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The Pastoral Clinic Book By Angela Garcia Takes Place On

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The Pastoral Clinic book by Angela Garcia takes place on a penetrating journey into an iconic Western landscape northern New Mexico’s Española Valley, home to the highest rate of heroin addiction and fatal overdoses in the United States. In a luminous narrative, Angela Garcia chronicles the lives of several Hispano addicts, introducing the intimate, physical, and institutional dependencies in which they are entangled.
The book discovers how history pervades this region that has endured centuries of material and cultural dispossession, and how heroin problem is a contemporary expression of these conditions, as well as a manifestation of the human desire to be released from them. Lyrically evoking the Española Valley and its residents …show more content…

They even provide a constitutive power of it (p. 7). Garcia considers how addiction is a disease emerging from the need to numb invisible communal suffering produced by historical and ongoing trauma. “The word people often use for heroin in northern New Mexico is ‘medicinal,” Garcia explained in a recent interview. “They view heroin as just another medication that takes the pain away.” Garcia developed an intimate knowledge of heroin addiction in the valley by developing relationships with addicts while working at the only clinic in the region. As a consequence, The Pastoral Clinic shows the relationship between self-medicating and the regional geographic and cultural dispossessions that have led to displacement, marginalization, addiction, and communal pain.
Both her narration and her analysis illuminate the lives of the area’s heroin addicts residing and shows how heroin addiction among the members of the local Hispanic community is a result of the history of dispossession, family dynamics, and the indigenous Hispanic culture. In exploring the intergenerational dimensions of heroin addiction among Hispanos, she reveals that the drug provides a source of bonding among family members and friends, and anesthetizes their nostalgic sense of loss. In doing so, Garcia draws on Sigmund Freud’s “Mourning and Melancholia” to introduce the readers to the idea of “melancholy subjectivity.” She writes, “Melancholy designates a kind

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