Meyer Fortes explains the two ways Greeks understood fate or moira in his work on “Oedipus and a Job”. Fortes defines fate to its original meaning of lot and portion. He found that the first aspect was impersonal and focused on the “supreme over both gods and men” (50). With this Fortes means that actions are being determined by other things beyond the individual’s control like gods. The impersonal aspect could also be considered as the deterministic view of fate. The second aspect was individual, being that each person has a “particular apportionment of good and evil. . . which is decided at birth” (Fortes 50). Forte means to say that the individual’s good and evil is given to them at birth. Yet, Fortes speaks directly about Oedipus adding that, “an individual’s fate is in part determined by the fate of his parents and in turn affects that of his offspring” (50). Here Fortes is trying to say that there were so many different things that took shape of Oedipus’ life and that of his offspring’s. At the very beginning Oedipus’ life took shape because of Laius and Jocasta, first they his life formed but later they tried to take in away because of an oracle. As Oedipus’ life continued he would make decisions that would ultimately lead him to his own demise. Finally the decisions that Oedipus made in his lifetime would negatively affect his children. Kirkwood Gordon M. Kirkwood believes that there are three types of oracles, but in his writing, “Oracles and Dramaturgy,” he only
In Sophocles' Oedipus the King, the element of fate versus freewill shows up frequently all through the play. It is foreseen to Oedipus' parents, Jocasta and Laius, that their child would grow up to slaughter his father and wed his mother. Jocasta and Laius endeavor to dispose of their child, however, fate triumphs. Oedipus' fate all through the play has been chosen by the fate which adds to his annihilation. Various societies and cultures all through history have embraced similar perspectives, accepting a fate or destiny for their lives. Such points of view are very common is Greek myths who had confidence in "the three Fates" — goddesses who controlled the lives of individuals and the world in general. Clotho the youngest spins the thread of human life. She decides who will be born and when. Lachesis, a matron, measures the thread deciding a person’s lot in life. She is shown with a measuring stick, a scroll, a book, or a globe that represents the horoscope. Atropos, the oldest, choses the mechanism of death and ends the life of each mortal by cutting their thread. She is usually portrayed with a cutting instrument, a scroll, a wax tablet, a sundial, or a pair of scales. Even in modern day, some Christian philosophies incorporate destiny as fate. Many Jews acknowledge that their God has an arrangement for their people and nation.
Fate as defined by the Merriam Webster dictionary is ‘an inevitable and often adverse outcome, condition, or end’. Sophocles discusses fate vs free will in his plays. In the play Oedipus Rex there was a prophecy that Oedipus was destined to kill his father and marry his mother, he attempts to escape his destiny by running away to Thebes where he meets his fate. In the play Antigone, that main character Antigone decides to go against Creon’s (her uncle who has inherited the throne) decree and bury the brother, Polynices, knowing the consequences would lead to her death. In Sophocles’ plays Oedipus Rex and Antigone, the theme is mankind not being able to escape their fate.
Fate is defined as the development of events beyond a person’s control. In “Oedipus the King,” Sophocles, tells us about a tragic hero (Oedipus) in which his life is predetermined by fate, because he is deprived of free will. The first act of fate on Oedipus was him being saved by a shepherd when his parents (Queen Jocasta and King Laius) left him in the mountains to die, he then met and killed his father without knowing who he was, and last, he married Queen Jocasta, later realizing that she was his mother. Every action that Oedipus took to prevent his fate, would soon be the ultimate downfall, not only for himself, but for his family and the people of Thebes.
Sophocles states that “Fate has terrible power. You cannot escape it by wealth or war. No fort will keep it out, no ships outrun it.” Fate derives from a Latin word, fatum, meaning that one’s future is predetermined. In Oedipus Rex, Sophocles unfolds the misfortune of a noble king who searches for knowledge. Evidently, Greek heroes like Oedipus are destined to rule, but are also bound to fall, therefore, he cannot alter his own fate. This tragic play proves that the power of fate is indeed stronger than one’s free will. Despite his attempts to fight his destiny, Oedipus can never outrun his fate. Regardless of his parents’ desperation to evade the predicted outcome, fate guides his journey for knowledge, leading to his destruction.
Throughout the vast history of literature, various concepts have come and gone. The idea of fate or fatalism has been a concept that has survived the test of time. Numerous characters have succumbed to the power of fate and the character of Oedipus from Sophocles’ Oedipus the King is a prime example of the vast power of fate within literature. Sophocles effectively depicts the wrath of fate as he portrays how Oedipus fell victim to fate and his efforts to disregard fate were futile. Once again fate manages to triumph and displays no character whether king or slave can avoid its gaze.
Are all events predetermined? Does everyone have a prophetic destiny that they must fulfill? If so, who determines their fate? Who—or what—binds them to their fixed ending? Is there really no way to resist? Is fatalism—the theory that all events are preset and inevitable—true? And if it is—is there ever such a thing as free will?
