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The Religion Of Matthew Lewis 's The Monk

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Perversion of Religion in Matthew Lewis’s The Monk

Matthew Lewis’s The Monk, published in 1796, depicts the Catholic Church in Madrid as the victim of religious perversion caused by the pride and lust of its leaders. The events of the novel, including the monk Ambrosio’s surrender to temptation, leading to the rape and murder of innocent Antonia, as well as Agnes’s imprisonment by the vain Prioress of St. Clare’s Convent, serve to emphasize the lack of true religious devotion in the city of Madrid. However, despite the shocking events of the novel, the city had already fallen prey to temptation, and had ultimately strayed from the path of the Church long before these new atrocities took place.
Ambrosio, though he has taken a vow of …show more content…

Pride is one of the most common sins committed in The Monk. There are very few characters in the novel that escape this particular blemish to their personality. Early in the novel, Lewis describes the inhabitants of the church, saying, “the Women came to show themselves, the Men to see the Women,” (7). Thus, although the natives of Madrid have come to mass, they came for the wrong reason; their pride drives most of their actions. Antonia’s aunt, Leonella, is particularly prey to her prideful nature, despite her age. As she returns from mass with Antonia, she tells the girl, “the very moment I produced myself in Madrid, I knew that I should be surrounded by Admirers.” This example of Leonella’s vanity, humorous to the reader because of the woman 's appearance in comparison to that of her beautiful niece, is very quickly criticized. Upon the woman’s encounter with the gypsy as she returned from mass, Leonella was nearly “choaked with passion” as she listened to the stranger’s mocking advice to “lay aside/ your paint and patches.” Even the nuns in the Convent of St. Clare are not immune to pride. When Theodore, disguised as a beggar, attempts to gain access into the Convent, Lewis states, “his feigned timidity flattered the vanity of the Nuns,” (284); he gains a place in their

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