From a towering architectural manifestation stationed in Saint Petersburg, a television surveillance system labeled “Big Brother,” and the everyday global positioning system located in handheld devices, the Panopticon in all forms has been an attempt at total surveillance. In order to understand the literal and metaphorical panopticons as concepts of total surveillance, we must first define their most prominent features and components, which include geography, cost and benefit. This can be done by examining the generality of the Panopticon’s nature, the concept behind the making, how people can better understand concepts, and both the literal and metaphorical forms of the panopticon. Over two centuries ago, a man by the name of Samuel Bentham
Johnson asserts that surveillances that are further promoted by increased use of technology for gathering data undermine the citizen’s ability and potential for democratic citizenships. As such, living in a panopticon implies that persons have limited space of independently developing themselves.
“Government exists to protect us from each other. Where government has gone beyond its limits is in deciding to protect us from ourselves”(Reagan). In the book, 1984, Winston recognizes the power the government has over the citizens of Oceania. The citizens lack privacy from the government. George Orwell warns society about a government with total control in 1984. Based on Dana Hawkin’s article, “Cheap Video Cameras Are Monitoring Our Every Move”, as well as Beech Etal’s, “The Other Side of the Great Firewall”, society may truly have something to fear in the form of surveillance and information manipulation.
Panopticism is a social theory named after the Panopticon, according to Foucault, his describes a watch tower in a prison and he thinks Panopticism is how people act different when they’re being watched. Rayner perspective on Panopticism is how we can use social media to our advantage. In this essay, I will analyze both Foucault and Rayner perspective on Panopticism and will determine the rhetorical appeals of both writings.
In the twenty first century, everyone is gluing their eyes to bright screens, and keeping their minds and mouths shut. The public mindlessly releasing information through dangerous domains, like the Internet, poses a great issue. Citizens do not realize where their information can be used and why it is used. This unfortunate circumstance is seen in Peter Singer’s “Visible Man: Ethics in a World Without Secrets.” Although there is a sensation of isolation for the public in this century, there should still be a great amount of openness when it comes to social and political events that involve information, and the ways that data is collected for these purposes.
Whether we like it or not the society that currently exists is Panoptic, with cameras on
Foucault once stated, “Our society is one not of spectacle, but of surveillance; under the surface of images, one invests” (301). By this, he means that our society is full of constant supervision that is not easily seen nor displayed. In his essay, Panopticism, Foucault goes into detail about the different disciplinary societies and how surveillance has become a big part of our lives today. He explains how the disciplinary mechanisms have dramatically changed in comparison to the middle ages. Foucault analyzes in particular the Panopticon, which was a blueprint of a disciplinary institution. The idea of this institution was for inmates to be seen but not to see. As Foucault put it, “he is the object of information, never a subject in
In his essay “Panopticism,” Michel Foucault introduces the Panopticon structure as proof of modern society tending toward efficient disciplinary mechanisms. Starting with his example of the strict, intensely organized measures that are taken in a typical 17th-century plague-stricken town, Foucault describes how the town employed constant surveillance techniques, centralized a hierarchy of authorities to survey households, partitioned individual structures to impose certain behavior, and record current information about each individual.
The final sentence reveals the Panopticon’s true purpose: a political tool. The previous sentences break down the previously configured definition of the Panopticon and with this final piece, Foucault finishes redefining the term. Understanding that limiting the definition of the Panopticon would eliminate its functionality, Foucault chooses to interpret it loosely without assigning a set meaning to it. Thus, allowing the concept of the Panopticon to be used in other subject areas and not just as a tool for prisons. John Berger also addresses a similar issue through the example of artwork in his text, “Ways of Seeing”. Berger’s description of present day reproductions of images from the past explains how past processes can find use in the present through interpreting the essence of its meaning. More specifically, Berger believes that we can assign several different uses to objects of the past because the information that they provide remains the same even if the actual, physical object does not. “It is not a question of reproduction failing to reproduce certain aspects of an image faithfully; it is a question of reproduction making it possible, even inevitable, that an image will be used for many different purposes and that the reproduced image,
According to Foucault, power does not belong to the individual, but to the system, to the institution. In his essay on Discipline and Punish, Foucault presents his idea of the panopticon mechanism, a mechanism in which visibility is a trap. With little importance over the actual individual in the role of the observer or of the observed, the object of the system is total power over the observed. Due to the unique shape of the panopticon, there are no corners and thus no blind spots for the observed to hide in. The private space is replaced by the public one. Furthermore, as final evidence of total control, the observed never knows for sure if they are being watched or not, as they can’t see the observer (Foucault 200-205). Foucault further argues that this system is followed by any government institution, placing the society under permanent observation. Individuals might try to evade the system, but achieving liberation and freedom is not something that anyone could do. Dostoevsky’s famous novel, Crime and
Foucault's "Panopticism" (1979) is a careful piece that talks about how a panoptic framework would impact culture, society, the political, and individuals. Foucault describes panopticon is to “induce the inmate a state of conscious and visibility that assures the automatic function of power.” Foucault mentions, surveillance has a lasting effects, regardless of the fact that it is discontinuous in its activity; that the perfection of power ought to render its real unneeded practice. The Inmates are in a dominating circumstance that they are them-selves the bearers. Foucault (201, 202–3) also mentions that "He who is subjected to a field of visibility, and knows it, expect responsibility regardless of the constrains of power; he makes them play spontaneously upon
Panopticism is the main element of the novel Nineteen Eighty-Four. In the novel, it shows the dystopian life where the government, or the Party has all the power, and they carefully monitor their citizens 24/7 with the use of telescreens, which is a television and a security camera (Orwell 5). The Party monitors the inner party and outer party only because they are what is important, unlike the proles whom the Party does not monitor at all. Winston mentions numerous times “If there is hope it lies in the proles” (Orwell 80). The proles take up 85% of the population of Oceania, therefore if there were to be a revolution the proles could destroy the Party.
The author of the essay “Panopticism”, Michel Foucault gives his opinion on power and discipline in Panopticism. He describes Jeremy Bentham’s “Panopticon”, a tower in the centre of a room which has vision to every cell, generalized for prisoners. In simple words, it functioned in maintaining discipline throughout the jail. It’s most distinctive feature was that; prisoners could be seen without ever seeing. Prisoners would never really know when they are watched and when not. They are always under the impression that someone is keeping an eye on them continuously and if anything goes wrong, or they make mistake, they would be punished severely. Since, a prisoner would never know when he/she is watched, they have to be at their best. In a
The Panopticon, a prison described by Foucault, “is a machine for dissociating the see/being seen dyad: in the peripheric ring, one is totally seen, without ever seeing” (321, Foucault). This literally means that in the formation of the panopticon those who are being seen can not see one another and the one who sees everything can never be seen. That is the most important tool of the panopticon. Foucault makes this assumption about today’s society by saying that we are always being watched whether we know it or not. One always keeps an eye over their shoulder as a
Despite the dehumanizing effect of Panopticon as an disciplinary mechanism based on constant observation and examination with every movement supervised and all events recorded. The Panopticon system as one of the most effective and economic models of exercising power and control over an constantly increasing population, soon became a formula, wide spread throughout our society. Along with the growing ethnology and capitalist economy, various methods of Panopticon through mass surveillance soon earned it’s place in numerous regimes, becoming one of the most infinitely expandable Panopticon of the contemporary society.
The background behind Panopticism is from the prevention of the spread of a plague. The design used was that all plague victims would stay locked inside their homes while a guard would monitor the street. Those inside the home were not allowed to leave unless it was an extreme circumstance and that they were accompanied by a guard. The system was put in place so the guards were able to obtain the