Poe shows an apocalyptic and evil theme in “The Pit and the Pendulum”. Within the story the main character, who is also the narrator, captured by the Spanish Inquisition, falsely accused of a crime he didn’t commit, and sentenced to death. The narrator is placed in front of terrifying, unforgivable judges. Unable to understand what their saying and terrified of the verdict, he passes out. The story actually describes it as, " Though he lives on the. brink of the pit, on the very verge of the plunge into unconciousness, he is. still unable to disengage himself from the physical and temperal world. The. physical oppreses him in the shape of lurid graveyard visions; the temporal. oppreses him in the shape of an enormous and deadly pendulum. It is altogether. appropriate, then, that this chamber should be constricting and cruelly angular" …show more content…
He realizes he is bound and a pendulum sweeping above him from side to side. As the razor, sharp pendulum gets closer and some rats gnaw away at his food him faints again and awakens to the pendulum being in the same place. On the bridge of insanity, he tries to cling to the remaining hope he has but toggles between hope and despair. He musters up enough sanity to come up with a plan to free himself. He puts the remaining food on his ropes and allows the rats to eats away at them away right before the pendulums sharp blade slices his chest. The surroundings begin to change and the chamber heats up. He scurries to the cool water at the brink of the pit to escape the heat. Right before he is about to fall in, the walls recede in. The French army beat the Spanish Inquisition and General LaSalle catches his hand before he can fall. It’s all over now. The theme of death and time are strongly portrayed within the story and exemplifies a sense of uncertainty and
In “The Pit and the Pendulum”, the atmosphere is dark and unsettling. In addition to the setting and characters, there are various other factors that give the story a creepy feel to it. Furthermore, the narrator’s thoughts and descriptions add to the ominous mood of the story. For example, the tale states, “By long suffering my nerves had been unstrung, until I trembled at the sound of my own voice, and had become in every respect a fitting subject for the species of torture which awaited me” (Poe 5). At this point in the story, the narrator, falling into his torturers’ trap, tips on the verge of insanity and begins to lose hope. The reader can easily picture the narrator, cowering against the wall, eyes wide, flinching at the slightest of sounds. Therefore, along with the horrifying aspects of the torture chamber, the unstable narrator and his thoughts create a foreboding and macabre feeling characteristic to gothic
His body isn’t ready for the direct sunlight and his mind cannot comprehend the world in comparison to what he felt he knew. In time, the man is able to see that all of the previously “known” information he had was completely false but also that he must start a different journey in order to find himself as the way of life he was previously use to, in which guessing was the way of judging knowledge, is ineffective and useless to him now. Finally, the prisoner returns to the cave with a new base of knowledge. He tried to share this information with his fellow prisoners but after hearing about his travels and that they were in fact wrong the prisoned men said to him that “up he went and down he came without eyes, and that it was better to not even think of ascending” ("The Simile of the Cave." Republic, 1974) . He is then met with resistance in offering them help and freedom from their binds. They threaten “if anyone tried to loose another and lead him up to the light, let them only catch the offender and put him to death”, it is as if they feel that his “loss of sight” is death to them and they are perfectly happy with the information that they know to be true ("The Simile of the Cave." Republic, 1974) .
The theme in “The Pit and the Pendulum” is death and hope. This is displayed in the poem when the narrator realizes the razor sharp pendulum that has been over him swaying from side to side is not an image, and is getting ready to kill him at any second. In the “Pit and the Pendulum” on page 276 it states, “It was the painted figure of Time as he is commonly represented, save that, in lieu of a scythe, he held what, at a casual glance, I supposed to be the pictured image of a huge pendulum, such as we see on antique clocks.” This means the whole time the narrator was in the dungeon he thought the pendulum was nothing but an image of time. When the rats bite through his restraints, he has a feeling of hope that he will escape and not die He feels the same thing
The movie "The pit and the Pendulum" was nothing at all like the book. The
The narrator in this torture chamber is submitted to several kinds of traps and torments: the pit, the rats and the closing walls. He tries to escape from each one of these but every time he succeeds he finds himself in a worse situation than he was before. Inside the chamber he is deprived of the sense of sight so at first he cannot know where he is or what dangers surround him. His will however
Edgar Allen Poe’s The Pit and the Pendulum uses horror and suspicion to build up not only the storyline, but the persona of the narrator in which is also the prisoner. The characteristics of the prisoner ties within the story to create trippy feelings of fear and unassertiveness of whether or not he is truly safe. From the trials that the prisoner has faced, his characteristic of resourcefulness, pessimistic, and terror are revealed and play a salient part of his slick escape.
