The Phaedrus Dialogue

Symposium is a gathering hosted by Agaton to celebrate his first tragedy award for playwriting. Each of the guests gave a speech about love. The speech dealing with questions about what is love; interpersonal relationships through love; what types of love are worthy of praise; the purpose of love; and others. A series of speech about the love ended by the entry of Alcibiades, known as a wealthy aristocrat of Athens for his good-looking, and political career. He entered the discussion drunkenly supporting by a flute-girl, follow upon his speech about love. His unexpected entrance and speech dramatically changed the mood left from Diotima’s serious dialogue with Socrates about the ideal love. The first five speeches contradicted each other and were reconciled in Diotima’s speech, especially her speech about “Ladder if love” and “love of wisdom ”, which implies the delicate relationship between Alcibiades and Socrates.

Through several dialogues Plato gives readers accounts of Socrates’ interactions with other Athenians. While some may think of him as a teacher of sorts, Socrates is adamant in rejecting any such claim (Plato, Apology 33a-b). He insists that he is not a teacher because he is not transferring any knowledge from himself to others, but rather assisting those he interacts with in reaching the truth. This assistance is the reason Socrates walks around Athens, engaging in conversation with anyone that he can convince to converse with him. An assertion he makes at his trial in Plato’s Apology is at the center of what drives Socrates in his abnormal ways, “the unexamined life is not worth living for a human being” (38a). Socrates, through aporia, looks to lead an examined life to perfect his soul and live as the best person he can be. This paper looks to examine the ‘unexamined life’ and the implications rooted in living a life like Socrates’.

Plato is remembered as one of the worlds best known philosophers who along with his writings are widely studied. Plato was a student of the great Greek philosopher Socrates and later went on to be the teacher of Aristotle. Plato’s writings such as “The Republic”, “Apology” and “Symposium” reveal a great amount of insight on what was central to his worldview. He was a true philosopher as he was constantly searching for wisdom and believed questioning every aspect of life would lead him to the knowledge he sought. He was disgusted with the common occurrence of Greeks not thinking for themselves but simply accepting the popular opinion also known as doxa. Plato believed that we ought to search for and meditate on the ideal versions of beauty, justice, wisdom, and other concepts which he referred to as the forms. His hostility towards doxa, theory of the forms, and perspective on reality were the central ideas that shaped Plato’s worldview and led him to be the great philosopher who is still revered today.

Plato is often criticized for preaching the gospel of me first. The claim is that his understanding of love is essentially egoistic, and this is seen as troublesome for the obvious ethical reasons. But there may be an even more troubling issue with Plato's understanding of love. In this paper I will attempt to argue that for Plato, love is in a sense impossible; that it can only ever be a desire for something out of one's grasp. The stakes are high but perhaps there is a way to understand this problem in a way that seems a little less damning. To do this I will analyze arguments from the Lysis and the Symposium, first questioning even the possibility of love and then attempt to show that love is in fact possible, all though in weaker

Purposely difficult and intentionally obsessive, Plato’s Phaedrus is an exceedingly difficult read that defies all conventional logic as a piece of discourse. The text is extremely subjective, open to interpretation and individual creativity as to what or whom the narrative is about. Written by Plato, a close disciple of Socrates, this text is set along the Illissus river where Phaedrus and Socrates meet for a day of speech, debate, rhetoric and okay…flirting. Phaedrus leads of the day and recites a speech by his close friend Lysias, who Phaedrus considers to be a top speechmaker. Socrates then, after chiding by Phaedrus unleashes two speeches of his own that overshadow and refute Lysias claim so boldly that Phaedrus is so taken by the

With reference to Plato’s work entitled Gorgias, this essay will provide a short background to the dialogue, provide a synopsis of the points put forward by Callicles and how Socrates refutes those claims, ending with a final assessment of the dialogue in completion.

However, Petruzzi explains that Plato's dialogical strategy leads to an assumption of the indeterminate nature of truth and a “philosophical rhetor who "knows" that she is not able to know with any certainty” (Petruzzi 16). He insists that the primary quality of Plato's texts is “that dialogue and dialectic express neither a technical skill nor a method, but rather a mode of being-in-the-world: Dialectic is not so much a techne-that is, an ability and knowledge-as a way of being" (Petruzzi 17). For Plato, rhetoric is is agreement between participants where its success is reliant upon them presenting opposing sides or bringing a problem under consideration. Petruzzi explains that Plato searched for a stable definition that would anchor a concept in “"one" unified and temporary intellectual position.” However, he struggled because the disclosure of truth, through dialogue and dialectic, “explicitly contains the perspectival and relational quality of aletheia, or unconcealment” (Petruzzi 17). As we see, Plato strove for truth, but his error with in thinking that there were absolute truths that don’t change. William Benoit said that Plato’s views stand in sharp relief against those of the Sophists because he believed in certain knowledge, for he declares rather bluntly in the Gorgias that "truth, you see, can never be refuted." In the Phaedrus, he

