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The Laugh Of The Medusa Essay

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Toni Morrison, the 1993 Noble Prize Awardee, for literature became the first African-American and first American women to be so honored. The conferment of the highest honor is not only a personal triumph but also the recognition of the artistry of Afro-American fiction and the validity of the black woman's voice. Her work fills those voids, gaps and silences that have never been articulated in literature. They were the silences of the black women which got their voices in her fiction to make it a feminine discourse. Helene Ciaos in her book The Laugh of The Medusa writes,
If woman has always functioned "within" the discourse of man, a signifier that has always referred back to the opposite signifier which annihilates its specific energy and …show more content…

These two activate her feminine text for radical dissidence and linguistic revolution. Rigney remarks that "Blackness as metaphor for Morrison .........embraces radical identity and a state of female consciousness , or even unconsciousness ,that zone beyond the laws of white patriarchy in which female art is conceived and produced "(Ibid .,p.4 ) . In a way her fictive world becomes what Ann Rosalind Jones sees as, “an island of hope in the void left by the deconstruction of humanism .............a powerful alternative discourse .............. to write from the body is to recreate the world " (Ibid). Morrison fashions the world in her own style. She marks the areas of difference between black and white women writing. She says, "there is something inside black women that makes them different from other people .It is not like men, it is not like white women.” In an interview with Russell she confesses, "I write for black women. We are not addressing the men, as some white female writers do. We are not attacking each other, as both black and white men do. Black women writers look at things in an unforgiving /loving way. They are writing to re -posses, re-name, …show more content…

She makes a humanistic approach to the art of fiction-writing. She is conscious of herself, her community, the white world all around. She is a novelist with a conscience and a commitment. She cannot keep herself away from her community-and she knows that her community has been suffering humiliation and exploitation at the hands of white masters. So she has to bring in the white exploiters, the cruel masters into her fiction. She does not present a direct confrontation between the black and the white. That is, the poor black deprived community has no weapons and no slogans against the white lords. They even cannot raise voice against their oppressors. The black people especially women have to suffer and suffer quietly and patiently. Toni Morrison gives a mighty voice to the deep silent sufferings of the black people. For the first time she gave voices to the feminine silences that had ragged their consciences. In this respect, she becomes not only conscience of her community, of her black female characters but the conscience of the whole mankind.
Toni Morrison has expressed what had never been expressed before in poetry or prose. The silent sufferings, particularly of the female tribe, are not exaggerated- the facts are presented daringly though very painfully. The female tribe is given central position in all her novels. “I am valuable as a writer because I am a woman, because women, it seems

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