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The Raven's Annabel Lee

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Unlike “The Raven’s” narrator, the narrator of “Annabel Lee” does not perform actions throughout the poem. Instead, his action is limited to the second and ending stanzas. He does, however, react emotionally to the action of the angels. In the second stanza, he “[loves] with a love that [is] more than love” and Annabel Lee loves the narrator back in the same fashion. Additionally, “she lived with no other thought/ Than to love and be loved by” the narrator. This is their soul purposes in life. Even though she is dead, he is still alive and, therefore, still lives to love her as she did him while she was alive. He dreams of her and feels her eyes every night—she has really never left him and will stay with him for as long as he lives. …show more content…

They then “shut her up in a sepulcher/ In [the] kingdom by the sea” (“Annabel Lee” 18-19). As before, the narrator pays this separation no mind—he is not stopped by the door of the tomb. Instead, he lies “down by the side/ Of [his] darling…/In her sepulcher there by the sea” (“Annabel Lee” 38-40). This action “shows the nothingness of death” (Halliburton 173). Death has not power over the narrator. In fact, nothing can separate him from his beloved Annabel Lee. If something tries, he pays it no heed because their love for each other is stronger than anything else, death …show more content…

“It was many and many a year ago” begins the narrator, reminiscent of the ‘once upon a time’ introduction of fairytales (“Annabel Lee” 1). This fairytale-like introduction to the poem gives it an air magic and mystery. The vagueness characterizes the narrator’s feelings toward everything else. The setting does not really matter to him. Annabel Lee does. Since nothing else matters, he is able to completely ignore death and thus death has no power over him as it does with the narrator of “The Raven.” Likewise, the same fairytale-like introduction hints at timelessness and immortality. Time cannot touch his love. His love cannot decay nor can it be controlled. He has his happy ending characteristic of fairytales. He has an immortal love that will never die. In addition to the fairytale aspect of the poem, Annabel Lee’s sepulcher is by the sea, implying that it has a view of the horizon—an infinite view (“Annabel Lee” 40). This view and the fairytale quality symbolizes the immortality of their love. Death cannot touch the love, being immortal. It therefore has no power to control any aspect of the relationship between the poem’s narrator and his “beautiful ANNABEL LEE” (“Annabel Lee”

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