In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes

He writes, “when turned towards the twilight of becoming and perishing, then [the soul] has opinion only, and goes blinking about, and seems to have no intelligence” (Book VI, p. 25). By establishing opinion as the opposite to the ultimate good, and by definition, the ultimate evil, he criticizes the use of rhetoric and persuasion while praising to his long-winded, circuitous form of writing. By continually asking questions and telling parables, Plato avoids direct advocation of his beliefs and allows his readers to discover the truth for themselves, rather than to be coerced through eloquent language.

Rhetoric is an art form created before the reign of Gorgias, by Aristotle. As time progressed throughout the ages, Aristotle taught the art of rhetoric to his student Socrates, who eventually taught it to Plato. The art gradually adapted into the rhetoric we use today, providing the reason as to why Plato chooses to recreate the account of Socrates and Gorgias’ discussion. Plato shows us how Socrates’ knowledge of proper usage of rhetoric is vaster than that of Gorgias’. He helps us visualize the various ways he uses rhetoric, to provide the reason for his ability to use rhetoric better than the other Orators. This is illuminated by Socrates’ use of pathos, in his argument of pain and pleasure, the use of ethos in speaking about the comparison of medicine and gymnastics, and his use of logos in his debate on the body and soul. Plato places special consideration into choosing the topics he highlights in the story because of Socrates innate ability to refute these topics the way does.

Plato’s Symposium attempts to define the eclectic theory of love, a theory that is often believed to be the universal principle that guides mankind’s actions. Plato introduces several narratives in the form of a dialogue that seek to characterize this multifaceted theory of Eros. The meaning of love naturally varies in each narrative. Yet, in this dialogue of love, Plato presents a metaphysical approach to understanding the ambiguous meaning of love. Ultimately, Plato values the perennial quest for knowledge above all else. In Symposium, Platonic love is exhibited in the relationship between virtue and desire, as expressed in Diotima’s ladder. Desire is the vehicle, or the means to an end. The six Athenians ultimately present different

Plato was a philosopher from Classical Greece and an innovator of dialogue and dialect forms which provide some of the earliest existing analysis ' of political questions from a philosophical perspective. Among some of Plato 's most prevalent works is his dialogue the Symposium, which records the conversation of a dinner party at which Socrates (amongst others) is a guest. Those who talk before Socrates share a tendency to celebrate the instinct of sex and regard love (eros) as a god whose goodness and beauty they compete. However, Socrates sets himself apart from this belief in the fundamental value of sexual love and instead recollects Diotima 's theory of love, suggesting that love is neither beautiful nor good because it is the desire to possess what is beautiful, and that one cannot desire that of which is already possessed. The ultimate/primary objective of love as being related to an absolute form of beauty that is held to be identical to what is good is debated throughout the dialogue, and Diotima expands on this description of love as being a pursuit of beauty (by which one can attain the goal of love) that culminates in an understanding of the form of beauty. The purpose of this paper is to consider the speeches presented (i.e. those of Phaedrus, Pausanias, Eryximachus, Aristophanes, and Agathon) in Plato 's Symposium as separate parts that assist in an accounting of the definition and purpose of platonic love.

In the Symposium, written by Plato, Socrates and others engage in a dialogue in the home of Agathon on love. Instead of "singing the honours" (94) of love like the other participants, Socrates uses a retelling of a discussion that he had with a woman named Diotima to tell the audience of what he perceives to be the truth of love.

The passage I have chosen from Plato’s Apology is the main passage to which Socrates believed in until his death and gave the basis for his life and they way he chose to live his life. It is this passage that makes

In the Symposium on that night, Socrates’ speech is one of the most important of the night as he is clearly a central figure, admired by the other guests. Socrates begins by presenting his argument that if love is nothing, then it is of something, and if it is of something, then it is of something that is desired, and therefore of something that is not already possessed, which is then usually beautiful and good. Human beings begin by loving physical beauty in another person, then progress to love of intellect and from that level to see the connection among people and ultimately, the lover of beauty enjoys a kind of revelation or vision of universal beauty, which we find ourselves in the pursuit of during our own study of Plato’s work. The