super power.