As you can see, Poe has the narrator terrified of death in the pit. At the same time he has
The Pit and the Pendulum is about a man who is sentenced to THE PIT during the Spanish Inquisition. The story starts out as describing his trial and quick sentence to THE PIT. Next as he is in
In Edgar Allan Poe’s story, “The Pit and the Pendulum,” Poe, uses the horror elements of isolation, madness, and plot twist to add suspense to the story. In the beginning, the narrator is standing in front of what he describes as judges as they decide his fate, which adds suspense because the audience doesn’t know what could happen to the narrator when the judges punish him. Secondly, he is all alone, or so he believe. He is the only one experiencing the things that are being done, he is isolated from everyone and it is very dark. The narrator thinks, “My worst thoughts, then, were confirmed. The blackness of eternal night encompassed me,”(Poe 3) as he lays on the damp ground. Towards the middle, the narrator going mad because the Spanish
The temporal setting “oppress the character with the shape of a pendulum” (3) He fears its deadly velocity which represents his final hours of life. He feels terror of the doom that will “cut” his time on earth. As everyone knows, this symbolizes that death is inevitable.
Edgar Allan Poe is a famous well known writer known for his dark and gothic horror stories such as “The Tell-Tale Heart” and many others. The well-known author had a rough life which dealt with a lot of death, so most of his stories revolve around this idea. In “The Cask of Amontillado” and “The Masque of the Red Death” Poe uses similar themes or darkness to convey tone and conflict throughout the story. His writing style is dark and revolves around one main concept: death. Edgar Allan Poe uses diction and syntax, setting and conflict, and characterization in his writing style to develop his stories.
In his short story, The Pit and the Pendulum he writes “I was sick-sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence-the dread sentence of death-was the last of distinct accentuation which reached my ears” (Poe quoted in Hamilton). The narrator of this story tried to gain the sympathy of the reader, similar to William Wilson, by describing how ill he was and how others were treating him. In another one of his works, The Cask of Amontillado, the narrator claims “The men Fortunato had done me a thousand wrongs. I bore them as best I could. But when he began to insult me, I vowed revenge. You do understand my nature, will know that I spoke no threats aloud. But to myself I vowed to be avenged, sometime” (Poe quoted in Hamilton). Again, he attempted to gain the sympathy of the reader by making Fortunato seem like an awful person, and that he was right to be angry and want revenge. His use of phrases like “a thousand wrongs” and “I vowed revenge” helped to get his point across, that he was extremely angry with
In both “The Pit and the Pendulum”, and in “The Masque of the Red Death”, the main characters face the possibility of dying, but in “The Masque of the Red Death”, Price Prospero cannot escape his inevitable fate and ends up dead like all his guests. This is contrasted by Poe’s other story, “The Pit and the Pendulum”, where the narrator is inexplicably saved at the eleventh hour.
Stephen King once said, “We make up horrors to help us cope with the real ones.” Bram Stroker, H.P. Lovecraft, Mary Shelley, and Edgar Allan Poe may have been a few of the greatest authors of horror to ever live. Out of all of these authors, Poe may have written the most freighting tales. All of his stories are considered horror, but some of them have more horrific qualities than others. “The Pit And The Pendulum” is one of Poe’s most famous works. “The Pit And The Pendulum” by Edgar Allen Poe meets three qualifications of a true horror story.
Additionally, “The Pit and the Pendulum” is a nail-biting narration of a prisoner being kept in a dungeon. Unaware of what his fate will be, the narrator assumes he will suffer death by hanging, until he explores his unlit surroundings and finds he is in a dungeon with a deep pit in the floor and a pendulum like scythe swinging from the ceiling above. Left to die, the narrator is saved in his last moments of despair by General Laselle who has taken over the prison as part of his crusade to end the inquisition. Perhaps one of Poe's most aspirant pieces of writing, the narrator in the “The Pit and Pendulum” never relinquishes himself to what the reader may view as an inevitable, certain death.