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The Scarlet Letter By Nathaniel Hawthorne

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Nathaniel Hawthorne was quite progressive for his time and his novel, The Scarlet Letter, is a wonderful example of this. Before he married his wife, Sophia Peabody, Hawthorne joined Brook Farm, a transcendentalist group (Nathaniel Hawthorne). According to Merriam Webster, transcendentalism is, “a philosophy that emphasizes the a priori conditions of knowledge and experience or the unknowable character of ultimate reality or that emphasizes the transcendent as the fundamental reality” (“Transcendentalism”). Put simply, transcendentalists thought that intuition and knowledge of ourselves is more a more important reality than the scientific, sensual reality. As a group, these people held very progressive views on women’s rights, education, …show more content…

This is supported by a quote in chapter 5, wherein the anonymous, omniscient narrator describes the townspeople’s thoughts on Hester:
Throughout them all, giving up her individuality, she would become the general symbol at which the preacher and moralist might point, and in which they might vivify and embody their images of woman 's frailty and sinful passion. Thus the young and pure would be taught to look at her, with the scarlet letter flaming on her breast,—at her, the child of honorable parents,—at her, the mother of a babe, that would hereafter be a woman, —at her, who had once been innocent, —as the figure, the body, the reality of sin. And over her grave, the infamy that she must carry thither would be her only monument. (Hawthorne 73)
Hester’s punishment goes beyond the symbolism of the scarlet letter A she must wear on her chest, to the point where she is stripped of her humanity and is completely objectified, lowered to the level of a savage animal, unable to deny her base desires. However, if Hester had been a man, no one would have thought all too much of it, and let it go sooner. The only reason people reacted so strongly to finding out that Dimmesdale was the person Hester cheated with is because he’s a man of the cloth and also because he died right after confessing. In fact, the puritan patriarchs and some others defended that Dimmesdale’s confession was an allegorical performance and merely a continuation of his moving

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