It is the responsibility of man to take ownership of his destiny which separates the human condition for that of other earthly beasts. From birth, Oedipus, the tragic hero of Sophocles’ Greek Tragedy Oedipus Rex, is destined to kill his father and marry his mother. Although by the opening act of the play, Oedipus has earned the throne of Thebes for solving the riddle of the Sphinx, the eponymous character is unaware that he has already fulfilled his prophecy. Meanwhile, the people of Thebes are dying of a plague that will only end when the unknown murderer of Laius, the previous Theban King, is punished. Through retrospection, Oedipus believes that he might be responsible for Laius death and is told that the King and Queen of Corinth who
Sophocles is the author of the famous play, “Oedipus the King”. In case you did not know, Sophocles is from Greece. In Greek mythology there are three goddesses who preside over the birth and life of humans. Each person 's destiny was thought of as a thread spun, measured, and cut by the three Fates, Clotho, Lachesis, and Atropos. In the story “Oedipus the King” fate and destiny was the main theme. On Google the definition of destiny is the events that will necessarily happen to a particular person or thing in the future. Fate is defined as, the development of events beyond a person 's control, regarded as determined by a supernatural power. In this paper I will be analyzing the story to help you understand the significance of destiny and fate to the story.
Throughout Oedipus The King, Oedipus embarks on a journey to realize that he is the murderer of his father, Laius, and husband to his mother, Jocasta, making him a victim of what seems to be an inevitable fate. What makes this more tragic is that Oedipus, a seemingly good leader, tries to avoid his fate, but instead keeps inviting it over. Violating the word of gods and doing things in excess shows Oedipus’ pride that leads to his hubris. Because of his hubris, Oedipus brings his fate upon himself. In this way, fate is connected to the traits of Oedipus, known as hamartia, instead of it being a divine thing. Oedipus can’t escape his fate because it is a part of him; no matter where he goes and what he tries to do, it will always be there. Fate seems beyond anyone’s control and more of the will of gods, but Oedipus’ fate is found within his personality. Moreover, Oedipus’ traits are not something that he can control. He did not choose to let his ego take control and ultimately determine the course of his life. This means that it was inherited by the choices others made, or just by luck. Basically, fate determines Oedipus’ hubris and his hubris leads to hamartia, an element of fate. This connection between his hubris and hamartia shows that what can make him a good leader goes downfall when it becomes excessive. This is what Oedipus is blind to and does not realize. His pride that comes to identify him and makes him a hero to everyone becomes too much and is the same thing that leads to his downfall.
Fate is defined as a predetermined event that cannot be changed by mortals. In Sophocles’ Oedipus the King, Oedipus is marked by his fate, and he does not realize it until it is too late. Oedipus learns of his fate when he calls for Teiresias, the blind man who can read and interpret the prophecies. After being provoked by Oedipus, Teiresias angrily reveals that Oedipus is destined to kill his own father and marrying his own mother, while eventually gouging out his eyes. However, Oedipus does not fear his fate; he believes that he is invincible to these prophecies. How does one go about escaping fate? Does one have any control over these predetermined events? Oedipus is a man in pursuit of answers, and the idea of his prophecy coming to fruition does not sit well with him. He does not even fully understand fate and how it is going to affect him until he experiences it. Nevertheless, Oedipus understands that free will does exist and is seen throughout the text implementing his own actions into his everyday life. The idea of fate is flawed, and is used by Oedipus and people of today’s society as a scapegoat for one to hide behind their own poor decisions.
Laius and Jocasta hear the fate that their son would kill Laius and marry Jocasta. In their free will, they decide to get him killed, and send a shepherd to send the baby on top of the mountain to have him killed. Although, fate overpowered and the baby survived, and the prophecy later became true. () Another part is when Oedipus leaves Corinth, a free will action in order to fall away from the prophecy of killing his father and marrying his mother. Although, what he did not know was that Merope and Polybus were not his blood parents, and he eventually does kill his blood father and marry his blood mother. This is showing how free will is limited, as characters did have the free will to do certain actions, but it is fate that truly conducts the play. “A son was born To us, but lived no more than three days. Yes, Laius pinned his ankles together and sent him Away to die on a distant, lonely mountain. Once he was there, no power could make him a murderer, Nor make Laius die at the hands of his son.” (95) Through free will, Jocasta thought that if her and Laius were to send Oedipus to the mountains through a servant to die, then the fate would be gone. Even though she could have killed Oedipus herself, she could not bare killing her own son. This ultimately lead to a change, and her free will action lead to fate, as Oedipus went on to survive and kill Laius and marry herself. This shows that even though Jocasta had the choice to kill Oedipus, fate in the end had the control of the action and free will was limited by
Could Oedipus be a victim of fate or is he responsible for his own tragedy? In the play "Oedipus the King" by Sophocles, the author displays the Greek's belief of fate controlling a man’s life despite of a man’s free will. Man was free to choose and was extremely held responsible for their own actions. Throughout Oedipus the King, the idea of fate and free will plays an important role in Oedipus' downfall. Although Oedipus was a victim of fate, he was not guided by it at all. When Oedipus was born, he was intended to marry his mother and to murder his father in the future as a prophecy warned by the oracle of Apollo.
Fate played an important part in the plays and literature of the Greeks as is shown in Sophocles' play
Oedipus the King would not have been successful throughout centuries as a tragic play, if Oedipus were clearly responsible for his own tragedy. The play's ongoing success was do to Oedipus' innocence which immediately makes one think he can not be fully responsible and to blame. I do not believe Sophocles would have wrote the story, or I do not think people would have ever read it or studied it had it simply been a story of a criminal's retribution. Sophocles himself believed Oedipus to be the innocent victim of an ironic tragedy, and built the play around this belief. This story was destined to happen and I believe the author would agree. The story revolves around destiny, the resistance of people to it and the ultimate ending of destiny
In Oedipus king wrote by the dramatist and philosopher Sophocles, Oedipus is the only responsible of his destiny. Oedipus was the one who held his fate and destiny in his hands. Because of his actions that he made, the curse that he swore and the prophecy about him, he had to be punished for his actions and sins.